| Carlos Latuff | |
| Birth Date: | 30 November 1968 |
| Birth Place: | Rio de Janeiro, Brazil |
| Known For: | Political cartoons |
Carlos Latuff (Arabic: كارلوس لطوف; born 30 November 1968) is a Brazilian political cartoonist.[1] His work deals with themes such as anti-Western sentiment, anti-capitalism, and opposition to U.S. military intervention in foreign countries. He is best-known for his images depicting the Israeli–Palestinian conflict and the Arab Spring.[2]
Latuff's cartoons comparing Israel to Nazi Germany[3] have been labelled as antisemitic by some advocacy organisations and individuals. Latuff has dismissed the charges as "a strategy for discrediting criticism of Israel" and stated that his drawings are aimed at highlighting the similarities between the status of Jews in German-occupied Europe and the status of Palestinians in the Israeli-occupied territories.
Latuff was born in the São Cristóvão neighbourhood of Rio de Janeiro, Brazil,[4] and is of Lebanese descent. He has stated that his "Arab roots" are what drive him to advocate for Arab causes, including the Palestinian cause.[1]
Latuff began as a cartoonist for leftist publications in Brazil. After watching a 1997 documentary about the Zapatistas in Mexico, he sent a couple of cartoons to them, and received a positive response. He has stated that after this experience, he decided to start a website and engage in "artistic activism". Graham Fowell, ex-chairman of the Cartoonists' Club of Great Britain, has compared his work to that of Banksy, the English-based graffiti artist.
In 2011, Latuff was contacted by activists in Egypt. Latuff has stated that he was encouraged when he saw some of his cartoons depicted in the January 25 Egyptian protests, a couple of days after he made them. According to Reuters, this helped him become "a hero of the tumultuous Arab Spring with rapid-fire satirical sketches".
Latuff has been arrested at least three times in Brazil for his cartoons about the Brazilian police, whom he has criticized for police brutality.
Latuff's works have often been self-published on Indymedia websites and private blogs. He is a weekly cartoonist for The Globe Post and some of his cartoons have been featured in magazines such as the Brazilian edition of Mad, Le Monde Diplomatique and the Mondoweiss website.[5] [6] In addition, a few of his works were published on Arab websites and publications such as the Islamic Front for the Iraqi Resistance (JAMI) magazine, the Saudi magazine Character, the Lebanese newspaper Al Akhbar, among others.[7] Additionally, Latuff also contributes to several Middle Eastern newspapers, including Alquds Alarabi, Huna Sotak and the Islamophobia Research and Documentation Project – IRDP.[8] In 2019 a selection of his cartoons was published in the book Drawing Attention to the Israeli-Palestinian Conflict: Political Cartoons by Carlos Latuff. His work is also published on the Chinese Twitter account Valiant Panda heavily shared by Chinese: state affiliated media, government officials, and embassies.
Latuff has produced numerous cartoons related to the Israeli–Palestinian conflict, which assumed significance for the cartoonist after a visit to the region in the late 1990s. His cartoons are highly critical of Israel.[9]
Latuff's work has also been critical of the US military action in Iraq and in Afghanistan. He began to publish his work on the web from the earliest stages of the invasion. Latuff says, "war is not a video game, and technofetishism is not to be celebrated, but exposed."[10]
Since the end of 2010, he has been engaged in producing cartoons about the Arab Spring in which he sided with the revolutionaries. After the victory of revolutions in Tunisia, Egypt and Libya his cartoons about these countries have focused on the menace of counter-revolution or Western interference. Some of his cartoons have been displayed in mass demonstrations in Arab countries.[11] [12] [13]
The profile gained by Latuff's cartoons has led to various accusations. Ian Black of The Guardian opined in 2008 that Latuff was uninhibited in his utilization of "judeophobic stereotypes in the service of the anti-globalisation movement."[14]
In 2002 the Swiss-based Holocaust survivors' organization Aktion Kinder des Holocaust sued the Indymedia of Switzerland on the charge of antisemitism for publishing Latuff's cartoon titled We are all Palestinians series in their website, which depicted a Jewish boy in the Warsaw Ghetto saying: "I am Palestinian."[15] [16] [17] The criminal proceedings were suspended by Swiss court.[18]
In December 2006, Latuff gained the joint-second prize for his cartoon comparing the West Bank barrier with the Nazi concentration camps at the Iranian International Holocaust Cartoon Competition showing an Arab male as an inmate.[19] [20] Latuff's entry was described as "Holocaust inversion," a "motif" of antisemitism, by Manfred Gerstenfeld.[21]
Joel Kotek, a professor at Belgium's Free University of Brussels, in his book Cartoons and Extremism[22] calls Latuff "the contemporary Drumont of the internet." Journalist Édouard Drumont was the founder of the Antisemitic League of France. Eddy Portnoy, in The Forward, reviewing the book in 2008, wrote that Latuff's material is "often terribly obnoxious... but it is a stretch to categorize his cartoons as antisemitic."
Latuff, in an interview with the Jewish-American weekly newspaper The Forward in December 2008, responded to charges of antisemitism and the comparisons made between his cartoons and those published in Der Stürmer in Nazi Germany:[23]
My cartoons have no focus on the Jews or on Judaism. My focus is Israel as a political entity, as a government, their armed forces being a satellite of U.S. interests in the Middle East, and especially Israeli policies toward the Palestinians. It happens to be Israeli Jews that are the oppressors of Palestinians... My detractors say that the use of the Magen David in my Israel-related cartoons is irrefutable proof of antisemitism; however, it’s not my fault if Israel chose sacred religious motifs as national symbols, such as the Knesset Menorah or the Star of David in killing-machines like F-16 jets.
Latuff also stated that antisemitism is real, that antisemites like European neo-Nazis, "hijack" the Palestinian cause to bash Israel. However, to assert that anti-Zionism is antisemitic is, in his view, "a well-known tactic of intellectual dishonesty." He said that political cartoonists work by metaphors, and that similarities can be found between the IDF treatment of Palestinians and what Jews experienced under the Nazis. Such comparisons are not created by cartoonists, he said, but can be made by the viewer. He instanced the fact that a Holocaust survivor like Tommy Lapid reacted to the image of a Palestinian woman foraging in the rubble by thinking of his grandmother who was murdered in Auschwitz. The use of cartoons insulting Muslims by depicting Muhammad as a bomber is defended as "freedom of speech", while using the Holocaust in drawings is deplored as "hatred against the Jews".
Latuff was included in Simon Wiesenthal Center's 2012 Top Ten Anti-Israel/Anti-Semitic Slurs list being placed third[24] for depicting Israeli premier Benjamin Netanyahu squeezing votes out of a dead Arab child.[25] Latuff told Brazil's Opera Mundi newspaper that he considered the award "a joke worthy of a Woody Allen movie". He also said that Zionist lobbying groups try to associate him with well-known extremists and racists in order to disqualify his criticism of the Israeli government. He also said figures such as José Saramago, Desmond Tutu and Jimmy Carter were also accused of being antisemitic, saying that he was "in good company".[26]