Led Zeppelin North American Tour 1968–1969 Explained

Concert Tour Name:North America 1968/1969
Artist:Led Zeppelin
Album:Led Zeppelin
Start Date:26 December 1968
End Date:16 February 1969
Number Of Shows:31 (39 scheduled)
Last Tour:United Kingdom 1968
This Tour:North America 1968/1969
Next Tour:United Kingdom & Scandinavia Spring 1969

Led Zeppelin's 1968/1969 tour of North America was the first concert tour of the United States and Canada by the English rock band. The tour commenced on 26 December 1968 and concluded on 16 February 1969. It was important for the band, as their popularity grew substantially because of the concerts and helped them reach significant commercial success in the US, which translated to sales elsewhere.

Overview

The genesis of this tour was the cancellation of a concert tour by the Jeff Beck Group, which happened to be managed out of the same office occupied by Led Zeppelin's manager Peter Grant. Grant contacted the promoters and convinced them to take on Led Zeppelin instead.[1]

To help publicise the band in America before the tour, Grant sent white label advance copies of the band's debut album to key FM radio stations. The album itself was issued on 13 January, almost mid-way through the tour. According to tour manager Richard Cole, the tour was underwritten by Grant, guitarist Jimmy Page, and bass player John Paul Jones, while singer Robert Plant and drummer John Bonham were paid a salary.[2]

For this stint of concerts, Led Zeppelin initially played as the support act for bands such as Vanilla Fudge and Iron Butterfly (both of which were also contracted to Atlantic Records) and Country Joe & the Fish. However, as the tour progressed, it became apparent that Led Zeppelin was easily outshining the headline acts.[3] [4] Guitarist Jimmy Page noticed that by the time the group reached San Francisco, other groups were not turning up, and Led Zeppelin were then headliners.[5]

Bassist John Paul Jones believed the reason their concerts were popular was because they played tightly and quickly without many delays, saying "we would just go on and go 'bang bang bang' with three driven songs with solos", which other groups did not do.[6]

In one famous concert, Led Zeppelin's final of four nights performed at the Boston Tea Party, the band played for more than four hours with only one album worth of material. They played the same set twice, and then played an improvised set with covers from other groups such as the Who, Rolling Stones and the Beatles. Grant was delighted with the group's performance, and the band then realised then that they would be a very successful rock band.

It was during this tour that Led Zeppelin's drummer, John Bonham, developed a close friendship with the drummer of Vanilla Fudge, Carmine Appice.[7] [8] The average fee charged by Led Zeppelin for a concert during this tour was around $1,500. It has been stated that for one show they performed for a mere $320.[3] Figures like these would soon be dwarfed by the six-figure sums routinely demanded, and received, by Led Zeppelin on subsequent tours as their popularity skyrocketed. Peter Grant recalled that "The Yardbirds had been getting $2,500 a night but people like Bill Graham had faith in us and so did the kids who saw it."[3] Grant, who was unable to attend the tour with the group, also stated:

Tour set list

Although there was some variation, a fairly typical set list for the tour was:

  1. "Train Kept A-Rollin'" (Bradshaw, Kay, Mann)
  2. "I Can't Quit You Baby" (Dixon)
  3. "As Long As I Have You" (Mimms)
  4. "Dazed and Confused" (Page)
  5. "You Shook Me" (Dixon, Lenoir)
  6. "White Summer"/"Black Mountain Side" (Page)
  7. "Pat's Delight" (Bonham)
  8. "Babe I'm Gonna Leave You" (Bredon, Page, Plant)
  9. "How Many More Times" (Bonham, Jones, Page)
  10. "Killing Floor" (Burnett)
  11. "For Your Love" (Gouldman)
  12. "Communication Breakdown" (Bonham, John Paul Jones, Page)

Tour dates

List of North American Tour 1968–1969 concerts
DateCityCountryVenueOpening Act(s)Attendance
26 December 1968DenverUnited StatesDenver Auditorium Arena
27 December 1968SeattleSeattle Center Arena
28 December 1968VancouverCanadaPacific Coliseum3,708 / 15,038
29 December 1968PortlandUnited StatesPortland Civic AuditoriumN/A
30 December 1968SpokaneJohn F. Kennedy Memorial Pavilion
1 January 1969 (cancelled)SalemSalem Armory Auditorium
2 January 1969West HollywoodWhisky a Go Go
3 January 1969
4 January 1969
5 January 1969
9 January 1969San FranciscoFillmore West
10 January 1969
11 January 1969
12 January 1969
13 January 1969San DiegoFox Theater
15 January 1969Iowa CityIowa Memorial Union Main LoungeMother Blues
17 January 1969DetroitGrande BallroomLinn County, Lawrence Blues Band
18 January 1969Target
19 January 1969Wind and/or Linn County
20 January 1969 (cancelled?)WheatonWheaton Youth Center
21 January 1969 (cancelled?)PittsburghHunt Armory
23 January 1969BostonBoston Tea PartyThe Raven
24 January 1969
25 January 1969
26 January 1969
29 January 1969 (cancelled)PhiladelphiaSpectrum
31 January 1969New York CityFillmore East
1 February 1969
2 February 1969TorontoCanadaThe Rock PileTeegarden & Van Winkle, Mary Lou Horner1,200 / 1,200
3 February 1969 (cancelled)New York CityUnited StatesScene ClubN/A
4 February 1969 (cancelled)
5 February 1969 (cancelled)
6 February 1969 (cancelled)
7 February 1969ChicagoKinetic Playground
8 February 1969
10 February 1969MemphisElma Roane Fieldhouse
14 February 1969Miami BeachThee Image Club
15 February 1969
16 February 1969BaltimoreBaltimore Civic Center

See also

External links

Notes and References

  1. Liner notes by Cameron Crowe for The Complete Studio Recordings
  2. A to Zeppelin: The Story of Led Zeppelin, Passport Video, 2004.
  3. Lewis, Dave and Pallett, Simon (1997) Led Zeppelin: The Concert File, London: Omnibus Press., p. 15.
  4. "Their Time is Gonna Come", Classic Rock Magazine: Classic Rock Presents Led Zeppelin, 2008, p. 17.
  5. [Nick Kent]
  6. Dominick A. Miserandino, Led Zeppelin – John Paul Jones, TheCelebrityCafe.com.
  7. Mat Snow, "Apocalypse Then", Q magazine, December 1990, pp. 77, 79.
  8. [Chris Welch]