| La mort en ce jardin Death in the Garden | |
| Director: | Luis Buñuel |
| Producer: | David Mage |
| Music: | Paul Misraki |
| Studio: | Producciones Tepeyac Films Dismage |
| Distributor: | Cinédis (France) Películas Nacionales (Mexico) |
| Runtime: | 97 minutes |
| Country: | France Mexico |
| Language: | French Spanish |
| Budget: | $600,000[1] |
La mort en ce jardin ("Death in the Garden") a.k.a. Diamond Hunters is a 1956 adventure film by director Luis Buñuel, based on a novel by José-André Lacour, that stars Simone Signoret, Charles Vanel and Michel Piccoli, with additional dialogue by Raymond Queneau. Set in an unidentified South American country, it recounts the bloody suppression by the corrupt governing regime of an insurrection by illegal diamond miners, after which five disparate fugitives take to the jungle in search of safety.
When a settlement of illegal diamond miners is broken up by soldiers, in revenge they attack and burn down the army headquarters in the nearest town. Next day, when reinforcements arrive, most of the surviving miners are rounded up to be shot. On a river boat, five people escape the carnage: a pacifist miner, his deaf-mute daughter, the local madame he wants to marry, a Catholic priest, and a wanted adventurer. When pursued by the army, they take to the jungle. There, the struggle for survival starts eroding their identities and in most cases their will to live. The adventurer becomes the resourceful leader, while the miner goes out of his mind and kills both the madame and the priest. After killing the miner, only the adventurer and the girl are left to find freedom together.
Death in the Garden proposes a sort of psychological mirror-image of Franco's Spain from which Buñuel exiled himself, with rebellions and oppressors galore.[2]
On review aggregator website Rotten Tomatoes, Diamond Hunters has an approval rating of 92% based on 13 reviews, with an average score of 7.8/10.[3]
Vincent Canby of The New York Times wrote: "Death in the Garden is a kind of halfway house for the film genius, made when he had yet to receive the acclaim that would give him full control of his movies, but after he had been taken seriously enough by the money men."[4]