| The Chorus | |
| Director: | Christophe Barratier |
| Based On: | A Cage of Nightingales |
| Music: | Bruno Coulais |
| Editing: | Yves Deschamps |
| Studio: | Vega Film Banque Populaire Images 4 CP Medien AG Canal+ Centre National de la Cinématographie (CNC) Dan Valley Film AG France 2 Cinéma Galatée Films Novo Arturo Films Pathé Renn Productions Procirep |
| Distributor: | Pathé Distribution (France, United Kingdom and Ireland) Constantin Film (Germany and Austria)[1] Vega Film (Switzerland) |
| Runtime: | 96 minutes[2] |
| Language: | French |
| Budget: | $5.3 million |
| Gross: | $83.6 million[3] |
The Chorus (French: '''Les Choristes''', in French pronounced as /le kɔʁist/,) is a 2004 French musical drama film directed by Christophe Barratier. Co-written by Barratier and Philippe Lopes-Curval, it is an adaptation of the 1945 film A Cage of Nightingales (La Cage aux rossignols). The story is inspired by the origin of the boys' choir the Little Singers of Paris.
At the 77th Academy Awards, The Chorus was nominated for Best Foreign Language Film and Best Original Song (the latter for "Vois sur ton chemin", listed as "Look to Your Path", composed by Bruno Coulais).
In 2004, Pierre Morhange (Jacques Perrin), a French conductor performing in the United States, is informed before a concert that his mother has died. After the performance he returns to his home in France for her funeral. An old friend named Pépinot (Didier Flamand) arrives at his door with a diary which belonged to their teacher, Clément Mathieu. They proceed to read it together.
In 1949, fifty-four years earlier, Clément Mathieu (Gérard Jugnot), a failed musician, arrives at Fond de l'Étang ("Bottom of the Pond"), a French boarding school for troubled boys of all ages, to work as a supervisor and teacher. At the gate, he sees a very young boy, Pépinot (Maxence Perrin), waiting for Saturday, when he says his father will pick him up. The viewers later learn that his parents were killed in the Second World War during the Nazi occupation of France, but Pépinot does not know this.
Mathieu discovers the boys being ruthlessly punished by the very strict headmaster, Rachin (François Berléand) and attempts to use humour and kindness to win them over. When a booby trap set by one of the boys, LeQuerrec, injures the school's elderly caretaker, Maxence (Jean-Paul Bonnaire), Mathieu keeps the culprit's identity from the headmaster, while encouraging LeQuerrec to nurse Maxence during his recovery.
On discovering the boys singing rude songs about him, Mathieu forms a plan: he will teach them to sing and form a choir as a form of discipline. He groups the boys according to their voice types, but one student, Pierre Morhange (Jean-Baptiste Maunier), refuses to sing. Mathieu catches Morhange singing to himself, discovers he has a wonderful singing voice and awards him solo parts on the condition that he behaves.
Morhange's single mother, Violette (Marie Bunel), arrives at the school. When Mathieu goes to explain that Morhange cannot be visited because he has been locked up as a punishment, he finds himself pitying and being attracted to the boy's beleaguered mother and instead tells her that Morhange is at the dentist. Meanwhile, a cruel, uncontrollable boy named Mondain arrives and begins causing trouble by bullying the others, influencing others to be like him and generally being rebellious. After stealing a watch, he is locked up for two weeks.
The choir is improving rapidly with Morhange as its lead soloist; the children are happier, and the faculty less strict — even Rachin begins to loosen up, playing football with the boys and making a paper aeroplane. After Mondain is released from lock-up, he runs away and seemingly steals all the school's money. After Mondain is captured, Rachin repeatedly slaps him, until Mondain in turn attempts to strangle Rachin. Rachin hands him over to the police, still not knowing the location of the stolen money, and disbands the choir. Mathieu begins teaching his choir "underground", practising at night in their dormitory.
Mathieu continues to meet Morhange's mother, who is unaware of his attraction to her. He plans to help her son win a scholarship to the music conservatory in Lyon. One day she blithely informs him that she has met someone: an engineer. Mathieu is dejected but expresses his feigned happiness and watches her leave in the engineer's car.
The Countess, a sponsor of the school, finds out about the choir; they perform before her and others, and Morhange enchants the audience with his solo. Mathieu discovers that another boy, Corbin, stole the money that Mondain was accused of taking. Despite this, Rachin refuses to accept Mondain back at the school especially after Mathieu refuses to reveal who the real culprit is.
When Rachin departs to accept an award from the board after taking credit for the choir, Mathieu and Maxence suspend classes and take the boys on an outing. While they are out, Mondain returns and sets fire to the school. Mathieu is fired for breaking the rules, even though he saved the boys' lives, and Maxence is suspended. As Mathieu leaves, the boys —forbidden to say goodbye — lock themselves in their classroom, sing and throw farewell messages out of the window on paper planes. Touched, Mathieu walks away, musing about how he has failed and nobody knows of his existence.
Back in the present, the adult Morhange finishes reading the diary and recounts what happened afterwards: he won his scholarship to the conservatory, and Rachin was fired after his fellow teachers exposed his abuse towards the students. Mathieu, Pépinot relates, continued to give music lessons quietly for the rest of his life.
The final scene (in the past again) shows Mathieu waiting for his bus after being fired. As he boards it, he looks back and finds Pépinot running after him, insisting that he come too. Initially, Mathieu refuses because it is not allowed, and he leaves Pépinot behind. Suddenly, the bus stops and Mathieu gives in: the two board the bus together. Pépinot finally got his wish, for he and Mathieu left on a Saturday, and Mathieu raised him.
After making the short film Les Tombales, director Christophe Barratier was looking for a subject for his first feature film. He noticed that many of his ideas were linked to his childhood, and the emotions he felt between the ages of four and eight. Coming from a musical background, he also wanted to tell a story linked to music. The themes of childhood and music made him think of the film La Cage aux rossignols, which he had seen on television at a young age and which "touched [him] profoundly".[4] Barratier told his idea to Gérard Jugnot, whom he had known for quite a long time and with whom he shared a taste for old French cinema and actors such as Noël-Noël; Jugnot liked it but thought that the film would have to be set in the past, otherwise his character would be transformed into someone who "teaches rapping in the suburbs". Barratier said he did not think about setting the film in the present time because "Clément Mathieu [would have] other priorities, he would have nothing in common with a 1950s music teacher". Barratier then began writing the script; Jugnot said that the first version somewhat "lacked roughness", and co-writer Philippe Lopes-Curval got involved. He collaborated with Barratier to strengthen the story and develop the psychology of characters such as Rachin—for whom the children are "the symbol of a failed professional life"—and Chabert.
The director was keen that the role of the young Pierre Morhange should be played by a real singer, and the search for him was tedious. While touring large French choirs to choose the one to record the film's soundtrack, they discovered the 12-year-old Jean-Baptiste Maunier of Les Petits Chanteurs de Saint-Marc: Barratier described his voice as "exceptional and very moving", and composer Bruno Coulais said it was "incredible". They decided to cast him as Morhange and use the choir for the soundtrack, but that the rest of the choir would not play his classmates because the director did not want them to be professional actors. Instead, they looked for children near the filming location in Auvergne: casting director Sylvie Brocheré visited primary and secondary schools in Clermont-Ferrand, looking for children between the ages of six and 15.[5] After over 2000 auditions, the roles were cast. Of all the children, only the Parisians Théodule Carré Cassaigne and Thomas Blumenthal had some small acting experience.
Principal photography took place on location at the Château de Ravel in Puy-de-Dôme. Foam and salt were used as artificial snow and green leaves were removed from the grounds, since the beginning of the movie was filmed in the summer, but set in the winter. Fog machines were also used around the castle, and walls were deliberately scorched and stripped of paint to give the surroundings a "dilapidated" look, since boarding schools at the time often suffered from poor funding and management. When filming his first scene in which his character Mondain tries to intimidate Clément Mathieu, Gatignol had trouble behaving menacingly towards Jugnot, who described him as "too nice". For the scene in which Morhange drops ink on Mathieu's head, gouache was used. During choir scenes, song lyrics were written on large cue cards and the classroom's blackboard to aid actors. The children who played the choir described how their singing improved through the duration of the shoot; Nicolas Porte, the choirmaster of Les Petits Chanteurs de Saint-Marc, said that this "means that the story we tell is credible". Bruno Coulais, the composer of the film's score, said that the children "are passionate about music", which is "some kind of escape to them".
See main article: The Chorus (soundtrack). The soundtrack for The Chorus was released on 3 May 2004 by Warner Bros. Records, and subsequently by Nonesuch Records in 2005 and Varèse Sarabande in 2012. It features the film's original score, which was composed by Bruno Coulais and performed by the Bulgarian Symphony Orchestra (conducted by Deyan Pavlov) and the choir Les Petits Chanteurs de Saint-Marc. The album's 2012 release added five additional tracks, most of which are the orchestral backing tracks of other songs. Filmtracks summed it up by saying "for enthusiasts of boys' choirs and heartwarming, sentimental choral performances in general, The Chorus translates into a strong, albeit repetitive album."[6] The soundtrack topped the albums chart in France for 11 weeks and reached number three in Belgium, before its United States release in early 2005. Around the same time, the live album Les Choristes en concert was released on both CD and DVD.[7]
In the United States, the film was shown at multiple film festivals—including the Chicago International Film Festival,[8] the Austin Film Festival,[9] and the Heartland Film Festival—before opening in New York City and Los Angeles on 14 January 2005.[10]
The film had a worldwide gross of $83,580,890 including $3,635,164 in the United States and Canada,[11] $2,062,908 in the United Kingdom and $48,765,590 in its native France.[12] It ranked 72 on the list of the highest-grossing films of 2005 worldwide,[13] and 195 in the US and Canada.[14]
The Chorus was released on DVD in France (as Les Choristes) on 27 October 2004 by Pathé.[15] On 3 May 2005, Lionsgate released the film on DVD in the United States as The Chorus;[16] on the same day, it was released by Alliance Films in Canada.[17] On 11 July 2005, Pathé released a version with English subtitles in the United Kingdom.[18]
The Chorus received mixed to positive reviews from critics. Rotten Tomatoes gives it a 69% "Fresh" rating, based on 108 reviews, and an average rating of 6.50/10, indicating that most reviewed it positively, and summarises that "While predictable, this low-key heartwarmer manages to be uplifting without overdoing the sentiment."[19] On Metacritic, the film holds an average score of 56 out of 100 based on 32 critics' reviews, indicating "mixed or average reviews".[20] Peter Howell of the Toronto Star commended the film's "credible acting and outstanding score", saying they allowed it to "[rise] above feelgood status". The BBC's Matthew Leyland said "even though all the notes are predictable, the film hits them with a wit, warmth and gusto."[21] Many critics felt that the film's format was predictable, and it was widely compared to other films about inspirational teachers, such as Dead Poets Society, Goodbye, Mr. Chips and Mr. Holland's Opus; The Salt Lake Tribune commented "if you've seen one inspirational-teacher melodrama ... you've seen this one, too" and criticised the movie's "one-note characters" and "plodding predictability".[22] Of the title characters, critic Roger Ebert said: "Their influence will forever change the lives of their students, and we can see that coming from the opening frame", and that The Chorus "should have added something new and unexpected". Ebert also commented that "This feels more like a Hollywood wannabe than a French film."[23]
At the 77th Academy Awards, The Chorus was nominated for Best Foreign Language Film and Best Original Song (the latter for "Vois sur ton chemin", listed as "Look to Your Path").[24] At the 58th British Academy Film Awards, the film was nominated for Best Adapted Screenplay (Christophe Barratier, Philippe Lopes-Curval) and Best Film Not in the English Language, and Bruno Coulais' score was nominated for Best Film Music.[25] The film was also nominated for Best Foreign Language Film at the 62nd Golden Globe Awards.[26] The 26th Young Artist Awards saw Jean-Baptiste Maunier nominated for Best Performance in an International Feature Film – Leading Young Performer, as well as The Chorus itself for Best International Feature Film.[27] In France, the film won Best Sound (Nicolas Cantin, Nicolas Naegelen, Daniel Sobrino) and its score won Best Music Written for a Film at the 30th César Awards, where The Chorus received a further six nominations: Best Actor (Gérard Jugnot), Best Debut (Christophe Barratier), Best Director (Christophe Barratier), Best Film, Best Production Design (François Chauvaud) and Best Supporting Actor (François Berléand).[28] In 2004, Bruno Coulais won the European Film Award for Best Composer; Gérad Jugnot was also nominated for Best Actor, and The Chorus for Best Film.[29] The film later received the Lumières Award for Best Film in 2005,[30] as well as London's Favourite French Film award in 2007.
In 2017, Christophe Barratier adapted the movie as a musical for the Folies Bergère in Paris.[31]