| Author: | Wole Soyinka |
| Isbn: | 0-413-77175-9 |
| Pub Date: | October 17, 2002 |
| King Baabu | |
| Genre: | fiction |
| Country: | Nigeria |
| Language: | English |
| Publisher: | Methuen Drama |
King Baabu is a play by Wole Soyinka amongst his others plays including The Lion and the Jewel,A Dance of the Forests, and The Strong Breed. Wole Soyinka was the first African to win the Nobel Prize award in 1986.[1] [2] [3] King Baabu is a satirical play that mirrors the rule of General Abacha in Nigeria through absurdity and humor. It follows the transformation of General Basha Bash into King Baabu, portraying his reign with a cast of characters speaking in a childish language. Through comedy and storytelling, the play critiques power, corruption, and the cult of personality, leaving a lasting impression as a poignant commentary on political absurdity.
King Baabu takes center stage on serving as a mirror reflecting the dictatorial rule of General Basha Bash, a thinly veiled portrayal of Nigeria's General Abacha. The play starts with General Basha Bash, who, following a military coup, sheds his military garb for regal robes and crowns himself King Baabu. With his newfound power, Baabu plunges the nation into a surreal world of tyranny.
As King Baabu's regime runs out of control, the people, once oppressed by General Basha Bash, now find themselves subjected to the whims of a ruler even more absurd and outrageous. Yet, despite the absurdity, they had no choice than to compile[4]
Through "King Baabu," Soyinka blends satire, comedy, and social commentary, offering an indictment of dictatorship and the abuse of power. As the curtain falls, the audience is left to ponder the timeless lesson in the theater of politics, absurdity often reigns supreme.
King Baabu is set in a fictional version of Nigeria during the rule of General Abacha, although it's more of a satirical commentary than a strict representation of historical events. The story revolves around General Basha Bash, who stages a coup and declares himself King Baabu, symbolizing the arbitrary and dictatorial nature of his rule.[5]
The setting reflects the political turmoil and authoritarianism displayed during General Abacha's regime, with parallels drawn between the events in the novel and real-life political dynamics. The use of a childish language for the characters, reminiscent of Alfred Jarry's "Ubu Roi," adds to the satirical tone of the narrative, highlighting the absurdity of the situation.