| Birth Name: | Nikolay Vasilyevich Korneychukov |
| Korney Chukovsky | |
| Birth Date: | 31 March 1882 |
| Birth Place: | Saint Petersburg, Russian Empire |
| Death Place: | Moscow, Russian SFSR, Soviet Union |
| Occupation: | Poet, writer, translator, literary critic, journalist |
Korney Ivanovich Chukovsky (Russian: Корне́й Ива́нович Чуко́вский|p=kɐrˈnʲej ɪˈvanəvʲɪtɕ tɕʊˈkofskʲɪj|a=Kornyey Ivanovich Chukovskiy.ru.vorb.oga; 31 March NS 1882 – 28 October 1969) was one of the most popular children's poets in the Russian language.[1] His catchy rhythms, inventive rhymes and absurd characters have invited comparisons with the American children's author Dr. Seuss.[2] Chukovsky's poems Tarakanische ("The Monster Cockroach"), Krokodil ("Crocodile"), Telefon ("The Telephone"), Chukokkala, and Moydodyr ("Wash-'em-Clean") have been favorites with many generations of Russophone children. Lines from his poems, in particular Telefon, have become universal catch-phrases in the Russian media and everyday conversation. He adapted the Doctor Dolittle stories into a book-length Russian poem as Doctor Aybolit ("Dr. Ow-It-Hurts"), and translated a substantial portion of the Mother Goose canon into Russian as Angliyskiye Narodnyye Pesenki ("English Folk Rhymes"). He also wrote very popular translations of Walt Whitman, Mark Twain, Oscar Wilde, Rudyard Kipling, O. Henry, and other authors,[3] and was an influential literary critic and essayist.
Originally named Nikolay Vasilyevich Korneychukov (Russian: Николай Васильевич Корнейчуков), the writer reworked his original family name into his now familiar pen-name while working as a journalist at Odessa News in 1901. He was born in Saint Petersburg as the illegitimate son of Yekaterina Osipovna Korneychukova and of Emmanuil Solomonovich Levenson, a man from a wealthy Russian Jewish family (his legitimate grandson was mathematician Vladimir Rokhlin). Levenson's family did not permit his marriage to Korneychukova, and the couple was eventually forced to separate. Korneychukova moved to Odesa with her two children, Nikolay and his sister Marussia.[4] Levenson supported them financially for some time, until his marriage to another woman. Nikolay studied at the Odesa gymnasium, where one of his classmates was Vladimir Ze'ev Jabotinsky. Later, the gymnasium expelled Nikolay for his "low origin" (a euphemism for illegitimacy). He had to obtain his secondary-school and university diplomas by correspondence.
He taught himself English and, in 1903–05, he served as the London correspondent of an Odesa newspaper, although he spent most of his time at the British Library instead of in the parliamentary press gallery. Back in Russia, Chukovsky started translating English works and published several analyses of contemporary European authors, which brought him in touch with leading personalities of Russian literature and secured the friendship of Alexander Blok. Chukovsky's English was not idiomatic - he had taught himself to speak it by reading and he thus pronounced English words in a distinctly odd manner, and it was difficult for people to understand him in England.[5] His influence on Russian literary society of the 1890s is immortalized by satirical verses of Sasha Chorny, including Korney Belinsky (an allusion to the famous critic Vissarion Belinsky (1811–1848)). Korney Chukovsky published several notable literary titles, including From Chekhov to Our Days (1908), Critique stories (1911) and Faces and masks (1914). He also published a satirical magazine called Signal (1905–1906) and was arrested for "insulting the ruling house", but was acquitted after six months of investigative incarceration.
It was at that period that Chukovsky produced his first fantasies for children. The girl from his famous fairy tale poem "Crocodile" was inspired by Lyalya, daughter of his long-time friend, publisher Zinovii Grzhebin. A bibliographical sketch for Chukovsky in The New Encyclopædia Britannica: Micropædia and Merriam-Webster's Encyclopedia of Literature characterized "Crocodile", along with other Chukovsky's verse tales as follows, "clockwork rhythms and air of mischief and lightness in effect dispelled the plodding stodginess that had characterized pre-revolutionary children's poetry."[6] Subsequently, they were adapted for theatre and animated films, with Chukovsky as one of the collaborators. Sergei Prokofiev and other composers even adapted some of his poems for opera and ballet. His works were popular with emigre children as well, as Vladimir Nabokov's complimentary letter to Chukovsky attests.During the Soviet period, Chukovsky edited the complete works of Nikolay Nekrasov and published From Two to Five (1933), a popular guidebook to the language of children.
As his diaries attest, Chukovsky used his popularity to help the authors persecuted by the regime including Anna Akhmatova, Mikhail Zoshchenko, Alexander Galich and Aleksandr Solzhenitsyn. He was the only Soviet writer who officially congratulated Boris Pasternak on winning the Nobel Prize.
At one point his fantastic writings for children (Bibigon, Moydodyr, Barmaley from Doctor Aybolit, etc.) were under severe criticism. Nadezhda Krupskaya was an initiator of this campaign against "Chukovshshina",[7] but criticism also came also from children's writer Agniya Barto.
Chukovsky extensively wrote about the translation process and critiqued other translators. In 1919, he co-wrote with Nikolai Gumilev a brochure called Printsipy khudozhestvennogo perevoda (English: Principles of Artistic Translation). In 1920, Chukovsky revised it, and he substantially rewrote and expanded it numerous times throughout his life without Gumilev.[8] Chukovsky's subsequent revisions were done in 1930 (re-titling it Iskusstvo perevoda [English: ''The Art of Translation'']), 1936, 1941 (re-titling it Vysokoe iskusstvo [English: ''A High Art'']), 1964, and his final revision was published in his Collected Works in 1965–1967.[9] In 1984, Lauren G. Leighton published her English translation of Chukovsky's final revision, and titled it The Art of Translation: Kornei Chukovsky's A High Art.
Starting in the 1930s, Chukovsky lived in the writers' village of Peredelkino near Moscow, where he is now buried.
For his works on the life of Nekrasov he was awarded a Doktor nauk in philology. He also received the Lenin Prize in 1962 for his book, Mastery of Nekrasov and an honorary doctorate from University of Oxford in 1962.
On May 26, 1903, Chukovsky married Maria (Maria Borisovna Chukovskaya) née Goldfeld, daughter of Aron-Ber and Tauba.
His daughter, Lydia Chukovskaya (1907–1996), is remembered as a noted writer, memoirist, philologist and lifelong assistant and secretary of the poet Anna Akhmatova.
His son, (1904–1965) was a writer and translator.
His son Boris (1910—1941 went missing in action during World War II.
His daughter (1920–1931), affectionately called "Mura", a character in some of his children's poems and stories, died in her childhood from tuberculosis.
Mathematician Vladimir Abramovich Rokhlin was his nephew.