Love in the City (1953 film) explained

Love in the City
Native Name:L'amore in città
Cinematography:Gianni Di Venanzo
Editing:Eraldo Da Roma
Music:Mario Nascimbene
Production Companies:Faro Film
Distributor:IFE Releasing Corporation
Runtime:105 minutes
Country:Italy
Language:Italian

Love in the City (Italian: '''L'amore in città''') is a 1953 Italian anthology film composed of six segments, each with its own director. The segments and filmmakers are: Paid Love (Carlo Lizzani), Attempted Suicide (Michelangelo Antonioni), Paradise for Three Hours (Dino Risi), Marriage Agency (Federico Fellini), Story of Caterina (Francesco Maselli and Cesare Zavattini), and Italians Stare (Alberto Lattuada).[1] [2]

Synopsis

Paid LoveFilmed by Carlo Lizzani, seven Roman prostitutes of different age, some of them single mothers, tell their "stories of abandonment and deceit".
Attempted SuicideFive young women, who have tried to commit suicide after being left by their partner, tell and re-enact their stories in front of Michelangelo Antonioni's camera.
Paradise for Three HoursDino Risi depicts the various encounters at a dance hall event which takes place every Sunday evening between 5 and 8.
Marriage AgencyFederico Fellini tells the story of a journalist doing research on marriage agencies, pretending to be looking for a wife for a rich friend who suffers from lycanthropy. To his surprise, he is presented with a prospect only a few days later.
Story of CaterinaFrancesco Maselli and Cesare Zavattini follow Caterina, a young single mother ostracised by her parents, who is put on trial for abandoning her child which she can't feed.
Italians StareA sequence of men reacting to the passage of pretty women, filmed by Alberto Lattuada.

Cast

Attempted Suicide
Paradise for Three Hours
Marriage Agency
Story of Caterina
Italians Stare

Production and release

Cesare Zavattini, Marco Ferreri and Riccardo Ghione intended Love in the City as the first issue in a series of a new journal published on celluloid, of which only this one was realised. The project was a critical and commercial failure on its first release, with French critic André Bazin being one of the few commentators to write a favorable review, appreciating the concept and the interviewed nonactors. Other critics questioned the film's authenticity, arguing that the people in front of the camera were obviously following directors' instructions, or attacked it for having the mother of the Story of Caterina segment re-enact the abandoning of her child. Initial export copies were missing Carlo Lizzani's segment on prostitution due to censorship issues.[3] [4]

Zavattini noted in retrospect that the film lacked a central idea and common perspective on the theme, partially owed to the fact that the filmmakers had only sporadic contact during production.[5] The result was a film partly made in a documentary style, partly as a replication of reality, and, in the case of Federico Fellini, staged with professional actors. Michelangelo Antonioni, director of the second episode, later stated that he only participated in the film as a favour to one of its makers, and commented negatively on what he saw as insincerity on the side of his interviewees.

In 2014, Love in the City was released on Blu-ray by Raro Video.

External links

Notes and References

  1. News: Recording the Not-So-Dolce Vita . Hoberman . J. . J. Hoberman . 7 August 2014 . 19 January 2023 . The New York Times.
  2. Book: Michaelangelo Antonioni . Jansen . Peter W. . Schütte . Wolfram . Carl Hanser Verlag . Munich and Vienna . 1984.
  3. Book: Fellini, Federico . Fellini on Fellini . 1976 . 9780440025283 . Delacorte Press/S. Lawrence . 169.
  4. Book: A History of Italian Cinema . Peter . Bondanella . Federico . Pacchioni . 2017 . Bloomsbury . 9781501307638 . 130.
  5. Book: Kezich, Tullio . Federico Fellini: His Life and Work . 2006 . 9780571211685 . Faber & Faber . 140.

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