La lettera anonima explained

Type:	Farsa
Composer:	Gaetano Donizetti
Librettist:	Giulio Genoino
Language:	Italian
Premiere Location:	Teatro Nuovo, Naples

(The anonymous letter) is a farce in one act composed by Gaetano Donizetti in 1822 to a libretto by, a former monk and the official censor of the Kingdom of the Two Sicilies. Genoino based his libretto on his own farce which, in turn, had been based on by Pierre Corneille in 1630.

With a letter of recommendation from his teacher Johann Simon Mayr, Donizetti was in Naples and, on 12 May 1822, came to an agreement to write the opera with the impresario Domenico Barbaja, for whom he had already produced La zingara (The Gypsy Girl). Six weeks later he presented the new farce to the public, the premiere taking place on 29 June 1822.

Overall, the opera appears to have been well received and given twenty performances, although according to Donizetti, "it was half-ruined by a novice singer (Cecconi)". However, as has been noted, "the score contains an attractive speciality number for the dancing master, Flageolet, and an extended quartet, '', the one number of the work to be praised by critics after the premiere" because it avoided "those caballetas and that symmetrical repetition of motifs which obliges all the performers to repeat the same musical phrases no matter what the different emotions may agitate them".^[1]

Roles

Role	Voice type	Premiere cast, 29 June 1822^[2] (Conductor: –)
Countess Rosina	soprano	Flora Fabbri
Captain Filinto, her lover	tenor	Giovanni Battista
Melita, Rosina's tenant	soprano	Teresa Cecconi
Lauretta, Rosina's maid	soprano	Raffaela de Bernardis
Don Macario, Rosina's Uncle	baritone	De Franchi
Giliberto, Don Macario's Housekeeper	bass	Giovanni Pace
Flagiolet, A Dancing Teacher	baritone	Calvarola
Chorus: Servants and Room-attendants

Synopsis

Place: France

Time: 17th century^[3]

Countess Rosina and Captain Filinto are going to get married. An anonymous letter claiming that the Captain is already married to another arrives on the wedding day. This letter is finally found to be false, and the preparations for the wedding party continue.

References

NotesCited sources

• Ashbrook, William and Sarah Hibberd (2001), in Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam. . pp. 224 – 247.
• Osborne, Charles, The Bel Canto Operas of Rossini, Donizetti, and Bellini, Portland, Oregon: Amadeus Press, 1994

Other sources

• Allitt, John Stewart (1991), Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr, Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA)
• Ashbrook, William (1982), Donizetti and His Operas, Cambridge University Press.
• Ashbrook, William (1998), "Donizetti, Gaetano" in Stanley Sadie (Ed.), The New Grove Dictionary of Opera, Vol. One. London: Macmillan Publishers, Inc.
• Black, John (1982), Donizetti’s Operas in Naples, 1822—1848. London: The Donizetti Society.
• Loewenberg, Alfred (1970). Annals of Opera, 1597-1940, 2nd edition. Rowman and Littlefield
• Sadie, Stanley, (Ed.); John Tyrell (Exec. Ed.) (2004), The New Grove Dictionary of Music and Musicians. 2nd edition. London: Macmillan. (hardcover). (eBook).
• Weinstock, Herbert (1963), Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century, New York: Pantheon Books.

External links

• Donizetti Society (London) website

Notes and References

1. The critic of the Giornale del Regno delle Due Sicilie quoted in Osborne 1994, p. 149
2. Ashbrook and Hibberd 2001, p. 226
3. Osborne 1994, pp. 149–50
4. Web site: Recordings on . Operadis-opera-discography.org.uk . 24 August 2012.