Leave Your Soul to Science explained

Leave Your Soul to Science
Type:Album
Artist:Something for Kate
Cover:Leave Your Soul to Science.jpg
Released:28 September 2012
Recorded:Elmwood Recording, Dallas, Texas
Genre:Alternative rock
Length:46:41
Label:Capitol
Producer:John Congleton
Prev Title:Live at the Corner
Prev Year:2008
Next Title:The Modern Medieval
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Leave Your Soul to Science is the sixth studio album by Melbourne band Something for Kate, released on 28 September 2012. The album debuted at No.5 on the ARIA Charts. The album was produced by John Congleton, whose previous credits include Okkervil River, Shearwater and The New Pornographers and recorded at his Elmwood studio in Dallas, Texas. Frontman Paul Dempsey told The Age the band had been looking for someone to tell them when enough was enough. "We recognised an inclination or proclivity among ourselves to procrastinate and keep layering stuff up," he said. "We knew that we needed to fight that instinct and he was very much the guy to help us."

He told the Hobart Mercury Congleton was "the perfect guy for our new-found relaxed attitude": "He's a real experimenter and we were feeling very experimental ourselves. The four of us would just sit around and throw out ideas, and do the strangest, dumbest things and see what worked. Whenever we thought something was weird and interesting but we weren't sure about it, we'd just run with it any sort of uncertainty was a good thing. We ran with the uncertainty and embraced the feeling of not being 100 per cent sure of everything we were doing."

Dempsey said he had been unsatisfied with the way some songs on previous albums had been captured.

"In previous years we were concerned with being perfectionists, and trying to make everything just so. What we realised after a long time is that that actually can end up sucking the life out of things, and that perhaps the better way to do things is to fly by the seat of your pants and rely on the spontaneous energy of the moment. Some of our past records have suffered a bit from too much nitpicking, and this latest record really has zero nitpicking. There's plenty of audible mistakes and weird moments where we just went fuck it, just leave it, it's all part of what happens when you hit record."[1]

Dempsey said the album's lyrics contained an abundance of often cryptic black humour. He said he found the lyrics of "This Economy", a song of lost love set in the context of the global financial crisis, "hilariously funny". "The song reeks of (disgraced businessman) Bernie Madoff and it reeks of young Wall Street executives who equate the size of their wallets with the success of their human relationships," he said. Dempsey said he was not bothered if people misunderstood his lyrics. "If my humour doesn't translate, there shouldn't need to be a press release letting everyone know that I'm funny."

The album's cover and inner book photography was by bassist Stephanie Ashworth.

Track listing

(All songs by Something For Kate)

  1. "Star-Crossed Citizens" – 3:41
  2. "Survival Expert" – 3:16
  3. "Private Rain" – 5:00
  4. "The Kids Will Get the Money" – 4:52
  5. "Sooner Or Later You're Gonna Have to Do Something About Me" – 3:25
  6. "Miracle Cure" – 3:21
  7. "Deep Sea Divers" – 3:51
  8. "This Economy" – 3:46
  9. "Back to Normal" – 3:55
  10. "The Fireball at the End of Everything" – 4:53
  11. "Eureka" – 3:22
  12. "Begin" – 3:18

Bonus disc, Shotgun Karaoke

  1. "Survival Expert (acoustic) – 3:20
  2. "Hanging On" (Active Child) – 3:49
  3. "Let's Dance" (David Bowie) – 3:45
  4. "Ship of Fools" (Karl Wallinger) – 4:18
  5. "Stop" (Sam Brown, Bruce Brody, Gregg Sutton) – 4:27

Personnel

Something for Kate
Additional personnel

Release history

RegionDateFormatEdition(s)LabelCatalogue
Australia28 September 2012StandardEMI Music / Capitol Records4042422 4
Special Edition4042392 0
July 2014Deluxe Edition, Reissue3791973
August 2018Limited Edition, Reissue4042431

Notes and References

  1. http://www.themercury.com.au/article/2013/06/13/381368_entertainment.html Kane Young, "Something of a revelation", The Mercury, 13 June 2013, pg 37.