Koishiwara ware explained

, formerly known as Nakano ware, is a type of Japanese pottery traditionally from Koishiwara, Fukuoka Prefecture in western Japan.[1] Koishiwara ware consists of utility vessels such as bowls, plates, and tea cups. The style is often slipware.

History

Pottery was first made in Koishiwara in 1682 as a result of the relocation of the Korean-founded Takatori workshop to nearby Tsuzumi.[2] A kiln for firing porcelain was built in Koishiwara, and porcelain wares were made for export there with local materials until the eighteenth century.[3] The Koishiwara style as it is known today had developed by the mid-eighteenth century. Abandoning porcelain production, potters began to use dark-firing stoneware for their pottery.

20th Century Developments

Beginning in the mid-twentieth century, technological advancements such as clay crushers, kiln shelves, and electric kilns allowed Koishiwara potters to work more efficiently and profitably than other potters in the surrounding area. As a result, Koishiwara potters were able to purchase land near their ceramic sites and develop it as tourist resorts and retail centers.[4] Modern Koishiwara ware pottery represents the success of the mingei or folk craft movement in Japan.[5] [6]

Contemporary Koishiwara Style

Stylistic trademarks of Koishiwara ware include different types of slip decoration in which light-colored slip is applied to a leather-hard pot before a tool is used to create a pattern which reveals the dark clay underneath.[7] The characteristic double glazing style of Koishiwara ware uses an overall clear glaze and trailing or pouring copper green and iron glazes in spots over the clear base glaze.[8] The area still serves as a large ceramic production site for everyday wares, attracting tourists and selling large amounts of pottery every year.[9]

See also

Notes and References

  1. Book: Creuger, Anneliese. Modern Japanese Ceramics: Pathways of Innovation and Tradition. Creuger. Wulf. Itô. Saeke. Lark Books. 2011. New York. 87-89.
  2. Book: Maske, Andrew L.. Potters and Patrons in Edo Period Japan: Takatori Ware and the Kuroda Domain. Ashgate. 2011. Burlington, VT. 45.
  3. Book: Maske, Andrew L.. Potters and Patrons in Edo Period Japan: Takatori Ware and the Kuroda Domain. Ashgate. 2011. Burlington, VT. 48.
  4. Book: Moeran, Brian. Folk Art Potters of Japan: Beyond an Anthropology of Aesthetics. University of Hawai'i Press. 1997. Honolulu, Hawai'i. 96, 125, 149, 198.
  5. Book: Maske, Andrew, L.. Potters and Patrons in Edo Period Japan: Takatori Ware and the Kuroda Domain. Ashgate. 2011. Burlington, VT. 1.
  6. Book: Moeran, Brian. Folk Art Potters of Japan: Beyond an Anthropology of Aesthetics. University of Hawai'i Press. 1997. Honolulu, Hawai'i. 140.
  7. Book: Wilson, Richard L.. Inside Japanese Ceramics: A Primer of Materials, Techniques, and Traditions. Weatherhill, Inc.. 1995. 0-8348-0346-1. New York. 108-109. English.
  8. Book: Wilson, Richard L.. Inside Japanese Ceramics: A Primer of Materials, Techniques, and Traditions. Weatherhill Inc.. 1995. New York. 137-138.
  9. Book: Moeran, Brian. Folk Art Potters of Japan: Beyond an Anthropology of Aesthetics. University of Hawai'i Press. 1997. Honolulu, Hawai'i. 140, 149.