| Leonor Cecotto | |
| Birth Date: | 1918, 1920 or 1922 |
| Birth Place: | Formosa, Argentina |
| Death Date: | 8 May 1982 |
| Death Place: | Asunción, Paraguay |
| Known For: | Engraving, painting |
Leonor Cecotto (died 8 May 1982, Asunción, Paraguay) was a 20th-century Latin American painter and engraver. Born in Argentina, she resided in Paraguay for the majority of her life, eventually becoming a prominent artist in the latter country. She was known for both her paintings and her xylographs.
Cecotto was born in Formosa, Argentina, in 1918, 1920 or 1922.[1] Her parents were Vicente González Leiva (Spanish) and Catalina Cecotto (Argentinian). Her father was a piano tuner, and she initially studied piano, and taught piano to earn money.From a young age, Leonor Cecotto resided in Paraguay.[2] [3]
Cecotto was largely self-educated, in part because her father forbade her to attend El Ateneo Paraguayo (the Paraguayan Athenaeum). She was taught drawing and painting privately at home, by a French artist, Francis Eugene Charles.[4] [5] In the 1950s she approached João Rossi, a Brazilian professor at a YMCA-hosted arts workshop. Rossi—known as a driving force for a "modernization" of the contemporary Paraguayan plastic arts—introduced Cecotto to professional art. Cecotto was also influenced by Livio Abramo, a Brazilian-born engraver who also resided in Paraguay and taught woodcut courses.[6]
As a result of her contributions, Cecotto is considered part of the Grupo Arte Nuevo, a school of influential 20th-century Paraguayan artists.[7] [8] [9] Ceocotto was a founder of the Center de Artistas Plasticos del Paraguay, and taught drawing and painting at the Female Institute of Integrated Culture in Asuncion. Her students included Bernardo Krasniansky.
She died in Asuncion in 1982.[10]
In Paraguay, Cecotto earned several awards, most notably the First Prize for Painting in the Second Salon d'Automne and the first prize in an engraving contest organized by the Centro Cultural Paraguayo Americano in 1966.
In his 1984 book Una interpretación de las artes visuales en el Paraguay, Paraguayan art critic (and future Paraguayan minister of culture) Ticio Escobar noted of the artist;
Cecotto's work can be found in the Metropolitan Museum of Art, the National Library of France, the Art Museum of the Americas, in the collection of the University of Sydney, the Centro de Artes Visuales de Asunción, and in private collections.
| Year | Exhibition |
|---|---|
| 1951 | Exhibited her work for the first time in Asunción. |
| 1953 | Participated in International Exhibitions, most notably of which was the International Exhibition of Painters in Chicago (United States of America)[11] |
| 1960 | Participated in the First Latin American Competition of Xylography in Buenos Aires. |
| 1963 | VII São Paulo Biennial Exhibition (Brazil).[12] |
| 1963 | La Primera Bienal Internacional del Grabado en Santiago de Chile. |
| 1964 | IV Bienal de grabado en Tokio, Japón. |
| 1965 | La Exposición de Arte Sudamericano en Braniff Internacional, en la Universidad de Texas (E.E.U.U.). |
| 1965 | La Segunda Bienal Internacional del Grabado en Santiago de Chile. |
| 1966 | La Cuarta Muestra Internacional de Bianco e Nero en Lugano (Switzerland). |
| 1967 | La Exposición de Grabado Latinoamericano en la Galería Cegrí de Nueva York (EE UU). |
| 1967 | La Exposición de Pintura Paraguaya Contemporánea en la Unión Panamericana en Washington (EE UU). |
| 1968 | La Primera Bienal Iberoamericana de Pintura organizada por la Fábrica Coltejer de Medellín (Colombia). |
| 1968 | la Exposición de la Muestra Internacionale della Grafica en la Unión Florentina de Florencia (Italia). |
| 1969 | X Bienal de São Paulo.[13] |
| 1971 | XI Bienal de São Paulo.[14] |
| 1971 | Museo de arte moderno de Nueva York |
| 1972 | La III Bienal de Arte Latinoamericano organizado por la Fábrica Coltejer de Medellín. |
| 2009 | Retrospective show, El Centro Cultural Paraguayo Americano y Amigos del Arte.[15] |