| Kids on the Street | |
| Type: | Studio |
| Artist: | Cherry Poppin' Daddies |
| Cover: | Cherry Poppin' Daddies - Kids on the Street.jpg |
| Released: | February 6, 1996 |
| Recorded: | 1995 |
| Genre: | Alternative rock |
| Length: | 52:26 |
| Label: | Space Age Bachelor Pad Caroline Records |
| Producer: | Steve Perry |
| Prev Title: | Rapid City Muscle Car |
| Prev Year: | 1994 |
| Next Title: | Zoot Suit Riot |
| Next Year: | 1997 |
Kids on the Street is the third studio album by American band the Cherry Poppin' Daddies, released in 1996 on Space Age Bachelor Pad Records.
By 1996, the Cherry Poppin' Daddies had established themselves as a staple of the West Coast third wave ska scene, carving out a steady touring niche alongside bands such as The Mighty Mighty Bosstones and Reel Big Fish. However, the Daddies' next album strayed from the brass-heavy swing and funk which dominated their first two releases in favor of further exploration into punk and ska.
With lead singer Steve Perry now assuming a role as a rhythm guitarist, Kids on the Street predominantly features guitar-driven ska and punk, though also branches into such genres as southern rock ("Luther Lane"), western swing ("Silver-Tongued Devil") and jazz ("Here Comes the Snake"). Perry has stated that the abundance of straightforward rock and punk songs on the album in place of the eclecticism of their previous records was partially due to his playing guitar on the album, as he described his guitar skills as "limited".[1]
Released in the midst of the American ska revival in 1996, Kids on the Street was the Daddies' most successful album at that time. Distributed through indie label Caroline Records, the album sold 25,000 copies in its first week, charting on The Rocket's Retail Sales Top Twenty for over seven months and eventually making its way onto Rolling Stone's Alternative Chart.[2] [3] Several of the album's songs appeared on numerous mid-1990s ska compilations, helping spread the Daddies' name further outside of their Pacific Northwest-centered fanbase.
Two contemporary reviews in Eugene's The Register-Guard both gave Kids on the Street a positive reception. One reviewer called the album a "great CD" that was "suitable for just hanging out and doing homework" to and for "long, boring car trips", while another reviewer, though claiming that Kids occasionally branched into "the monotony of 'alternative'", noted that it "definitely would be possible to derive pleasure from listening to this CD. The music is wonderful!"[4]