| Birth Date: | 11 April 1947 | ||||||||||
| Birth Place: | Jinju, Korea | ||||||||||
| Language: | Korean | ||||||||||
| Nationality: | South Korean | ||||||||||
| Alma Mater: | Kyungpook National University, Sogang University | ||||||||||
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Kim Wonu is a modern South Korean novelist.[1]
Kim Wonu was born on April 11, 1947, with sources unclear on Gimhae[2] Gyeongsangnam-do or Jinju[3] Gyeongsangnam-do, Korea. Kim attended Gyeongbuk University from which he received his B.A. in English and Sogang University from which he received and M.A. in Korean. He has been a member of the group "Jakga" since 1979 and served as Editor in Chief on Minumsa Publishing.[2]
Kim Wonu made his literary debut in 1977 with the novella Appointed Posts (Imji), a scathing critique of the philistinism and commodity fetishism that he saw as pervasive in middle-class Korean society. Everyday lives of middle-class Koreans in all its unabashed materialism and self-interest, is an abiding concern in the entire body of Kim Wonu's fiction. His characters possess little or no individual personality, and can only find meaning in their lives through the ceaseless pursuit of profit. Because they are so entrenched in immediate material gratification, they fail to realize the sterility of their lives; Kim Wonu, therefore, frequently employs an outside agent to act as a mediator in his fiction.[4]
There is, however, a certain reflectiveness that pervades Kim Wonu's fiction, and this quality has much to do with the way in which Kim's own experiences are brought to bear in his fictional accounts. The falsity and hypocrisy that underlie middle-class rhetoric of success is part of his life as well; the sense of weariness generated by life's routines can be detected in Kim's reminiscences of his own youth. Kim Wonu's critical voice thus conveys something stubborn yet honest at the same time. Combined effectively with meticulous, insightful descriptions of ordinary people and events, this voice allows Kim Wonu's works to become something more than mere 'novel of manners' and offer intellectually engaging portraits of life that are at once fiercely critical and heart-warming.[4]
Kim has won the 1998 Dong-sa Literature Award and 2002 Daesan Literature Prize.[5]
Chinese
Story Collections