| La Valentina | |
| Director: | Rogelio A. González |
| Screenplay: | José María Fernández Unsáin |
| Story: | José María Fernández Unsáin Gregorio Walerstein Eulalio González |
| Based On: | "La Valentina" (public domain) |
| Producer: | Gregorio Walerstein |
| Starring: | María Félix Eulalio González |
| Cinematography: | Rosalío Solano |
| Editing: | Rafael Ceballos |
| Music: | Manuel Esperón |
| Studio: | Estudios San Ángel Cima Films |
| Distributor: | Azteca Films |
| Runtime: | 99 minutes |
| Country: | Mexico |
| Language: | Spanish |
La Valentina is a 1966 Mexican romantic comedy film directed by Rogelio A. González, produced by Gregorio Walerstein, and starring María Félix and Eulalio González in the leading roles.[1] The supporting cast features José Elías Moreno, José Venegas, and Raúl Meraz. The film is a dramatization of the Mexican Revolution corrido of the same name.
In early 20th century Mexico, in the midst of the Mexican Revolution, the beautiful yet feisty Valentina Zúñiga marries an unnamed serviceman. Though she is part of the rural upper class, Valentina is a fervent supporter of the Revolution. At the same time but in another place, a smuggler named Genovevo Cruz García sells defective arms to the federal Mexican army.
During Valentina's wedding night, gunshots are heard outside her bedroom window. This frustrates her, as she believes it is a waste of ammunition. Her newlywed husband, however, believes that the guns are shot in celebration to their wedding. As he approaches the bedroom balcony to stop the gunshots, Valentina's husband is shot multiple times and killed. The next day, at the burial of her husband, Valentina desires vengeance.
When Genovevo's deceit becomes known, since his faulty arms were the cause of multiple casualties, the federals decide to execute him by a firing squad. As he is executed and falls to the ground, an elderly couple ask for his body so that they may give him a Christian burial. Genovevo's body is driven away on the couple's donkey and it is later known that the execution was false. Federal military captain Luis Benítez, the man who headed the firing squad, tells Genovevo that he was shot with rubber bullets and saved from death for a reason. Benítez starts to explain that he has fallen in love with Valentina Zúñiga, ordering Genovevo to kidnap her for him. Genovevo agrees but bursts into laughter. Responding to Genovevo's laughter, Benítez states that Valentina is worth the dangerous attempt of kidnapping, as she is beautiful, affectionate, and sweet.
Genovevo therefore travels to Valentina's village, concocting a clever plan to kidnap her. As Valentina and her father and brothers are short of ammunition, they send for Genovevo, who quickly agrees to sell them arms on the condition of taking Valentina with him to the place where his merchandise is located. Her father refuses, but Valentina decides to go and she is accompanied by her two brothers. Upon arrival at the location of Genovevo's merchandise, Valentina's brothers fall into Genovevo's trap and he successfully kidnaps her.
In January 1965, María Félix and Eulalio González "Piporro" were reported to be Mexico's top box-office stars of 1964,[2] and González later said that Félix herself wanted to work with him in a comedy film and therefore the film came to be.[3] Around late February and early March 1965, it was officially announced that María Félix and Eulalio González would star opposite each other in a film.[4]
On 4 May, the press announced that the National Association of Actors gave González the necessary permission so that he could work with Félix, and that the film was in the stages of pre-production and financial approval.[5] On 17 May, the press announced that the film's credit was approved by the Banco Cinematográfico,[6] and principal photography began the same day.
The film's script was exclusively written by González so his "Piporro" character could alternate with María Félix. The film's background is the Mexican Revolution, an armed conflict between the government and the peasantry during the early 20th century. Hints of the story's setting in the film suggest that the film took place in the state of Jalisco, since Félix's character remarks her hometown as Tepatitlán,[7] and a song in the film mentions Guadalajara.[8]
La Valentina premiered at the México and Mariscala cinemas in Mexico City on 10 February 1966.[9] Its United States premiere was at the Million Dollar and United Artists theaters in Los Angeles, California.[10]
One contemporary critic, writing for the Mexican Política magazine, criticized the film as "tragically stupid and revealing of the hallucinating level of our commercial cinema."[11]