Kobe (artist) explained

Kobe
Native Name:(Jacques Saelens)
Birth Date:1950 9, df=yes
Birth Place:Kortrijk, Belgium
Death Place:Saint-Julien, Var, France
Nationality:Belgian
Website:https://www.kobeartist.com/

Kobe (pseudonym of Jacques Saelens, (Kortrijk, Belgium 4 September 1950 – Saint-Julien, Var, France, 26 October 2014) was a Belgian visual artist and sculptor.

Early life

Kobe studied in Belgium, at LUCA School of Arts in Schaerbeek (1969–1974) and the Academy of Fine Arts in Kortrijk (1969–1977), where he discovered the importance of drawing for a sculptor.[1] At the age of 25 he travelled for one year to Central America and South America, where he was greatly taken by the ample forms of generously-endowed local matrons.[1]

His artistic vision was further shaped by many travels in Africa and Asia, where he observed the ancient sculptures. Professionally he was a teacher of sculpture at the Academies of Kortrijk, Deinze and Harelbeke.[2] Around 1992 Kobe started experimenting with flat shapes, which led to a typical style of wide and thin sculptures.[2] [3]

Career

In 1995 he became an independent sculptor and worked in Pietrasanta (Tuscany, Italy) close to the many bronze foundries and the marble quarries of Carrara.[2]

Artworks

In the morning Kobe would make sketches or drawings, which he then later elaborated into an artwork.[3] [2]

Kobe's artworks are mostly made in bronze and marble. Two subjects dominate his artworks: the female figure and the horse. Kobe’s female figures are maternal and human, be they fat or thin, and his horses symbols of strength, companionship and connection.[1]

Kobe's most monumental artwork Arcade (670 x 630 x 440 cm) is in a private collection in Nova Scotia, Canada, close to the Atlantic Ocean. Other works of art can be found in museums and private collections, among which Beeldengalerij Het Depot[4] [5] and The Phoebus Foundation.[6]

Publications

Notes and References

  1. Hamming. Annelette. 2001. 4 (23ste jaargang) (September/Oktober). De kwetsbare kracht van Kobe. Dutch. Tableau Fine Arts Magazine. PlantijnCasparie Breda). 0166-4492 . 84–89.
  2. Book: Drieghe . Gerda . Andries . Wilfried . 2019 . Kunstmo(nu)menten . Dutch . De Beverse Klok . 64–66. 978-90-808879-5-4.
  3. Book: 2003 . Herinneringen . Veertig Vlamingen en hun geliefkoosd kunstwerk . Dutch . Openbaar Kunstbezit in Vlaanderen . 50–51 . 90-76099-55-3.
  4. Book: 2014 . Het Depot Belicht . Dutch . Stichting Het Depot . 36–37 . 978-90-822551-0-2.
  5. Dijkman . Loek . 2016 . 10 . 1875-1679 . De tors in Nederland . De nieuwe thematentoonstelling in Het Depot . Dutch . Fragment . Stichting Het Depot . 37.
  6. https://www.headquarters-katoennatie.com/en/the-bather-kobe The marble artwork ‘La Baigneuse’ (The Bather) in the private collection of The Phoebus Foundation (Katoen Natie)
  7. https://www.kobeartist.com/publications/ List of publications about Kobe
  8. Book: Saelens . Albin . Debruyne . Johan . 2016 . Kobe-Ingenious Simplicity . Dutch, English, French . Stichting Kunstboek . 978-90-5856-566-2.