Lee Moon-jae (born September 22, 1959) is a South Korean poet and professor. He is described as a poet who expresses "environmental imagination" in his literature. He also critiques contemporary literature, and currently writes a column in the . He is a creative writing professor at Kyung Hee University.[1]
Lee is a South Korean poet and professor. He is described as a poet who expresses "environmental imagination" in his literature. He also critiques contemporary literature, and currently writes a column in the . He was born in Gimpo, Gyeonggi-do (currently Seo-gu, Incheon), and graduated from Kyung Hee University in Korean Literature. He began his literary career in 1982 while still a university student by publishing (Korean: 우리 살던 옛집 지붕 Our Old Home's Roof) on the 4th issue of Siundong. He has published poetry collections, (Korean: 내 젖은 구두 벗어 해에게 보여줄 때 When I Take Off My Wet Shoe and Show It to the Sun), (Korean: 마음의 오지 The Backwoods of the Mind), and essay collections (Korean: 바쁜 것이 게으른 것이다 Busy is Lazy), (Korean: 내가 만난 시와 시인 The Poems and Poets I’ve Met). Previously he worked as an adjunct professor in creative writing at Chugye University for the Arts, and as a news director at Sisa journal. Currently he is the executive editor at Munhakdongne, and editor at the Green Review. He has been awarded the Kimdaljin Literature Prize, the Nojak Literature Prize, the Poetry and Poetics Award, and the Sowol Poetry Award.[2]
Lee is a poet who drew an image of young souls adrift in the real world, with flexible poetic imagination. Early in his career, his poetry described the life of a youth who experiences discord with the world, and aimlessly drifts. His early works reflect the poet's own experiences. In his childhood he moved often, did not have a comfortable life, and was raised under a strict father. Only through daydreaming he could escape such realities. His early poetry collections heavily reflect such childhood experiences. In his early works, "the road" is an important image. It gives a glimpse of the poet's own experiences of having had to move often, and ultimately it reflects the poet's desire to imagine an "uncharted road" and newly wander. At the time, He was known as a poet that represents the minds of the young generation that were worried and uncertain of their future, and desired to wander.[3]
Meanwhile, after (Korean: 마음의 오지 The Backwoods of the Mind), his poetry has been praised as expressing environmental imagination. deals with agriculture, and criticizes the anthropocentricism that has ruined human history. In (Korean: 제국호텔 Imperial Hotel), he states that today's world is a "Jeguk" (empire). To resist through literature against such dystopia, he dug into his memories for things that awakened his emotions.
As such, his subject matter has changed little by little, but his poetry has always had colorful imagery and unique poetic language. To him, they were tools that could newly lift up emotions in a materialistic world where things of mental and emotional nature are dying out. To sum up, he is a poet that has been healing the wounds of a dystopian world through metaphor.[4]