| La Poupée qui fait non | |
| Cover: | La-poupee-qui-fait-non-michel-polnareff.jpg |
| Type: | single |
| Artist: | Michel Polnareff |
| Album: | Love Me, Please Love Me |
| Released: | 1966 |
| Recorded: | 1966, France |
| Genre: | Pop |
| Next Title: | Love Me, Please Love Me |
| Next Year: | 1966 |
"La Poupée qui fait non" ("The Doll Who Says No") is a 1966 song written by Franck Gérald (lyrics) and French singer/songwriter Michel Polnareff (music). It was recorded by Polnareff, becoming an immediate success in France and one of Polnareff most definitive songs. Jimmy Page played guitar on the recording. It also appeared as the last track in his album Love Me, Please Love Me.
Polnareff also made language versions of the song in German ("Meine Puppe sagt non"), Italian ("Una bambolina che fa no, no, no"), and Spanish ("Muñeca que hace no") which helped the song get airplay all over Europe and become hits in language versions by local artists in 1966.
There have been tens of covers of the song in English and various languages in the following decades. Polnareff's version from the album Live at the Roxy was also released as a single in 1996, exactly 30 years from the original.
There have been several covers of the song
The song became very popular in many markets after Michel Polnareff recorded the song with new lyrics in three languages:
Many language covers followed in a number of countries most notably:
| La Poupée qui fait non | |
| Cover: | La_Poupée_qui_fait_non.JPG |
| Type: | single |
| Artist: | Mylène Farmer and Khaled |
| Album: | Live à Bercy |
| Released: | 29 April 1997 |
| Recorded: | 1996, France |
| Genre: | Pop |
| Length: | 4:39 |
| Label: | Polydor |
| Chronology: | Mylène Farmer |
| Prev Title: | Rêver |
| Prev Year: | 1996 |
| Next Title: | Ainsi soit je... (live) |
| Next Year: | 1997 |
French artist Mylène Farmer's 1996 version as duo with Algerian-French rai singer Khaled proved to be one of the most successful French covers of the song. The Farmer/Khaled cover was performed during Farmer's 1996 concert tour. After three live performances, the song was finally released as the first single from Farmer's second live album, Live à Bercy on 29 April 1997, and became a top five hit in Belgium and reached #6 in the French SNEP Singles Chart.
There was a studio version of this duet, but it was never released. This studio version was performed in lip-sync in a single television show, Tip top,[4] broadcast on a French channel and host by Éric Jean-Jean, where Farmer was invited to promote her single "Comme j'ai mal".[5] Previously, the show proposed to Farmer a list of singers with whom she would sing a song. She chose Khaled and decided to perform a cover of Polnareff's song, "La Poupée qui fait non", and the recording lasted four hours.[6]
Interviewed by the French magazine Instant-Mag, Thierry Rogen, the sound engineer who had participated in the recording, said: "I have participated in the single "La Poupée qui fait non" with Khaled. Laurant [Boutonnat] was absent. The recording was made in the studio Merga in Suresnes in the right mood. It has been very rapid. Mylène [Farmer] and Khaled were together for four hours in total".[7]
Farmer said she chose the song because it was the first song she learned when she was a child, and she loved Michel Polnareff's work.[8] Khaled also said: "This is a common idea, we wanted to sing together. We loved both Polnareff. Personally, I think it's the first song I learned."[9]
The live version, which was released in 1997, was performed only three nights (two in Geneva and the last at Bercy) as a duet on stage during the 1996 tour.[4] This remained the only collaboration between two artists.[10]
The two remixes available on the CD maxi and the promotional vinyl were produced by Mylène Farmer (this is the only time she has participated in remixes of one of her singles), in collaboration with Thierry Rogen.
When the song was released, Khaled declared that he found Farmer very sympathetic.[11] However, later, he said he had felt used by her, since she put herself forward all the time when they performed the song and were interviewed; according to a 2009 edition of Nouvel Observateur, Khaled qualified this collaboration as a "trap".[12]
The song generally received negative reviews. According to the author Erwan Chuberre, the duo Khaled / Farmer "which blends the sun and the darkness is on the limit of credibility". "The two worlds [of both singers] really failed to merge and this cover is soon forgotten!"[6] Instant-Mag considered as "absurd" the fact that the studio version was never released, and found that the song "was much harmed by the remixes that accompany it, in which we have as the hazy impression that Mylène was amused herself (and without supervision) to press the buttons on the console of Thierry Rogen".[13]
In France, the single debuted at a peak of number six on 3 May 1997. However, like Farmer's previous top ten hits, it dropped rather quickly and fell off the top 50 after eight weeks.[14]
Surprisingly, the song was a big success in Belgium, where it had a better chart trajectory in the Ultratop 50 than in France.[15] It appeared on the chart for a total of 18 weeks from 24 May 1997, peaked at number five on 21 June, and managed to remain for eight weeks in the top ten.[16] The song ranked at number 41 in the End of year chart.[17]
The B-side CD single features the 1996 live version of the song "L'autre...".
According to the author Benoît Cachin, in the lyrics the singer seems to await her alter ego who would be "a herald", an angel, that would be her double and her friend.[18] The song has been performed twice on television, exclusively on TF1: on Star 90 on 13 May 1991, and on Avis de Recherche in 1992.[18] In the ten last seconds of the first performance, she began to cry.[19] It has also been sung on the 1996 tour, in which Farmer was dressed in red and was crouched before the audience at the end of the song.[18] It was also performed during the 2006 tour and eventually replaced "Ainsi soit je..." which was performed the first four shows and Farmer always cried.[20] During the Nevermore Tour, it replaced "Pas le temps de vivre" which was only performed on the first three shows.
These are the formats and track listings of single releases of "La Poupée qui fait non":[21]
| Date | Label | Region | Format | Catalog |
|---|---|---|---|---|
| March 1997 | Polydor | France, Belgium | CD single - Promo | 3537 |
| 7" maxi - Promo | 2785 | |||
| CD maxi - Promo | 3546 | |||
| VHS - Promo | — | |||
| 29 April 1997 | CD single | 573 872-2 | ||
| CD maxi (+ in Israel) | 573 873-2 | |||
| Version[22] | Length | Album | Remixed by | Year | Comment |
|---|---|---|---|---|---|
| "La Poupée qui fait non"[23] | |||||
| Live album version (recorded in 1996) | 4:30 (audio) 5:20 (video) | Live à Bercy | — | 1996 | See the previous sections |
| Live single version | 4:30 | — | — | 1997 | This version is shorter than the live album one because the final applause are deleted. |
| Say it like you used to club remix | 7:50 | — | Mylène Farmer, Thierry Rogen | 1997 | It is an Arabist version in which all the lyrics are deleted, except "C'est une poupée", sung by Farmer. |
| I want a man mix | 6:30 | — | Mylène Farmer, Thierry Rogen | 1997 | There is only few words in this version, as all lyrics originally sung by Khaled are deleted. |
| Live music video | 4:30 | Music Videos II & III | — | 1997 | |
| "L'Autre" | |||||
| Album version | 5:26 | L'autre... | — | 1991 | See the previous sections |
| Live version (recorded in 1996) | 5:50 | Live à Bercy | — | 1996 | The performance is very similar to the album one. The audience sings the song, while Farmer is overwhelmed by emotion. (see 1996 tour) |
| Live single version | 5:21 | — | — | 1997 | This version is identical to the live performance, but the last refrain sung by the audience has been deleted. |
| Live version (recorded in 2006) | 7:25 | Avant que l'ombre... à Bercy | — | 2006 | This is an acoustic version of the song. (see Avant que l'ombre... à Bercy (tour)) |
These are the credits and the personnel as they appear on the back of the single:[21] [24]
Several versions of the song are used as the transition to "The Fun Half" theme on The Majority Report; a left-leaning political news and information podcast hosted by Sam Seder.