| The Letter | |
| Director: | Manoel de Oliveira |
| Based On: | The Princess of Cleves by Madame de Lafayette |
| Starring: | Chiara Mastroianni Pedro Abrunhosa Leonor Silveira Antoine Chappey |
| Cinematography: | Emmanuel Machuel |
| Editing: | Valérie Loiseleux |
| Runtime: | 107 minutes |
| Country: | France Portugal |
| Language: | French Portuguese |
| Gross: | $766,920 [1] |
The Letter (French: '''La Lettre''', Portuguese: '''A Carta''') is a 1999 French-Portuguese drama film directed by Manoel de Oliveira. It tells the story of a married woman who has feelings for another man, and who confesses her feelings to her friend, a cloistered nun. The Film is loosely based on the 1678 French novel The Princess of Cleves by Madame de Lafayette.[2] [3] [4]
The film was entered into the 1999 Cannes Film Festival where it won the Jury Prize.[5]
The film opens in a Parisian jewelry store when a young and beautiful Mademoiselle Catherine de Chartres (Chiara Mastroianni), accompanied by her mother and Mme de Chartres's close friend Mme de Silva. By accident, an aristocrat, Jacques de Clèves, a famous and wealthy doctor, is also there, even though they do not exchange a word. Later all of them meet again in a Franz Schubert piano recital (D. 946) by Maria João Pires. While Dr. de Clèves falls immediately in love with Catherine, she doesn't feel strong passion for him. Nevertheless, she eventually accepts the marriage proposal from Dr. de Clèves. After a brief honeymoon, the couple settles in Paris.
One night the couple attends a gala concert where Pedro Abrunhosa, the well-known Portuguese singer, performs. Catherine feels an instant strong attraction towards Pedro. However, this passion leaves her divided and embittered by a strong sense of guilt, especially because she does not have the same feeling towards her husband. Meanwhile, Catherine''s mother falls very ill, and, before passing away, tells Catherine that she is aware of her attraction to Pedro but advises her not to yield to the passion but to maintain her reputation. A nun (Leonor Silveira) who was a childhood friend of Catherine listens to her sorrows and doubts, and gives her advice and comfort. Nevertheless, her husband learns about it. Despite the fact that Catherine has done no wrong, he suffers and falls seriously ill, before passing away.
Catherine feels strong sense of guilt for her husband's death. She goes to her friend in convent for advice and comfort. Her friend advises her to pursue her heart's love, but Catherine fears of the uncertain future of passion and decides to avoid Pedro, who has now moved to an apartment across the street in hope of meeting her. Eventually, we learn from a letter to her religious friend that Catherine has become a (secular) missionary in Africa.
The film won the Jury Prize in 1999 Cannes Film Festival and was named one of top 10 films of 1999 by Cahiers du Cinéma.[6] It also received high praise from Stephen Holden in The New York Times.[7]