| Leila Berg | |
| Birth Date: | 12 November 1917 |
| Death Date: | 17 April 2012 (aged 94) |
| Birth Place: | Salford, England, UK |
| Occupation: | Author, journalist, political activist |
| Years Active: | 1948–1999 |
| Awards: | Eleanor Farjeon Award (1973) |
Leila Berg (born Leila Goller, Salford, 12 November 1917 – 17 April 2012) was an English children's author, editor and play specialist. She was well known as a journalist and a writer on education and children's rights.[1] [2] Berg was a recipient of the Eleanor Farjeon Award.
Berg was brought up in Salford, Lancashire, in a Jewish doctor's family. She wrote vividly about that part of her life in Flickerbook (1997), describing also later meetings in Cambridge through her older brother, particularly with Margot Heinemann and J. B. S. Haldane, whom she would reference obliquely in the early Chunky books. She associated with Britain's Young Communist League members at the time of the Spanish Civil War, in which she lost two lovers, and eventually joined the movement. Her first journalist's job was with the British communist daily the Daily Worker.[3]
Berg was influenced in her thinking by the psychologist Susan Isaacs.[4] After working as a journalist in World War II, during which she married and started a family, she began to write children's fiction. She also took an interest in the progressive education advocated by A. S. Neill at Summerhill, Michael Duane of (Risinghill) and John Holt, who advocated "unschooling".[5] In 1968 Leila Berg convened a symposium with Michael Duane, A.S. Neill, John Holt and the radical Scottish educationalist Robert Mackenzie convened at Berg’s house for an informal symposium on education, in which Duane complained that teacher trainees – the “successes” of the education system – were “totally psychologically dependent on an authority", and along with Michael Duane, John Holt and A.S. Neill, again, Berg sat on the editorial advisory committee for the periodical Children’s Rights (launched in 1971) and contributed to a ground-breaking collection, Children’s Rights (1971).[6]
Leila Berg began writing in 1948 and quickly became known for her series of "Chunky" novels, about a little boy who preferred his bread in chunks, rather than slices; then for the Little Pete books which were picked up for the BBC's Listen with Mother. In the 1960s Berg began writing in a more realistic and gritty style, for younger children from 1968 to 1983 as part of the Nippers series which she established for Macmillan.
Leila Berg was particularly influential as a children's book editor. She was children's books editor at Methuen from 1958 to 1960, and then editor of Salamander Books at Thomas Nelson, in 1965, [7] In 1965 she was hired by Macmillan Education editor Michael Wace to produce the Nippers series of readers published by Macmillan.[8] [9] Nippers was intended as a reading scheme to replace the increasingly derided Ladybird readings schemes, seen as too far away from the experience of many children for them to connect to their stories. They were deliberately urban, the second series was multi cultural, and they attempted a social realism in portraying parents which ranged from local dialect words for parents (mum/mom/mam/mammy) to including the difficulties many parents faced every day.
Authors who wrote for this series include:.
Illustrations were consciously urban and reflected the deprived environments of working class children of the period. Illustrators included: graphic designer and illustrator George Him; the landscape artist and children’s book illustrator Trevor Stubley; and Richard O. Rose and Mary Dinsdale.
In 1972 a second series, Little Nippers, was begun for younger readers.
This was an influential move designed to bring children's books closer to ordinary urban life and away from the Janet and John reader style, and probably the cosiness of Enid Blyton's realm, a widespread influence in that period.[10]
In addition to her fiction, Leila Berg also wrote about children and education. In 1968 Berg published Risinghill: Death of a Comprehensive School, an account of a north London state school, Risinghill, closed because it was thought to be too liberal. The book became a best seller. Look at Kids (1972) is a collection of vignettes about childhood accompanied by numbers of photographs, which focuses on how to read children's behaviour and respond to it, while Reading and Loving (1977) advises parents and teachers on how to share books with small children.
As she put it in a speech at the University of Essex, at an honorary degree ceremony in 1999: "All my life I have sought to empower children."[11]
She was awarded the Eleanor Farjeon Award in 1974.[12]
Leila Berg died on 17 April 2012.[13]