La buona figliuola explained

Italian: La buona figliuola
Type:Opera buffa
Composer:Niccolò Piccinni
Image Upright:1.2
Translated Name:The Good-Natured Girl
Librettist:Carlo Goldoni
Language:Italian
Premiere Location:Teatro delle Dame, Rome

La buona figliuola (The Good-Natured Girl or The Accomplish'd Maid), or La Cecchina (The girl from Cecchina),[1] is an opera buffa in three acts by Niccolò Piccinni. The libretto, by Carlo Goldoni, is based on Samuel Richardson's novel Pamela; or, Virtue Rewarded. This was Piccinni's most successful Italian opera. There was a sequel entitled La buona figliuola maritata (1761) by the same composer and librettist. La buona figliuola supposta vedova by Gaetano Latilla followed in 1766.

Performance history

It was first performed at the Teatro delle Dame, Rome, on 6 February 1760 with an all-male cast. It was given in London at the King's Theatre on 25 November 1766 with Gaetano Guadagni, Savi, Lovattini, Morigi, Quercioli, Piatti, and Michele; and at Covent Garden in English as The Accomplish'd Maid on 3 December 1766. It was revived as La Cecchina (with alterations) on 7 February 1928 in Bari (the composer's native city), as part of a celebration of the bicentenary of Piccinni's birth.[2]

This opera is said to have been performed by Jesuits in China in 1778, namely at the court of the Qianlong Emperor.

Roles

!Role!Voice type!Premiere cast, 6 February 1760
Cecchina, a maidsoprano castrato travestiTommaso Borghesi
Armidoro, engaged to Lucindasoprano castratoCarlo De Cristofori
The marquis of Conchiglia, in love with CecchinatenorGiovanni Lovatini
Lucinda, the marquis' sistersoprano castrato travestiGaspero Savoj
Mengotto, a poor man in love with CecchinabaritoneGiuseppe Casaccia
Paoluccia, a maidmezzo-soprano castrato travestiFrancesco Pieri
Sandrina, a maidsoprano castrato travestiGiuseppe Giustinelli
Tagliaferro, a German soldierbaritoneFrancesco Carattoli

Synopsis

The marquis of Conchiglia has fallen in love with Cecchina, who is a maid. Shocked by the social impropriety of such a match, Cavaliere Armidoro, the fiancé of the marquis's sister, refuses to marry Lucinda. Distraught over losing the man she loves, Lucinda begs the marquis to stop seeing Cecchina. Meanwhile, Cecchina has several problems of her own, including Mengotto, a poor man who is infatuated with her and won't leave her alone, and Sandrina and Paoluccia, two jealous maids who try to cause as much trouble for Cecchina as they can. After many plot twists, the opera ends well when Tagliaferro, a German soldier, reveals that Cecchina is in fact the daughter of a German baron, which enables Cecchina to marry the Marchese without upsetting Armidoro.

Recordings

Piccinni: La Cecchina, ossia La buona figliuola – Orchestra Serenissima Pro Arte

Piccinni: La buona figliola – Orchestra del Teatro dell'Opera di Roma

Piccinni: La Cecchina, ossia La buona figliuola – La Lyra di Anfione

References

Notes

Sources

West, Ewan (1992). The Oxford Dictionary of Opera New York: Oxford University Press. .

External links

Notes and References

  1. Hunter 1992 and 2001. A variety of other titles have been used, including La Cecchina, ossia La buona figliuola; Cecchina zitella, o La buona figliuola; Cecchina nubile o La buona figliuola; La buona figliuola zitella; La buona figliuola puta; La baronessa riconosciuta; Das gute Mädchen; Der fromme Pige; La bonne fille. "Figliuola" is sometimes rendered as its modern Italian variant "figliola".
  2. Loewenberg 1978, columns 243–245.