| Le maschere | |
| Genre: | Opera |
| Composer: | Pietro Mascagni |
| Image Upright: | 1.3 |
| Translated Name: | The Masks |
| Librettist: | Luigi Illica |
| Language: | Italian |
| Premiere Location: | La Scala, Milan, and five other opera houses in Italy |
Le maschere (The Masks) is an opera in a prologue and three acts by Pietro Mascagni to an Italian libretto by Luigi Illica.
The work was Mascagni's homage to Rossini and to the Italian opera buffa and commedia dell'arte traditions. It was premiered simultaneously in six Italian opera houses on 17 January 1901: La Scala in Milan (with Caruso as Florindo, Carelli as Rosaura, and Toscanini conducting); the Teatro Carlo Felice in Genoa; the Teatro Regio in Turin; the Teatro Costanzi in Rome; La Fenice in Venice; and the Teatro Filarmonico in Verona. Two days later, it premiered at the Teatro di San Carlo in Naples.
Apart from the performance in Rome, conducted by Mascagni himself (and later in the first run by his pupil Roberto Moranzoni), Le maschere received a dismal reception, with the performance in Genoa suspended halfway through because of the audience's vociferous expressions of displeasure. The opera was sporadically performed in Italy over the next four years and then sank into obscurity. When Mascagni revised and represented the opera in 1931 it met with little lasting success. However, sporadic revivals in the late 20th century have been greeted with some critical interest.
| Rosaura | soprano | Maria Farneti |
| Arlecchino Battocchio | tenor | E. Giordani |
| Colombina | soprano | M.a Fiori |
| Il Capitano Spaventa | baritone | Nestore della Torre |
| Brighella | tenor | Augusto Balboni |
| Dottore Graziano | baritone | Felice Foglia |
| Pantalone De' Bisognosi | bass | Ruggero Galli |
| Florindo | tenor | Elvino Ventura |
| Tartaglia | baritone | Giovanni Bellucci |
| Giocadio | spoken | Carlo Duse |
In the prologue, a travelling commedia dell'arte troupe and their impresario present the characters they are about to play. The remaining three acts are the play itself wherein after many vicissitudes, Florindo and Rosaura, aided by Columbina and Arlecchino, manage to prevent the marriage which Rosaura's father, Pantalone, had planned for her.
The only frequently encountered aria is "Quella è una strada", a humorous aria sung – with much stuttering – by Tartaglia.