| Le Dîner de Cons | |
| Director: | Francis Veber |
| Producer: | Alain Poiré |
| Starring: | Jacques Villeret Thierry Lhermitte Francis Huster Daniel Prévost Alexandra Vandernoot Catherine Frot |
| Music: | Vladimir Cosma |
| Cinematography: | Luciano Tovoli |
| Editing: | Georges Klotz |
| Studio: | Gaumont EFVE TF1 Films Production |
| Distributor: | Gaumont Buena Vista International |
| Runtime: | 80 minutes[1] |
| Country: | France |
| Language: | French |
| Budget: | FFR82 million ($14.1 million)[2] |
| Gross: | $65.4 million[3] |
The Dinner Game (French: Le Dîner de Cons|link=no, in French pronounced as /lə dine d(ə) kɔ̃/; literally Dinner of Fools)[4] is a 1998 French comedy film written and directed by Francis Veber, adapted from his play Le Dîner de Cons. It became that year's top-grossing French film at the French box office (second overall behind Titanic).[5]
Pierre Brochant, a Parisian publisher, attends a weekly "idiots' dinner", where guests, who are modish, prominent Parisian businessmen, must bring along an oblivious "idiot." The ideal "idiot" is usually one who is obsessed by a ridiculous hobby or theme, whom the other guests can ridicule subtly all evening without the idiot catching on. At the end of the dinner, the evening's "champion idiot" is selected among the businessmen.
With the help of an "idiot scout", Brochant manages to find a "gem", François Pignon, a sprightly employee of the Finance Ministry (which Brochant, a tax cheat, loathes). Pignon has a passion for building matchstick replicas of famous landmarks. Shortly after inviting Pignon to his home, Brochant is suddenly stricken with back pain while playing golf at his exclusive country club. His wife, Christine, leaves him shortly before Pignon arrives at his apartment, as she realizes that he still wants to go to the "idiots' dinner". Brochant initially wants Pignon to leave, but instead becomes reliant on him, because of his back problem and his need to resolve his relationship problems.
He solicits Pignon's assistance in making a series of telephone calls to locate his wife, but Pignon blunders each time, including revealing the existence of Brochant's mistress, Marlene Sasseur (thinking that she is Brochant's sister, since her name sounds like "sa sœur"), to his wife Christine and inviting tax inspector Lucien Cheval to Brochant's house, where Brochant is forced quickly to hide most of his valuables in an attempt to disguise his tax evasion. In the meantime, Brochant is able to make amends with an old friend, Juste Leblanc, from whom he stole Christine, and through the evening's events is forced to reassess his mistakes. Brochant almost succeeds in reconciling with Christine when Pignon (unprompted) calls her to describe all the efforts Brochant has made that day to straighten out his life, including breaking up with his mistress, reconciling with his best friend, and wanting to make amends to her. A skeptical Christine asks Pignon whether Brochant is with him, coaching him. Though Brochant is next to him--amazed at how gracefully Pignon has managed to describe his repentance to Christine--Pignon lies and says that he left Brochant and is calling from a phone booth. When a softened-up Christine calls Brochant at home to discuss reconciliation, however, true to form, Pignon picks up the phone and Christine hangs up, wrongly convinced that Brochant has manipulated Pignon's eloquent account of Brochant's reformation. The film ends with Brochant again blaming Pignon for ruining his life.
The film was positively received by critics. On review aggregator Rotten Tomatoes, the film has an approval rating of 74% based on 46 reviews, with an average score of 6.8/10.[6] On Metacritic, the film received a score of 73 based on 19 reviews, indicating "generally favorable reviews".[7]
At the 1999 César Awards, the film was honored with six nominations, of which it won three. The categories it won were Best Actor for Jacques Villeret, Best Supporting Actor for Daniel Prévost, and Best Screenplay for Francis Veber. It was nominated but did not win for Best Film, Veber as Best Director, and Catherine Frot as Best Supporting Actress.
| Award / Film Festival | Category | Recipients and nominees | Result |
|---|---|---|---|
| César Awards | Best Film | ||
| Best Director | Francis Veber | ||
| Best Actor | Jacques Villeret | ||
| Best Supporting Actor | Daniel Prévost | ||
| Best Supporting Actress | Catherine Frot | ||
| Best Writing | Francis Veber | ||
| Goya Awards | Best European Film | ||
| Lumières Awards | Best Actor | Jacques Villeret | |
| Best Screenplay | Francis Veber | ||
| Le Dîner de cons | |
| Type: | soundtrack |
| Artist: | Vladimir Cosma |
| Label: | Larghetto |
| Year | Film | Language | Cast | Director |
|---|---|---|---|---|
| 1998 | Le Dîner de Cons | French | Jacques Villeret, Thierry Lhermitte, Daniel Prévost, Alexandra Vandernoot, Catherine Frot | Francis Veber |
| 2007 | Bheja Fry | Hindi | Rajat Kapoor, Vinay Pathak, Sarika | Sagar Ballary |
| 2008 | Mr. Garagasa | Kannada | Komal Kumar, Anant Nag, Aishwarya | Dinesh Baboo |
| 2010 | April Fool | Malayalam | Siddique, Jagadish, Navya Natarajan, Biju Menon, Jagathy Sreekumar | Viji Thampi |
| 2010 | Dinner for Schmucks | English | Steve Carell, Paul Rudd, Stéphanie Szostak, Jemaine Clement, Lucy Punch, Zach Galifianakis, Bruce Greenwood | Jay Roach |