| Leon Russell | |||||
| Birth Name: | Claude Russell Bridges | ||||
| Alias: | Hank Wilson, Russell Bridges, C. J. Russell, Lew Russell | ||||
| Birth Date: | 1942 4, mf=y | ||||
| Birth Place: | Lawton, Oklahoma, U.S. | ||||
| Death Place: | Nashville, Tennessee, U.S. | ||||
| Burial Place: | Memorial Park Cemetery in Tulsa, Oklahoma, U.S. | ||||
| Spouse: | |||||
| Children: | 6 | ||||
| Occupation: | Musician, arranger, conductor, record producer, record executive, singer-songwriter | ||||
| Years Active: | 1956–2016 | ||||
| Module: |
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Leon Russell (born Claude Russell Bridges; April 2, 1942 – November 13, 2016) was an American musician and songwriter who was involved with numerous bestselling records during his 60-year career that spanned multiple genres, including rock and roll, country, gospel, bluegrass, rhythm and blues, southern rock, blues rock, folk, surf and the Tulsa sound. His recordings earned six gold records and he received two Grammy Awards from seven nominations. In 1973 Billboard named Russell the "Top Concert Attraction in the World".[1] In 2011, he was inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame.[2]
Russell collaborated with many notable artists and recorded 33 albums and 430 songs.[3] He wrote "Delta Lady", recorded by Joe Cocker, and organized and performed with Cocker's Mad Dogs & Englishmen tour in 1970. His "A Song for You", which was named to the Grammy Hall of Fame in 2018, has been recorded by more than 200 artists, and his song "This Masquerade" by more than 75.[4]
As a pianist, Russell played in his early years on albums by the Beach Boys, The Ventures, Dick Dale, and Jan and Dean. On his first album, Leon Russell, in 1970, the musicians included Eric Clapton, Ringo Starr, and George Harrison. One of his early fans, Elton John, said that Russell was a "mentor" and an "inspiration".[5] They recorded their album The Union in 2010, earning them a Grammy nomination.
Russell produced and played in recording sessions for Bob Dylan, Frank Sinatra, Ike & Tina Turner, the Rolling Stones, and many other artists. He wrote and recorded the hits "Tight Rope" and "Lady Blue". He performed at The Concert for Bangladesh in 1971, along with Harrison, Dylan, and Clapton; for this he earned a Grammy Award.
Russell was born on April 2, 1942, the second of John Griffith and Hester Evel (née Whaley) Bridges' two sons at Southwestern Hospital in Lawton, Oklahoma.[6] [7] Russell's mother said he started talking later than most children. She said while he was "watching the birds, and something was going on with the birds", Russell's first words were "What's the matter little birdie, you cry?". Russell's mother said "she was shocked, because he never spoke".[6]
Russell always favored his left hand. He said "I was born with 'spastic paralysis', now called cerebral palsy". An injury at birth had damaged his second and third vertebrae, causing a slight paralysis in the right side of his body, most notably affecting three fingers on his right hand. This caused Russell to develop his signature left-hand-dominant piano playing style.[8] He said "My chops have always been sort of weak ... I have damaged nerve endings on the right side, so my piano style comes from designing stuff I can play with my right hand". Russell said the condition helped him become "very aware of the duality involved in our plane of existence here".[9]
Russell had a limp his entire life, also caused by the cerebral palsy. Most thought the limp was due to a childhood bout of polio. He said "I felt like the world had cheated me big time" but added "If I hadn't had the problem, I probably wouldn't have gotten into music at all and would have been an ex-football player, selling insurance in Des Moines".[9]
An aunt discovered a four-year old Russell and a young female cousin innocently examining each other's bodies in a children's playhouse. The aunt proceeded to shame Russell before the entire family. Russell said "That incident affected me for my whole life. I tend to freeze up around any situation that involves people watching me."[10]
Both of Russell's parents played the upright piano in their home. At the age of four Russell's mother heard him picking out the melody to "Trust and Obey", a hymn he had heard at church. She said "He just sat down one day and started playing by ear".[6] Russell started taking piano lessons at age four at the Popejoy School of Music in Anadarko, a 38 mile trip to and from the family home. Sarah Dora Popejoy, Russell's first tutor had earned a “Distinguished” degree from Philadelphia’s Combs Broad Street Conservatory of Music.[11]
While still taking piano lessons, Russell learned to play the alto saxophone and cornet in his elementary school band.[6] He then learned to play the baritone horn. After impressing the Maysville High School band director, Russell was invited to join the high school marching band while in the fifth grade.[11]
Russell attended Will Rogers High School in Tulsa, Oklahoma. His classmates included Elvin Bishop, Anita Bryant and David Gates.
Russell said he learned to fake a classical piano style, saying "I studied classical music for a long time, maybe ten years, and I realized, finally, I was never going to have the hands to play that stuff. It was too complicated. I invented ways to play in a classical style that was not the real deal".[12]
His first record appearance was created while Russell was in high school in 1957. Then 15 years old, Russell played piano on "Jo-Baby", a song written by 16 year-old Gates. The record, originally attributed to "The Accents" was released by the Tulsa based Perspective Sound record label. The record was re-released a year later and distributed nationally by Marty Robbins on his Robbins record label under the band name "David Gates & The Accents".[11] Russell would later collaborate with Gates after high school in the band The Fencemen.[13]
Russell credited his deep awareness of the precursors of American soul music to a homemade AM crystal radio. "At that time I made a crystal radio set, and oddly enough, with a crystal radio you can only get one station [at a time]. So after I would get off my job at 1 or 2 in the morning, I’d get home and put on the crystal set with the headphones and just listen. The station it got was a blues and gospel station, so I heard a lot of that music. That was a simple twist of fate".[14]
Russell was offered a chance to tour with Jerry Lee Lewis after graduating from high school. Explaining his decision to not attend college, Russell said, "When I had a chance to go on the road with Jerry Lee Lewis, I’d just spent three days, twelve hours a day, taking entrance examinations to Tulsa University and I just thought, well, it’s a waste of time, ’cause I have to study so many things I’m not interested in. ROTC I had to take, and right away I knew that I didn’t want to do that. I figured this was my chance to eat in a lot of restaurants and travel around, play some rock and roll music, which I decided was easier and better".[15]
Performing while underage in clubs and bars, Russell assumed the name "Leon Russell" from a fake ID card he used to enter clubs even though he was a high school student. At the time, Oklahoma was a "dry" state, so teenagers were able to perform in clubs that ordinarily would have only been open to those over 21 years of age.[9] [16]
At 14, Russell was already in demand as a piano player in Tulsa. Russell explained the Tulsa music scene was an outgrowth of relaxed Oklahoma liquor laws. "Oklahoma was a dry state back when we started... since there wasn’t supposed to be any liquor, there weren’t any liquor laws, so there was a lot of clubs where people would go and drink for 24 hours a day. The police didn’t pay any attention. It was a wide-open town. When people don’t get caught up in that political morality, it creates a hotbed of musical experience".[17]
Although still in high school, Russell performed at area supper clubs, bars and nightclubs with his group "The Starlighters" (Russell, J.J. Cale, Leo Feathers, Johnny Williams, and Chuck Blackwell). Blackwell said Russell was "...especially good at playing Erroll Garner-style jazz during dinner, but then, after everybody got through eating, he'd break into Jerry Lee Lewis".[6] Russell also backed groups in Tulsa including Ronnie Hawkins and The Hawks, often until early morning, after having worked through the night.[11] [18]
Russell said "I worked six or seven nights a week till I left Tulsa at 17. I'd work 6 to 11 (pm) at a beer joint, then 1 to 5 (am) at an after-hours club. It was a hard schedule to do when going to school. Islept in English a lot".[19]
Russell and his band were instrumental in helping define and popularize the style of music known as the "Tulsa Sound".
Russell said "...I got out to California, and they were more serious about their liquor laws. I about starved to death because it was so much harder to find work at my age".[19] Settling in Los Angeles, he studied guitar with James Burton.
Russell was primarily a session musician in his early career. During session work he played for and with artists as varied as Jan and Dean, Ricky Nelson, Gary Lewis & the Playboys, George Harrison, Delaney Bramlett, Freddy Cannon, Ringo Starr, Doris Day, Elton John, Ray Charles, Eric Clapton, the Byrds, Barbra Streisand, the Beach Boys, the Ventures, Willie Nelson, Badfinger, the Tijuana Brass, Frank Sinatra, the Band, Bob Dylan, J. J. Cale, B.B. King,[20] Dave Mason, Glen Campbell, Lynn Anderson, Joe Cocker, the Rolling Stones, and the Flying Burrito Brothers.[21]
As Russell developed his solo artist career, he crossed genres to include rock and roll, blues, bluegrass and gospel music.
In Los Angeles, Russell played as a first-call studio musician on many of the popular songs of the 1960s, including some by the Byrds, Gary Lewis & the Playboys, Bobby Pickett, and Herb Alpert. He also played piano on many Phil Spector productions, including recordings by the Ronettes, the Crystals, and Darlene Love and in the 1963 A Christmas Gift for You from Phil Spector album. He can be seen in the 1964 concert film T.A.M.I. Show playing piano with the Wrecking Crew (an informal name for the top Los Angeles session musicians of the 1960s), sporting short, dark, slicked-back hair, in contrast to his later look.[21] In 1964 he also appeared on various TV shows, performing songs by Chuck Berry and others.
Herb Alpert said of Russell, "Leon was on several sessions that I produced with the Tijuana Brass. He was always dressed in a suit and tie, with short hair and no beard! This was soon after he arrived in Los Angeles from Oklahoma. We would go through the same routine each time I started rehearsing the music. He would sit at the piano and he would always say, 'I don’t know what to play'. And I would say, 'Just wait and see if you feel something, and if you don’t it’s okay. I just like your energy at the sessions'. Well, he would always chime in with something special and affect the groove in a very Leon Russell way that was always unique. Leon was a wonderful musician and had a major effect on all of my recordings. His touch can be heard on many Tijuana Brass records, including "Whipped Cream" and "A Taste of Honey". To top it off, Leon was a true gentleman with a special talent and he was a person that I had a great feeling for".[12]
In the mid-1960s, he wrote or co-wrote songs, including two hits for Gary Lewis and the Playboys: "Everybody Loves a Clown" (which reached the Billboard Top 40 on October 9, 1965, remaining on the chart for eight weeks and reaching number 4) and "She's Just My Style" (which entered the Billboard Top 40 on December 18, 1965, and rose to number 3).[22]
He played xylophone and bells on the 1966 single "The Joker Went Wild", sung by Brian Hyland and written by Bobby Russell (no relation to Leon). He also contributed to recording sessions with Dorsey Burnette and with Glen Campbell, whose 1967 album Gentle on My Mind credited him as "Russell Bridges" on piano.[23] He co-produced and arranged hits by Tom Northcott, including "Sunny Goodge Street" in 1967, written by Donovan.[24]
Snuff Garrett and Russell formed a production company, Snuff Garrett Productions in 1964. Russell was a production assistant, arranger and creative developer for the company.[9] Russell played on numerous number-one singles, including "This Diamond Ring" by Gary Lewis & the Playboys.[25] Russell also acted as Garrett's arranger and conductor of the Midnight String Quartet's debut album Rhapsodies For Young Lovers. The album was planned as a solo Leon Russell lp, but was instead marketed as a "Midnight String Quartet" production.[26]
Two years later, Garrett and Russell started Viva Records. Russell was the record label's initial A&R representative as well as producer for many of the label's recordings, including The Shindogs' 1966 "Who Do You Think You Are / Yes, I’m Going Home" (Viva V-601). Viva Records also had a number of music publishing divisions.[27] In 1969, it was reported Russell had been the vice-president of Viva.[28]
Russell was an arranger and songwriter as well as a piano and guitar player in "The Shindogs", the house band on the ABC-TV dance show series Shindig! Fellow musicians Glen Campbell and Billy Preston were among the Shindogs' alumni.[29]
Russell released his first solo record, the single, "Everybody's Talking 'Bout the Young", for Dot Records in 1965.[30] Produced by Russell and Snuff Garrett, the folk-rock, anti-Vietnam war protest song was co-written by Russell, T. Lesslie (Snuff Garrett) and J. J. Cale.[31]
In 1965 Russell built his first recording studio, "Skyhill Studios" inside his 2,900 sq. ft., 4 bedroom home at 7709 Skyhill Drive in the Hollywood Hills. Russell had seen and worked in similar home recording studios owned by Les Paul, Ernie Kovacs and others. He hired fellow Tulsan J.J. Cale as his in-home studio manager. Cale said "the neighbors thought the Hell’s Angels lived at Skyhill because of all the cars, motorcycles, and loud music at all hours of the day and night".[32] Russell and his friends referred to the studio as "the home for unwed musicians".[10]
Russell's recording studio home featured sound proofing, double walls and extensive wiring. Different rooms throughout the house were used to record various instruments, with a bathroom dedicated for use as an echo-chamber. The first recording session in the studio was an August 1965 Glen Campbell session. Russell’s Skyhill Studios was often used by up-and-coming artists to record demos to attract recording companies' attention.[32]
In 1968 Russell formed The Asylum Choir, a two-man group with Marc Benno. Benno, a Texan, sang and played guitar and bass. Russell sang and played guitar, piano, and drums. The duo had met in LA. Their twenty-six minute long LP Look Inside the Asylum Choir was released on Smash Records.[33] [34]
Russell and music producer Denny Cordell established Shelter Records in 1969. The company operated from 1969 to 1981, with offices in Los Angeles and Tulsa.[35] [36] Shelter Records released "Duppy Conqueror", reggae artist Bob Marley's first American single.
In 1972, DC Comics sued the record label for copyright infringement. The Shelter Records logo included an upside down version of the well-known Superman logo. Shelter Records obscured the logo with an overstamped black rectangle in response to the lawsuit and later settlement. Later versions of the logo replaced the Superman artwork with a scrawled letter "S" inside an outline of an egg.[37]
Russell performed as a member of Delaney & Bonnie and Friends in 1969 and 1970, playing guitar and keyboards on their albums and as part of the touring band. Through this group, he met George Harrison and others with whom he would work over the next couple of years.[38]
Russell was the co-producer, arranger, a songwriter and performer on Joe Cocker’s 1969 LP Joe Cocker!Russell wrote the song "Delta Lady" on the album.[21] The album reached number 11 on the Billboard 200.[39]
In March 1970 Russell was hired by Joe Cocker to help quickly mount a concert band and rehearse a 48 date tour. Cocker said he had been told by US immigration authorities he had to perform "right away" or lose his visa and be deported from the US. Rita Coolidge claimed the real reason was due to threats that Cocker would be physically harmed if he didn't comply with an order to tour.
Russell had only a week to locate, audition, hire and rehearse a 10-piece band and the "Space Choir" which would consist of 10 backup singers. Russell said Cocker, reportedly using copious illicit drugs at the time "was pretty wrecked when we started out". Asking Cocker "Does it sound good to you?" during an audition, Cocker said "It never sounds right to me". "I didn’t know how to take that. So I said, 'Shit, I’ll just do whatever I want'".[40] Russell hired many of the musicians from Delaney and Bonnie Bramlett's band. He both conducted and performed in the tour, playing either piano or lead guitar.[41] Singer and former Ikette Claudia Lennear, who performed during the tour, said Russell had the unique musical talent of being able to fuse together "white gospel and Black gospel".[42]
After watching the Mad Dogs & Englishmen concert film, Elton John said of Russell "There are some people who are born to be leaders of musicians and he is. It was Leon I was watching. He had the feel for that music. Joe was an amazing singer. But you could tell it was Leon's band".[43]
Russell purchased the top hat and "Holy Trinity" basketball jersey shirt he wore on the tour at a used clothing store near his Skyhill Studios in Los Angeles. He explained "I’m an actor - I was just trying to make a show".[44]
Russell released his 1970 solo album, Leon Russell on his Shelter Records label during the Mad Dogs & Englishmen tour. The album, recorded at Sunset Sound Recorders[45] in Los Angeles featured a number of guest vocalists and musicians, including Marc Benno, Bonnie Bramlett, Eric Clapton, Merry Clayton, Joe Cocker, Greg Dempsey, Bob Dylan, George Harrison, Mick Jagger, Keith Richards, Chris Stainton, and Ringo Starr.[46] The album included two Russell compositions that have become best-selling standards, "A Song for You" and "Delta Lady".
Russell explained how he wrote "A Song For You", saying "I was in my studio in Hollywood and actually I was trying to write a standard. I was trying to write a blues song that Frank Sinatra and Ray Charles both could sing... I wrote it in 10 minutes. It was for a specific occasion. And I went in there and wrote it very quickly... that happens sometimes. Sometimes they're very quick. It's almost as if one is not writing them, you know? Like they're coming from another place".[47]
"A Song for You" has become one of Russell's best-known songs, with versions released by more than 40 different artists, including Elkie Brooks, The Carpenters, Ray Charles, Billy Eckstine, Donny Hathaway, Peggy Lee, Carmen McRae, Willie Nelson, Freda Payne, Helen Reddy, and The Temptations. Both the Carpenters and The Temptations named an album after the song. Ray Charles' version earned him the 1994 Grammy Award for Best Male R&B Vocal Performance.[48] [49] "A Song For You" was inducted into Grammy Hall Of Fame in 2018.[50]
Russell's "Delta Lady" was first released in 1969 on The Mad Dogs & Englishmen lp, performed by Joe Cocker. Cocker's version changes Russell's original lyric from "I’m over here in England" to "when I’m home again in England" as Cocker was British. Bobbie Gentry performed the song under the title "Delta Man" on her 1970 album Fancy.
In 1970, Russell played piano on Dave Mason's album Alone Together, notably on the song "Sad and Deep as You".[51] [52] The song "The Letter" performed by Joe Cocker with Leon Russell & the Shelter People peaked at #7 on the Hot 100 on May 30, 1970; this was Russell's first hit song.[53]
In November 1970, Russell performed at the Fillmore East, with Elton John on the same bill. Those performances have been bootlegged.[54] Russell and John appeared on The David Frost Show with Fillmore owner Bill Graham on December 3, 1970.[55] [56] Russell's album Prince of Peace: Radio Broadcast 1970 is a soundboard recording of a concert at Fillmore East in late 1970.[57]
Leon Russell and Friends recorded the "Homewood Sessions", broadcast as an "unscripted and unrehearsed" one-hour TV special on KCET (Los Angeles) that aired in December 1970 and was later re-broadcast several times on the Public Broadcasting Service.[58]
Also in December 1970, Rolling Stone magazine carried an interview with Russell. It opened with a characterization of his sound as "those driving, lurchy, churchy rock and roll songs".[59]
Russell produced some tracks for Bob Dylan in March 1971 when Dylan was experimenting with his new sound. The sessions produced the single "Watching the River Flow" and "When I Paint My Masterpiece", both of which prominently featured Russell's gospel-flavored piano.[7]
At the invitation of George Harrison, Russell played piano on Badfinger's third album, Straight Up in the summer of 1971. Leon performed piano, vocals, bass and backing vocals at the two shows of the war-refugees' benefit (Concert for Bangladesh) on August 1, 1971.[60] He was featured performing a medley of the songs "Jumpin' Jack Flash" and "Young Blood" and singing a verse on Harrison's "Beware of Darkness". Bob Dylan surprised Russell by asking him to play bass for some of Dylan's portion of the concert; Russell and Harrison sang harmonies on the chorus of "Just Like a Woman".[21] The Concert for Bangladesh benefit album released in late 1971 was a major critical and commercial success. The release topped album charts in several countries, and went on to win the Grammy Award for Album of the Year in March 1973. The Concert also became an Apple concert benefit film directed by Saul Swimmer and released in spring, 1972.[61] [62] [63]
In 1971, Shelter Records released Leon Russell and the Shelter People and Asylum Choir II (co-produced by Marc Benno) and recorded at Russell's Skyhill Studios. Leon Russell and the Shelter People went on to be Russell's first US gold album. In the same year, Russell played on recording sessions with B. B. King, Eric Clapton, and Bob Dylan.[7] [64]
Russell helped the blues guitarist Freddie King revive his career by collaborating on three of King's albums for Shelter Records during the early 1970s. During those same years, Russell profited from what was then called the "country and western" market by recording and performing under the moniker "Hank Wilson",[65] and was a regular performer at Gilley's Club, a honkytonk in Pasadena, Texas, made famous by the film Urban Cowboy.[66]
Russell recorded the song "Get a Line on You" at Olympic Studios in October 1969, with contributions from Mick Jagger (lead vocal), Ringo Starr (drums), and probably also Bill Wyman (bass) and Mick Taylor (guitar). It was shelved until 1993, when it was issued as a bonus track on the 24K gold re-release by DCC Compact Classics (DCC Compact Classics GZS 1049). The Rolling Stones included the song, under the title "Shine a Light" on their 1972 album Exile on Main St..[67]
In 1972, Russell did a concert tour with his Shelter People entourage. One performance was recorded in California at the Long Beach Arena on August 28, 1972,[68] and was released as a three-record set in 1973 as Leon Live. It became his third U.S. gold album. In November 1972, Billboard cited Russell as a top concert draw and reported the 1972 tour gross at almost $3 million.[69] [70]
Also in 1972, he released his Carney album, which was his third solo studio album. The album peaked at number two on the Billboard 200. The album featured "Tight Rope" and "This Masquerade" (songs released on a 45 as the A side and B side respectively), and became his second gold album.[71]
Looking Back was released by Russell on Olympic Records in 1973, shortly after the success of his single "Tight Rope". It contains instrumental tracks recorded in the mid-1960s, featuring Russell playing the harpsichord.[72]
In 1975 Russell released Live In Japan on Shelter Records. The album was recorded live at Budokan Hall, in Tokyo, on November 8, 1973.[73]
Russell made it into the 1975 Top 40 with "Lady Blue", from his album Will o' the Wisp. It was his fourth gold album.[74]
Helen Reddy recorded Russell's song "Bluebird" as a single and on her 1975 album No Way to Treat a Lady.[75] The song debuted on the Billboard Hot 100 in the July 5 issue of the magazine and eventually peaked at number 35. That same issue also marked its debut on the magazine's Easy Listening chart, where it spent eight weeks and peaked at number 5; on the RPM singles chart it reached number 51.[76] Reddy said, "I love Leon Russell's writing and I love this song. It was an integral part of my repertoire for nearly 30 years, and I never tired of singing it."[75]
Russell's song "This Masquerade", the B-side of his 1972 hit single "Tight Rope", was later recorded by numerous artists, including Reddy and the Carpenters. George Benson's version of the song reached number 10 on the Billboard Hot 100 and won Record of the Year at the 1977 Grammy Awards.[77] As the songwriter, Russell was nominated for Song of the Year in 1977 but lost to Bruce Johnston, who wrote "I Write the Songs".[78] Russell's version of "This Masquerade" was used for the soundtrack for the psychological thriller film Bug, which was directed by William Friedkin. The Bug soundtrack was released on May 22, 2007. The song was also used in the movie The Pursuit of Happyness.[79] [80]
In 1976, Russell and Barbra Streisand wrote the song "Lost Inside of You" for the film sound track of A Star Is Born. During a songwriting session at her house, Streisand began playing an original composition on her piano, and Russell was inspired to hum a countermelody which surprised and impressed Streisand. The interplay between the two songwriters was fictionalized for a scene in the film showing Streisand and Kris Kristofferson writing the song together.[81] The A Star Is Born soundtrack received a Grammy Nominations for Best Album of Original Score written for a Motion Picture or Television Special.[82]
In 1976, Russell released the Wedding Album, a studio album with his then wife, Mary Russell,[83] otherwise known as Mary McCreary. It was the first release by Paradise Records, and it was distributed by Rhino/Warner Bros. Records.[84] Leon and Mary were the album producers, except for the final track "Daylight", which was produced by its writer, Bobby Womack.[85]
On May 15, 1976, Leon and Mary performed "Satisfy You" and "Daylight" with John Belushi impersonating Joe Cocker on Saturday Night Live.[86]
Make Love to the Music is the second album by Leon & Mary Russell released in 1977 on Paradise Records.[87]
In 1978, Russell released his Americana album on the Warner Bros. label.[88]
After touring with Willie Nelson, Russell and Nelson in 1979 had a #1 hit on Billboards country music chart with their duet of "Heartbreak Hotel". This single was nominated for Best Country Vocal Performance by a Duo or Group at the 1979 Grammy Awards[89] (presented on February 27, 1980), with the award going to the Charlie Daniels Band for "The Devil Went Down to Georgia". They also released their duet country pop-rock studio album, One for the Road, that year. It was Russell's fifth gold album.[90] The album was nominated for 1979's Album of the Year awarded by the Country Music Association, which went to Kenny Rogers for The Gambler.[91] The track "I Saw the Light" was nominated for Best Inspirational Performance at the 1979 Grammy Awards,[89] which instead went to B. J. Thomas for his album You Gave Me Love (When Nobody Gave Me A Prayer).[92]
Russell released Life And Love, an album on Paradise Records, in 1979. Life and Love has country, rock blues songs that harked back to Leon's work in the early 1970s.[93]
Russell purchased multiple properties in the early 1970s in his home state of Oklahoma, including the historic The Church Studio in 1972 located on the corner of 3rd Street and Trenton in Tulsa, Oklahoma. The church was also home to Shelter Records. Numerous musicians recorded at The Church, including Willie Nelson, Eric Clapton, Bonnie Raitt, Dwight Twilley, Dr. John, JJ Cale, the Gap Band, Freddie King, Phoebe Snow and Peter Tosh. Tom Petty, with his early band Mudcrutch, signed his first record deal with Shelter Records there.[94] [95] [96] [97]
In 1972 after viewing Les Blank’s film, The Blues Accordin’ to Lightnin’ Hopkins, Russell and Cordell hired Blank to film a documentary of the activities at the Shelter Records studio in Russell's compound at the Grand Lake Of The Cherokees in Oklahoma. Blank shot film footage for two years. Russell didn't care for the finished film and during the breakup of Shelter Records, traded his forgiveness of some of Cordell's loans in exchange for full ownership of the film. Russell would not allow the finished film to be shown, saying "This film will never be seen in public". 40 years later, a Disney movie changed Russell's mind. He explained "After Les Blank died, his son, Harrod, came to see me, offering to recut the film and also digitize it to enhance the quality. Plus, I had recently seen a Disney movie, Saving Mister Banks. After watching that, I realized sometimes we just say no to be just saying no, and I realized I was being selfish about it". Harrod Blank re-mastered and released the film, editing out 14 minutes of the original film. Russell said to Harrod Blank "I don’t know how you did it but this is so much better than what I remembered".[98] [99]
In 1973 Russell created the fictional musical personality "Hank Wilson", and recorded the album Hank Wilson's Back Vol. I at producer Owen Bradley's Bradley's Barn studio in Nashville. He said "'Hank Wilson' came about on a road trip. I was bringing a car back from L.A., and I stopped at a truck stop that had about 500 country tapes for sale. I bought a bunch and listened to them on the way home (to Tulsa). I don't really listen to records very much, except for research. I liked some of that stuff, though, and thought it would be fun to do a record like that".[19]
The album reached #28 on the Billboard chart in 1973. The first track, "Roll in My Sweet Baby's Arms", was a minor hit.[74] [100] [101] In 2010, a BBC review called Russell's album "one of the most joyful sidebars of his career... a deeply entertaining album that, like all great country, turns melancholy and gloom into melody and dancing".[102]
Russell helped the Gap Band, a trio of Tulsa brothers,[103] kick off their chart success in 1974. The group went on to produce several funk-disco hits. The Gap Band backed Russell on his album Stop All That Jazz.[104]
As a teenager, Roger Linn played guitar in Russell's band. In 1977 Linn created the first programmable drum machine that used actual drum beat samples.[105] Russell suggested that Linn also add longer-length loops as well as sampled hand claps, explaining a recording session that included clapping quickly becomes a burden for performers during multiple takes. Russell used Linn's drum machine for all of the percussion on his Life And Love album.[106]
In 1984 Linn created the pressure sensitive Linn9000 drum machine and credited Russell with the inspiration to add "sloppy" or shuffle timing. Linn explained "It was Leon who taught me about swing timing, which he called 'shuffle'. He explained that one of the big factors in a drummer’s feel was the degree of shuffle timing in his playing... I added the code to delay — by a variable amount... This allowed me to dial in the exact groove I wanted."[107]
Russell departed Shelter Records in 1976 to start his own record label, Paradise Records.[108]
Russell built and owned Paradise Studios in Burbank, California; the recording studio had two audio sound stages and one television production stage. The studios complex also had a mobile audio recording bus and remote television production bus that supported the stages or could travel. Paradise Records was also headquartered at the studio. The studio aired a weekly live television music show New Wave Theatre shown on USA network. The studio was used to make music videos from James Taylor and Randy Meisner, also long format video for Willie Nelson, J.J.Cale, Bonnie Raitt and Leon Russell.[109]
Russell and Aretha Franklin were the singers on the ABC Television Network 1985-1986 Fall promotional campaign. The three and a half minute song "We Belong Together" was written by Brock Walsh. The commercial first aired on July 6, 1986.[110]
Russell spent 1980 and 1981 touring with the New Grass Revival, releasing two more albums with Paradise Records before the label folded.[21]
On May 1, 1982, Russell played at Joe Ely's Third Annual Tornado Jam in Lubbock, Texas to a crowd of 25,000. The Jam included Joan Jett and the Crickets.[111]
On May 15, 1980, Russell joined with New Grass Revival to record a live album at Perkins Palace in Pasadena, California, released in 1981 as The Live Album (Leon Russell and New Grass Revival).[112]
In 1982, Russell played piano and percussion on New Grass Revival's Commonwealth album.[113]
Following up on his country theme, he made a second Hank Wilson album, Hank Wilson, Vol. II released in 1984, Hank Wilson being Russell's self-styled country music alter-ego since the early 1970s. It was released on Leon Russell Records.[114]
Russell released a country blues album, recorded in Hendersonville, Tennessee, at his Paradise Studios, called Solid State. It was released by Paradise Music in 1984.[115]
In 1985, Russell went on tour in the US [116] He also released the compilation album Best Of Leon Russell: A Song For You.[117]
In 1988 and 1989 Edgar Winter and Russell went on a concert tour of the US and Canada. Edgar Winter is a multi-instrumentalist, songwriter and record producer. In 2002 the DVD Edgar Winter – Live on Stage, Featuring Leon Russell was released.[118] [119] [120]
Russell released Delta Lady on Del Rack Records in 1991. Many of the songs are remixes of early recordings.[121]
Russell released a new album Anything Can Happen recorded at Paradise Studios, released on Virgin Records in 1991. Pianist Bruce Hornsby produced this comeback album. During the late 1980s and early 1990s Hornsby worked extensively as a producer and sideman with Russell.[122]
In 1993, Paradise Records released the Leon Russell 24k Gold Disc album. It was a remix of recordings done at Olympic Sound in London in 1969.[123]
Russell started Leon Russell Records, an independent record label, in 1995.[124]
Russell released his Hymns of Christmas Leon Russell: Piano and Orchestra, album with 10 instrumental hymns by Russell on Leon Russell Records in 1995.[125]
Capitol/EMI Records in 1996 released the album Gimme Shelter! The Best of Leon Russell, a two-CD album set with 40-tracks covering 1969–1992.[126]
Capitol/Right Stuff Records released in 1997 the album Retrospective, an album with Russell's 18 all-time best-selling songs.[127]
Russell released a new album . Returning to his county artist name on Ark 21 Records, released in 1998 .[128]
Russell released Face in the Crowd in 1999, a blues album on Sagestone Entertainment Records.[129] [130]
CD was released on Paradise Records in 1999.[131]
In 2000, Russell and Q Records released Live at Gilley's, a performance from September 17, 1981, at Gilley's Club.[132] Also in 2000, Leon Russell Records released the rock album Crazy Love on CD.[133]
In 2001, Russell teamed up with multi-instrumentalist Matt Harris to make the latter's album Slightly Elliptical Orbit. They wrote 10 songs for the 12 track album, and Russell sang on the This Train track. The album was released in 2002 on Leon Russell Records.[134]
Signature Songs was released in 2001 on Leon Russell Records. It comprises Russell playing his top songs from his career. It was re-released in 2007 by MRI Associated Labels.[135]
Russell returned as Hank Wilson, but this time with a twist of bluegrass, in , released in 2001 on Leon Russell Records. The songs are with New Grass Revival from the 1980s.[136]
Russell and the others who played on the "Foggy Mountain Breakdown" track each won Grammy Awards for Best Country Instrumental Performance at the 2001 Grammy Awards,[89] which were presented on February 27, 2002.
Moonlight & Love Songs, an album Russell made with the Nashville Symphony, was released on Leon Russell Records in 2002.[137]
In 2002, Russell released a 95-minute DVD titled "A Song for You", that features 25 Russell classic songs from the Shelter People to 2001. There is biographical commentary throughout the DVD. The video is of both concerts and studio sessions.[138] The DVD album Live And Pickling Fast was issued in the same year. This was a new album of the live Perkins Palace event on May 15, 1980: it had all the original songs from The Live Album (with New Grass Revival), plus all the other songs from the event and bonus tracks.[139] [140]
In 2006, Russell did a 12 city concert tour of the US. On April 23, he received the Living Legend award at Bare Bones International Film Festival[141] and in October he was inducted into the Oklahoma Music Hall of Fame.[142]
Also in 2006, Russell released the Okie rock album Angel in Disguise on his Leon Russell Records label.[143]
Bad Country released on Leon Russell Records in 2007, with 12 original songs by Russell.[144]
Russell played at Diversafest, Tulsa's music conference and festival, in 2007.
Almost Piano was released in 2007 by Leon Russell Records. It is a synthesizer piano collection of ten instrumentals from Russell.[145]
In Your Dreams was released on CD by Leon Russell Records in 2008,[146] as was A Mighty Flood, a gospel album with original songs by him. Billboard magazine described the latter as "a recent treat" and "buoyant".[147]
On January 31, 2010, Russell joined the Zac Brown Band to play the song Chicken Fried at the Grammy Awards. Zac Brown Band won the Best New Artist award.[148]
After years of reduced prominence, Russell's career was rejuvenated when Elton John sought him for a new project.[149] In November 2009, Russell worked with John and Bernie Taupin on The Union, a double album record credited equally to Russell and John. Recorded in February 2010 and produced by T Bone Burnett,[150] the CD was released on October 19, 2010.
The Union was Russell's sixth gold album.[151] The recordings were interrupted in January 2010 when Russell was hospitalized and underwent surgery for a brain fluid leak, as well as treatment for heart failure and pneumonia.[152]
A couple of months later, Russell announced plans for a solo LP, although no specifics were given, and in October 2010 Russell and John embarked on The Union Tour. John and Russell also appeared on the Late Show with David Letterman.[153]
Russell and John were nominated for their track “If It Wasn't for Bad", from their The Union album, for Best Pop Collaboration with Vocals at the 2010 Grammy Awards,[89] which were presented on February 13, 2011.
In 2011, the documentary film The Union by Cameron Crowe was released. It explored the creative process of John and Russell in the making of the 2010 album The Union.[154] [155]
On April 2, 2011, Russell and John performed together as the musical guests on Saturday Night Live. Rolling Stone placed the album in third place on its list of the 30 Best Albums of 2010.[156]
In 2012, Russell and Vince Gill sang the song A Way to Survive on the Living for a Song: A Tribute to Hank Cochran studio album by Jamey Johnson.[157]
Russell played in Willie Nelson's Fourth of July Picnic in Fort Worth, Texas, in 2013. He had first played at the picnic in 1976.
On June 23, 2013, Russell performed on the CMT Crossroads broadcast with Willie Nelson, Sheryl Crow, Jamey Johnson, Norah Jones, Ashley Monroe and Neil Young.[158]
In 2014, the album Life Journey was released on Universal Records. Working with Tommy LiPuma, this album included two new songs by Russell: "Big Lips" and "Down in Dixieland".[159]
On March 16, 2015, a restored version of a previously unreleased 1974 documentary about Russell, A Poem Is A Naked Person by filmmaker Les Blank, was screened at the South by Southwest Film Festival.[160] The film features concert footage of Russell in New Orleans and Anaheim and of the recording sessions for the album Hank Wilson's Back.
In 2015, Russell played at Virginia's Lockn' Festival and the Wildflower! Arts and Music Festival in Richardson, Texas.[161]
On May 30, 2015, Russell, Bonnie Raitt and Ivan Neville gave a performance at The Canyon Club in Agoura Hills, California, to raise cash for Marty Grebb who was battling cancer. Grebb had played on some of their albums.[162]
On September 11, 2015, he joined Rita Coolidge, Claudia Lennear, Chris Stainton, and other members of the 1970 Mad Dogs & Englishmen Tour for a tribute concert to Joe Cocker organized by the Tedeschi Trucks Band.[163] Original tour photographer Linda Wolf documented the reunion and performance.[164]
Russell had a nationwide concert tour in 2016[165] and was planning to tour into 2017.[166]
The album On a Distant Shore, recorded in 2016, was posthumously released in September 2017. The album has 12 songs written by Russell. Two of his daughters, Coco Bridges and Sugaree Noel Bridges, perform backing vocals on it.[167]
In 2010 Russell had surgery for a brain fluid leak and was treated for heart failure. In July 2016, he suffered a heart attack and underwent heart bypass surgery.
Russell died in his sleep at his Mt. Juliet home on November 13, 2016, at the age of 74.[168]
Russell's funeral was on November 18 at Victory Baptist Church in Mt. Juliet, Tennessee, and a public memorial was held at The Oral Roberts University Mabee Center on November 20 in Tulsa, Oklahoma.[169] His body is interred at Memorial Park Cemetery in Tulsa, Oklahoma.
Russell's music style encompassed rock,[170] country, gospel, bluegrass, rhythm and blues, southern rock,[171] blues rock,[172] rock and roll,[173] folk, surf, swamp rock and Tulsa sound.
Elton John, who had once been Russell's opening act, acknowledged him as his "biggest influence as a piano player, a singer and a songwriter."[174] On hearing of Russell's death, he said: "My darling Leon Russell passed away last night. He was a mentor, inspiration and so kind to me. I loved him and always will."[175] John once recalled:
Pixies vocalist Black Francis credits Russell with influencing his vocal style: "I realise there's a certain kind of vocalising I do that takes its cue from Leon Russell. He sang in a Southern accent but it was very blown-out and exaggerated, very free and loose."[176]
One of Russell's titles and signature nicknames is "Master of Space and Time".[177]
The depth and scope of Russell's contribution to the music of the twentieth century is illustrated by the following:
408 albums on which he received a credit
251 total artistic credits
37 types of artistic credit
282 total writing credits
Five types of writing credit
45 production credits
Russell had six children: a daughter from a relationship with Carla McHenry; a son and daughter from his first marriage to Mary McCreary; and three daughters from his later marriage to Janet Lee Constantine.[178]
The Grammy Awards are awarded annually by the National Academy of Recording Arts and Sciences to recognize outstanding achievements in music, and are widely regarded as the most prestigious awards in the music industry worldwide.
|-|2011|"If It Wasn't For Bad" with Elton John (singer)|Grammy Award for Best Pop Collaboration with Vocals||-|2002|"Foggy Mountain Breakdown"|Best Country Instrumental Performance||-|1980|"I Saw The Light" with Willie Nelson |Grammy Award for Best Inspirational Performance||-|1980|"Heartbreak Hotel" with Willie Nelson|Grammy Award for Best Country Vocal Performance By A Duo Or Group||-|1978|"A Star Is Born" |Grammy Award for Best Album of Original Score For A Motion Picture Or A Television Special||-|1978|"A Star Is Born" |Grammy Award for Best Original Score Written For A Motion Picture Or A Television Special||-|1977|"This Masquerade" |Grammy Award for Song of the Year||-|1973|"The Concert For Bangladesh" |Grammy Award for Album of the Year||-
The Country Music Association Awards, also known as the CMA Awards or CMAs, are presented to country music artists and broadcasters to recognize outstanding achievement in the country music industry.[179]
|-|1979|"One for the Road" with Willie Nelson|Album of the Year||-
The British Academy Film Awards, more commonly known as the BAFTA Awards, honor the best British and international contributions to film.
|-|1978|"A Star Is Born" |Anthony Asquith Award for Film Music||-
| Year | Album | Peak chart positions | Certifications (sales thresholds) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| US [180] | US Country | AUS | CAN [181] | CAN Country [182] | NOR [183] | NZ [184] | UK [185] | |||||||
| 1968 | Look Inside the Asylum Choir (with Marc Benno) | 201 | — | — | — | — | — | — | — | |||||
| 1970 | Leon Russell | 60 | — | 9 | — | — | — | — | — | |||||
| 1971 | Leon Russell and the Shelter People | 17 | — | 5 | 14 | — | — | — | 29 | |||||
| Asylum Choir II (with Marc Benno) recorded 1967–1969 | 70 | — | 54 | — | — | — | — | — | ||||||
| 1972 | Carney | 2 | — | 6 | 4 | — | — | — | — |
| ||||
| 1973 | Looking Back | — | — | — | – | — | — | — | — | |||||
| Leon Live | 9 | — | 16 | 9 | — | 18 | — | — |
| |||||
| Hank Wilson's Back Vol. I | 28 | 15 | 60 | 85 | — | — | — | — | ||||||
| 1974 | Stop All That Jazz | 34 | — | 58 | 43 | — | — | — | — | |||||
| 1975 | Live in Japan | — | — | — | — | — | — | — | — | |||||
| Will O' the Wisp | 30 | — | 96 | 72 | — | — | — | — |
| |||||
| 1976 | Wedding Album (with Mary Russell) | 34 | — | — | — | — | — | — | — | |||||
| 1977 | Make Love to the Music (with Mary Russell) | 142 | — | — | — | — | — | — | — | |||||
| 1978 | Americana | 115 | — | 95 | — | — | — | — | — | |||||
| 1979 | One for the Road (with Willie Nelson) | 25 | 3 | 85 | 28 | 1 | — | 11 | — | |||||
| Life and Love | 204 | — | — | — | — | — | — | — | ||||||
| 1981 | The Live Album (with New Grass Revival) | 187 | — | — | — | — | — | — | — | |||||
| 1984 | Hank Wilson, Vol. II recorded 1979–1980 | — | — | — | — | — | — | — | — | |||||
| Solid State | — | — | — | — | — | — | — | — | ||||||
| 1992 | Anything Can Happen | — | — | — | — | — | — | — | — | |||||
| 1995 | Hymns of Christmas | — | — | — | — | — | — | — | — | |||||
| 1998 | — | — | — | — | — | — | — | — | ||||||
| 1999 | Face in the Crowd | — | — | — | — | — | — | — | — | |||||
| — | — | — | — | — | — | — | — | |||||||
| 2000 | Live at Gilley's (recorded 1981) | — | — | — | — | — | — | — | — | |||||
| 2001 | Guitar Blues (reissue) | — | — | — | — | — | — | — | — | |||||
| (with New Grass Revival) | — | — | — | — | — | — | — | — | ||||||
| 2002 | Moonlight & Love Songs (with the Nashville Symphony) | — | — | — | — | — | — | — | — | |||||
| 2006 | Angel in Disguise | — | — | — | — | — | — | — | — | |||||
| 2007 | Bad Country | — | — | — | — | — | — | — | — | |||||
| Almost Piano | — | — | — | — | — | — | — | — | ||||||
| 2008 | In Your Dreams | — | — | — | — | — | — | — | — | |||||
| A Mighty Flood | — | — | — | — | — | — | — | — | ||||||
| 2010 | The Union (with Elton John)[188] | 3 | — | 28 | 7 | — | 5 | 24 | 12 | |||||
| 2014 | Life Journey | 164 | — | — | — | — | — | — | — | |||||
| 2015 | Prince of Peace: Radio Broadcast 1970[191] | — | — | — | — | — | — | — | — | |||||
| Riding the Northeast Trail: The New Jersey Broadcast 1979 (with Willie Nelson)[192] | — | — | — | — | — | — | — | — | ||||||
| 2016 | The Homewood Sessions: Vine Street TV Broadcast 1970[193] | — | — | — | — | — | — | — | — | |||||
| Live and Pickling Fast (with New Grass Revival) recorded 1980 | — | — | — | — | — | — | — | — | ||||||
| 2017 | On a Distant Shore[194] | — | — | — | — | — | — | — | — | |||||
| "—" denotes releases that did not chart. | ||||||||||||||
| Year | Album | Peak chart positions | Certifications (sales thresholds) | ||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| US | |||||||||||
| 1976 | Best of Leon[195] | 40 |
| ||||||||
| 1985 | Best of Leon Russell: A Song for You | — | |||||||||
| 1991 | Delta Lady[196] | — | |||||||||
| 1992 | Collection[197] | — | |||||||||
| 1996 | Gimme Shelter! The Best of Leon Russell[198] | — | |||||||||
| 1997 | Retrospective | — | |||||||||
| 2000 | Crazy Love[199] | — | |||||||||
| 2001 | Best of Leon Russell[200] | — | |||||||||
| Signature Songs | — | ||||||||||
| 2002 | A Song for You (DVD) | — | |||||||||
| 2005 | Mystery Train (Live but Digitally Reworked)[201] | — | |||||||||
| 2009 | Best of Hank Wilson[202] | — | |||||||||
| 2011 | The Best of Leon Russell[203] | — | |||||||||
| 2013 | Snapshot[204] | — | |||||||||
| 2013 | The Montreux Session[205] | — | |||||||||
| "—" denotes releases that did not chart. | |||||||||||
| Year | Single[206] | Chart positions | Album | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| US [207] [208] | US Country [209] | CAN [210] | CAN Country [211] | CAN AC [212] | AUS [213] | |||||||
| 1970 | "A Song for You" | — | — | — | — | — | — | Leon Russell | ||||
| "Roll Away the Stone" | 109 | — | — | — | — | 24 | ||||||
| 1971 | "The Ballad of Mad Dogs and Englishmen" | — | — | — | — | — | — | Leon Russell and the Shelter People (from the film Mad Dogs & Englishmen) | ||||
| "A Hard Rain's a-Gonna Fall" | 105 | — | — | — | — | 11 | Leon Russell and the Shelter People | |||||
| 1972 | "Tryin' to Stay 'Live" | — | — | — | — | — | — | Asylum Choir II | ||||
| "Tight Rope" | 11 | — | 5 | — | — | 24 | Carney | |||||
| 1973 | "Queen of the Roller Derby" (this track is from Leon Live) | 89 | — | — | — | — | — | |||||
| "Rollin' in My Sweet Baby's Arms" (as Hank Wilson) | 78 | 57 | — | 30 | — | 74 | Hank Wilson's Back, Vol. 1 | |||||
| "I'm So Lonesome I Could Cry" (as Hank Wilson) | 78 | — | — | — | — | — | ||||||
| 1974 | "A Six Pack to Go" (as Hank Wilson) | — | 68 | — | 76 | — | — | |||||
| "If I Were a Carpenter" | 73 | — | 87 | — | — | 97 | Stop All That Jazz | |||||
| 1975 | "Lady Blue" | 14 | — | 44 | — | 18 | — | Will O' the Wisp | ||||
| 1976 | "Back to the Island" | 53 | — | — | — | 33 | — | |||||
| "Rainbow in Your Eyes" | 52 | — | — | — | — | — | Wedding Album | |||||
| 1978 | "Elvis and Marilyn"[214] | — | — | — | — | — | — | Americana | ||||
| 1979 | "Heartbreak Hotel" (with Willie Nelson) | — | 1 | — | 1 | — | — | One for the Road | ||||
| 1984 | "Good Time Charlie's Got the Blues" | — | 63 | — | — | — | — | Solid State | ||||
| "Wabash Cannonball" (as Hank Wilson, with Willie Nelson) | — | 91 | — | — | — | — | Hank Wilson, Vol. II | |||||
| 1992 | "Anything Can Happen" | — | — | — | — | — | — | Anything Can Happen | ||||
| "No Man's Land" | — | — | — | — | — | — | ||||||
| 2000 | "Crazy Love" | — | — | — | — | — | — | Crazy Love | ||||
| 2010 | "If It Wasn't for Bad" (with Elton John) | — | — | — | — | — | — | The Union | ||||
| "—" denotes releases that did not chart. | ||||||||||||
| Year | Video | Director |
|---|---|---|
| 1992 | "Anything Can Happen" | Sherman Halsey |
| "No Man's Land" |