| Komolika | |
| Series: | Kasautii Zindagii Kay |
| First: | 22 November 2001 |
| Last: | 28 February 2008 |
| Creator: | Ekta Kapoor Balaji Telefilms |
| Portrayer: | Urvashi Dholakia Hina Khan Aamna Sharif |
| Occupation: | Business woman |
| Spouse: | Anurag Basu (ex-husband) |
| Gender: | Female |
| Family: | Uma Majumdar (Mother) Ronit Majumdar (Brother) |
| Children: | 0 |
| Nationality: | Indian |
Komolika[1] is a fictional character from the Indian television series Kasautii Zindagii Kay, created by Ekta Kapoor. She is known for her glamorous style and malevolent schemes. The character has been portrayed by Urvashi Dholakia in the original series (2001–2008) and by Hina Khan, later replaced by Aamna Sharif in the reboot series (2018–2020).
Golden Glory Awards
Indian Television Academy Awards
As a fashion icon, Komolika's glamorous style has had a lasting impact on beauty and fashion trends in India. Her bold choices influenced viewers' perceptions of style, prompting a surge in interest in dramatic makeup and high-fashion outfits. Many fans continue to seek inspiration from her looks, demonstrating how a fictional character can shape real-world fashion.[6]
Multifaceted Villainy
Unlike standard villains, Komolika was a complex character whose motivations were deeply rooted in themes of love and jealousy. This emotional depth made her relatable, allowing viewers to see her as more than just a typical antagonist.[7]
Iconic Style
Komolika's bold makeup and stylish outfits established her as a fashion trendsetter, influencing the portrayal of vamps on Indian television. Many fans began to adopt her distinctive look, solidifying her status as a style icon.[8]
Memorable Dialogues
Her character is renowned for striking lines and a dramatic delivery that enhanced her appeal, making her an unforgettable presence in the series. These memorable catchphrases contributed significantly to her character's legacy.[9]
Cultural Impact
As a vamp, Komolika subverted traditional portrayals of women on Indian TV, often embodying a form of empowerment that was uniquely her own. Her character sparked important conversations about the complexities of female representation in media.[10]