Le Juif errant (opera) explained

Le Juif errant
Type:Grand opera
Composer:Fromental Halévy
Image Upright:1.2
Translated Name:The Wandering Jew
Language:French
Based On:Le Juif errant by Eugène Sue
Premiere Location:Salle Le Peletier, Paris

Le Juif errant (The Wandering Jew) is a grand opera by Fromental Halévy, with a libretto by Eugène Scribe and Jules-Henri Vernoy de Saint-Georges.

The opera is based extremely loosely on themes of the novel Le Juif errant, by Eugène Sue. Whilst the novel is set in 19th century Paris and the Wandering Jew is incidental to the main story-line, the opera begins in Amsterdam in 1190 and the Jew Ahasuerus (spelled Ashvérus[1] in the opera) is a leading character.

Performance history

Le Juif errant was premiered at the Salle Le Peletier of the Paris Opera on 23 April 1852, and had 48 further performances over two seasons. The music was sufficiently popular to generate a Wandering Jew Mazurka, a Wandering Jew Waltz, a Wandering Jew Polka and in France just in the several months after the opera was premiered an even more considerable quantity of piano works, including several called "Grande fantaisie dramatique" and similar titles, based on the opera.[2]

Roles

Role!style="width: 7em;"
Voice typePremiere cast,[3] 23 April 1852
Conductor: Narcisse Girard
Ashvérus, the Wandering JewbaritoneEugène Massol
Nicéphore, Emperor of the OrientbassLouis-Henri Obin
Léon, descendant of AshvérustenorGustave-Hippolyte Roger
Théodora, boatwoman of the Scheldt, sister of Léonmezzo-soprano
Irène, daughter of Baudoin, Count of Flanders, also a descendant of Ashvérussoprano[4]
Lady of honorsopranoPetit-Brière
The exterminating angeltenorChapuis
Ludgers, bandit chiefbassDepassio
Manoel, first banditbassCanaple
Andronic, second banditbassGuigneau[5]
Jean, third banditbassNoir
Arbas, fourth banditbassGoyon
Night watchmanbaritoneMerly
An officer of the palacebaritoneLyon
A lordbaritoneMolinier
Another lordtenorDonzel
Chorus: lords, ladies, and people of Antwerp; robbers and bad boys; shopkeepers, inhabitants of Brabant; lords and ladies of Emperor Nicéphore's court; people of Thessalonica; people of Constantinople; mutes, almées (harem entertainers), slaves; Emperor's guards; Empress Irène's lady; angel, demons, the chosen, the damned, etc.

References

NotesSources

Further reading

Notes and References

  1. Sue's spelling of the name was 'Ahasvérus', a version also used by Edgar Quinet. However, Scribe's version of the name can be found in earlier literature (e.g. in 1834)
  2. Web site: Bibliographie de la France (1852): bibliographie. 22 September 2014.
  3. Cast list based on, and, (and the index for full names).
  4. The libretto and, write this singer's name as Lagrua., have an extensive article on her and give the name as Emma (Emmy, Emilia) La Grua, née Emmy Funk. Referred to in, as 'Lagrua' (see p. 879 for short note) and, as Emilie Carini (also Emmy la Grua)., gives the name Emmy La Grua.
  5. , lists a baritone by the name of Guignot, who first appeared at the Paris Opera ca. 1848.