| Lefteris Hapsiadis Greek, Modern (1453-);: Λευτέρης Χαψιάδης | |
| Birth Date: | 1953 10, df=y |
| Birth Place: | Feres, Greece |
| Death Place: | Alexandroupoli, Greece |
| Genre: | Laïka, Contemporary laïka, rebetiko, traditional pop |
| Years Active: | 1983–2023 |
Lefteris Hapsiadis (Greek, Modern (1453-);: Λευτέρης Χαψιάδης, 23 October 1953 – 2 October 2023) was a Greek contemporary songwriter, poet, and writer of novels. His literary work included a plethora of poems, three novels, as well as lyrics for 525 songs (registered with AEPI[1]) in the contemporary Greek rebetika, laïka (pop music) and elafra (light music) genres. He had collaborated with various music composers and had occasionally worked as a record producer. Among those, he had often worked with Christos Nikolopoulos with whom he had had a number of popular records (including Μία είναι η ουσία - One matter counts, and Κάποια, κάπου, κάποτε - Some woman, somewhere, sometime). Together they also created and produced a CD with 12 songs (December 1986), for which they were able to assemble together 11 popular Greek performers, including Giorgos Dalaras, Haris Alexiou,[2] Stratos Dionysiou, Giannis Parios, and Manolis Mitsias. Nikolopoulos performed one of the songs in the CD as well, his first public singing performance ever. The CD was launched as "Τραγούδια για τους φίλους μου" - Songs for my friends. Other quite well known performers[3] of Hapsiadis pop songs were Stelios Kazantzidis, Glykeria[4] and Manolis Aggelopoulos.
Lefteris Hapsiadis was born in 1953 in Feres, and lived during his early life in Koila,[5] both agglomerations located in the Greek Prefecture (Νομός) of Evros. This is the most north-eastern region of Greece, bordering on Turkey in the east, and Bulgaria in the north. Hapsiadis referred to Koila as his "Paradise on Earth",[6] and he spent a major part of his life there. His family origin is from Pontos; this is the area in the north of present-day Turkey, along its Black Sea coast. Hapsiadis has been loyal to his Pontos origins and he has often collaborated in various artistic initiatives to preserve the cultural heritage of the land of his ancestors. An example includes the production of three CD records in the Pontos dialect, performed by Kazantzidis and Xrysanthos (an authentic Pontos singer), in the late eighties, early nineties. Hapsiadis was fairly knowledgeable of the Pontos Greek dialect that he learned from his parents and grandmother in Koila.
Hapsiadis attended high school in Alexandroupolis,[7] the administrative capital of Evros. For this purpose his entire family moved to town from Koila. During that period his father owned a kiosk, typical of Greek city landscapes, selling printed press items, like newspapers, magazines, pocket books, postcards, etc. Working at the kiosk as well gave him the opportunity to read a lot and grow his appetite for the Greek lyrics of rebetika, a.k.a. the songs of manges, members of a sort of inner city and urban slums gangs in the early 20th century. When most of his age peers enjoyed pop and rock, Hapsiadis was discovering little known events and details surrounding rebetika songs, their performers and lyrics. He developed a habit of collecting rebetika lyrics and writing them down in a notebook as his favorite pastime. That helped him a lot in being accepted in the circles of key rebetika industry players, in later years.
For six months, he attended college classes in Patras, in the department of Biology[8] before he dropped out and got entirely absorbed inside the professional world of rebetika in the Greek capital, Athens. He met Giorgos Dalaras, and through him he later came close to quite a few key actors in the Greek pop music industry. Names include Lefteris Papadopoulos, a widely known Greek lyrics writer, the composer Christos Nikolopoulos,[9] and various popular Greek pop singers like Stelios Kazantzidis, Stratos Dyonisiou and Manolis Aggelopoulos. He also became close friends with Vassilis Vassilikos, a prominent novels writer. Vassilikos became internationally known by his "Z" novel, a story about the assassination of Grigoris Lambrakis, a left-wing political activist in the mid-1960s. That novel was later made into a movie as part of a trilogy by Greek Director Costa Gavras, with Yves Montand in the leading role. In his first novel, Hapsiadis devoted a chapter to a dramatic period of Vassilikos' life, right after the loss of his spouse Mimi, in Rome, Italy.
Lefteris Hapsiadis died on 2 October 2023, at the age of 69 from COVID-19 during the COVID-19 pandemic in Greece.[10] [11]
Per the generally accepted public opinion his most popular song lyrics were Mia einai i ousia (Μια ειναι η ουσία, "One matter counts") that he wrote upon a Nikolopoulos[12] music score during the mid-80s. The song was originally performed by Haris Alexiou and later, following accrued popularity, by quite a few other performers, including Giorgos Dalaras.
The lyrics playfully deal with immortality, whereby the author admits that nothing is "immortal" and begs Almighty God to eliminate Death for good, after the former had a few drinks first. The lyrics are used in a passage in his second book, when the author dies and struggles to get into Paradise, but comes across a rather annoyed St-Peter, who didn't seem to have liked his "Mia einai i Ousia" song at all.
Another popular song of his, performed by Giorgos Dalaras, was Kappoia, kapou, kapote (Κάποια, κάπου, κάποτε).
Among his songs there are two referring to the Prefecture of Evros, the towns of Alexandroupolis and Orestiada, in the far north. It is generally known in Greece that the border regions of the country, especially Greece's eastern border with Turkey, are the least desirable areas for young Greeks to serve their country during their military service. In addition, until recent years, Greek conscripts were treated as second rank citizens in the towns and villages of Evros, as many among them would admit to this day. Unless they enjoyed a military rank of some sort, conscripts wouldn't be typically admitted inside many public venues, and many local businessmen would prefer to live without them entering their businesses. Hapsiadis was inspired by this to write two emotional songs, Alexandroupoli meria,[13] originally performed by Dimitris Mitropanos, and Oresteiada,[14] performed by Stelios Dionysiou and Ploutarchos.
(Tracks of the CD[15] Τραγούδια για τους φίλους μου)
by Nikolopoulos and Hapsiadis, 1986[16]
In addition to poems and song lyrics Hapsiadis recently wrote three novels. He only lately decided to focus on writing novels and had his first three written after 2005, more than twenty years after he started writing lyrics. All of them are largely autobiographic with many details about events that actually took place and form part of the history of modern rebetika. His first two novels were "Η ζωη μου τραγούδι το τραγούδι ζωη" (My life (is) a song, the song (is) life)[17] and "Ο αλήτης άγγελος" (An angel vagabond).[18] [19] In his second novel, although most of his writing describes real life events, locations and names of real persons, the author presents them as the building blocks of a "fiction" storyline. His third novel was presented to the public on 23 October 2010. It is called "13+1 Γιατί;" (Γιατί=why in Greek)[20] [21] completes a trilogy in which rebetiko holds a central role.
As a self-taught author, Hapsiadis creates unusual plots wherein key Greek music industry players participate as personages. In all his novels to-date his heroes maintain their real life names; however, in his second novel, Hapsiadis uses the name Lelos[22] instead of his own given Christian name of Lefteris to represent himself as the leading actor. All three novels are written in simple everyday spoken Greek. He usually places verses inside the text, often for reasons of historic significance to the context he describes.[23] All his novels expose events with actual historic data. He often offers his own insights in the evolution of rebetika from the times of Markos Vamvakaris and Vassilis Tsitsanis (pre- and post-World War II) to the present day. The events he addresses, many of which he himself witnessed as participant, are presented in quite a bit of detail. With a few scarce exceptions, Hapsiadis avoids criticism of his book personages, however, on occasions, he is being quite critical of himself and his own weaknesses.
During his 25-year-long career as a lyrics writer, Hapsiadis achieved a number of Golden and Platinum record awards and occasionally he has been publicly recognized[24] for his contribution to the Greek Popular Music by the Prefecture of Evros[25] [26] and Municipalities of Alexandroupolis and Feres with organized concerts dedicated to his song-lyrics successes.