| Kitty Winn | |
| Birth Date: | February 21, 1943 |
| Birth Place: | Washington, D.C., U.S. |
| Occupation: | Actress |
| Children: | 1[1] |
| Relatives: | Katherine Tupper Marshall (grandmother) |
| Yearsactive: | 1961–1983, 2011-present |
| Alma Mater: | Boston University (B.A., 1966) |
Katherine Tupper "Kitty" Winn (born February 21, 1943) is an American actress. She is best known for her roles as the heroin addict Helen in the romantic drama The Panic in Needle Park (1971), for which she won the Best Actress award at the 1971 Cannes Film Festival, and her recurring role of Sharon Spencer in the horror film franchise The Exorcist.
Kitty Winn was born on February 21, 1943, in Washington, D.C., the daughter of Army officer James J. Winn and Molly Pender Brown Winn. She had one brother.[2] Winn traveled widely during much of her childhood, having spent time in the United States, England, Germany, China, India, and Japan. Her mother is the stepdaughter of U.S. General of the Army, former US Secretary of State, and former US Secretary of Defense George C. Marshall and daughter of Katherine Tupper Marshall.
Winn's career has spanned a wide range of dramatic productions on stage, in motion pictures and on television. She studied acting at Centenary Junior College and Boston University, graduating from the latter in 1966. During her college years Winn acted in student productions at Centenary Junior College, Boston University, and Harvard College and summer stock for two summers at The Priscilla Beach Theatre, south of Boston. Shortly after college she joined the company at American Conservatory Theater in San Francisco, where she remained for four years under the artistic direction of William Ball.
In the fall of 1970 Winn left American Conservatory Theater to star opposite Al Pacino in the film The Panic in Needle Park, for which she won the Best Actress award at the 1971 Cannes Film Festival. Although she went on to do several more films, including They Might Be Giants (1971) and The Exorcist (1973), she spent most of her career in theater.
She played Cordelia in The Tragedy of King Lear for KCET in 1983, and soon retired from acting. She did not return to the stage again until 2011, when she played the lead in The Last Romance at the San Jose Repertory Theatre. For this performance, she was nominated for a best actress award by the San Francisco Bay Area Theatre Critics Circle.
| Year | Production Location | Play | Role | |
|---|---|---|---|---|
| 1961 | Centenary Junior College | Antigone | Antigone | |
| 1963 | Priscilla Beach Theatre | Curious Savage | Florence | |
| 1963 | Priscilla Beach Theatre | Song of Bernadette | Bernadette | |
| 1964 | Priscilla Beach Theatre | Night of the Iguana | Miss Jenks | |
| 1964 | Priscilla Beach Theatre | Gigi | Gigi | |
| 1964 | Priscilla Beach Theatre | Shot in the Dark | Josefa Lantenay | |
| 1964 | Boston University | Measure for Measure | Mistress Overdon's girl | |
| 1964 | Boston University | Toys in the Attic | Lily | |
| 1965 | Boston University | The Rose Tattoo | Rosa | |
| 1965 | Harvard College | The Beggars' Opera | Polly Peachum | |
| 1966 | Boston University | The Playboy of the Western World | Pegeen Mike | |
| 1967 | American Conservatory Theater | The Crucible | Mary Warren | |
| 1967 | American Conservatory Theater | Thieves' Carnival | Juliette | |
| 1967 | American Conservatory Theater | Charley's Aunt | Kitty | |
| 1968 | American Conservatory Theater | Long Day's Journey into Night | Cathleen | |
| 1968 | American Conservatory Theater | Le Misanthrope | Celemene | |
| 1968 | American Conservatory Theater | Under Milk Wood | Lily Smalls | |
| 1969 | American Conservatory Theater | Rosencrantz and Guilderstern Are Dead | Ophelia | |
| 1969 | American Conservatory Theater | Charley's Aunt | Kitty | |
| 1969 | ANTE Theatre and American Conservatory Theater | The Three Sisters | Irina | |
| 1969 | The Mineola Playhouse | Our Town | Emily (also with Henry Fonda) Michael York (actor) | |
| 1970 | American Conservatory Theater | Glory Hallelujah | Nantelle Bowden | |
| 1970 | American Conservatory Theater | The Rose Tattoo | Rosa | |
| 1970 | American Conservatory Theater | The Tempest | Miranda | |
| 1972 | Long Wharf Theatre, New York Shakespeare in the Park, and Mark Taper Forum | Hamlet | Ophelia (also with Stacy Keach, James Earl Jones and Colleen Dewhurst) | |
| 1975 | Knuckle (off-Broadway premier) | Jenny Wilbur (opposite Perry King) | ||
| 1975 | Ahmanson Theatre | Ring Around the Moon | Isabelle (opposite Michael York) | |
| 1977 | Long Wharf Theatre | St. Joan | Joan | |
| 1978 | Coconut Grove Playhouse | Othello | Desdemona | |
| 1982 | Repertory Theatre of Saint Louis | Romeo and Juliet | Juliet | |
| 2011 | San Jose Repertory Theatre | The Last Romance | Carol |
| Year | Name of Film | Role | |
|---|---|---|---|
| 1971 | The Panic in Needle Park | Helen Reeves | |
| 1972 | They Might be Giants | Grace | |
| 1973 | The Exorcist | Sharon Spencer | |
| 1976 | Peeper | Marianne Prendergast | |
| 1977 | Sharon Spencer | ||
| 1978 | Mirrors | Marianne Whitman |
| Year | Name of Film | Role | |
|---|---|---|---|
| 1970 | The House That Would Not Die | Sara Dunning | |
| 1972 | The Life of Harriet Beecher Stowe | Harriet | |
| 1973 | Message to My Daughter | Miranda Thatcher | |
| 1974 | The Carpenters | Sissy | |
| 1975 | Miles to Go Before I Sleep | Maggie Stanton | |
| 1977 | The Last Hurrah | Maeve Skeffington | |
| 1983 | The Tragedy of King Lear | Cordelia |
| Year | Name of Series | Role | |
|---|---|---|---|
| 1973 | The Streets of San Francisco | Barbara Talmadge | |
| 1975 | Beacon Hill | Rosamond Lassiter | |
| 1977 | Kojak - "Kojak Days: Part 1" | Carla Magid | |
| 1977 | Kojak - "Kojak Days: Part 2" | Carla Magid |