| The Blasters | |
| Landscape: | yes |
| Origin: | Downey, California, U.S. |
| Years Active: | 1979–present |
| Label: | Slash, Shout! Factory, Rip Cat |
| Current Members: | Phil Alvin John Bazz Bill Bateman Keith Wyatt |
| Past Members: | Dave Alvin Lee Allen Gene Taylor Steve Berlin Hollywood Fats Billy Zoom Smokey Hormel James Intveld Dave Carroll Jerry Angel |
The Blasters are an American rock band formed in 1979 in Downey, California, by brothers Phil Alvin (vocals and guitar) and Dave Alvin (guitar), with bass guitarist John Bazz and drummer Bill Bateman. Their self-described "American Music" is a blend of rockabilly, early rock and roll, punk rock, mountain music, and rhythm and blues and country.
The Alvin brothers grew up in a household filled with music and parents who exposed their sons to different kinds of American music.[1] They made friends with Bazz and Bateman, and together the boys were brave enough to go into Los Angeles blues clubs to watch their musical idols. They learned firsthand from the likes of Joe Turner and T-Bone Walker. Phil Alvin recalled how his mother would drive the boys anywhere, and around 1965 or 1966, she took Phil to see Sonny Terry and Brownie McGhee. At Phil's request, Big Joe Williams introduced him to Terry, and Phil wound up taking a number of harmonica lessons from Terry.[2] Another mentor was tenor saxophonist Lee Allen, who later joined The Blasters.[3]
Phil Alvin explained the origin of the band's name: "I thought Joe Turner's backup band on his Atlantic records–I had these 78s–I thought they were the Blues Blasters. That ends up it was Jimmy McCracklin. I just took the 'Blues' off and Joe finally told me, that's Jimmy McCracklin's name, but you tell 'im I gave you permission to steal it [laughs]."[4]
Gene Taylor joined after the release of American Music (1980), performing boogie woogie-style piano (he remained with the band through late 1985). Later on, Steve Berlin joined on baritone sax, forming a horn tandem with Lee Allen.
The Blasters' energetic live performances gained a local following, and they became fixtures of the early 1980s Los Angeles punk rock scene. They performed alongside X, Black Flag, The Gun Club, the Screamers and others. The L.A. scene of the time also featured the cowpunk genre, and a notable example was how The Blasters helped country artist Dwight Yoakam get established. They toured together in 1985.[5]
Another local band that formed a strong musical bond with The Blasters was Los Lobos. The Mexican-American group first became friends with the Downey group in 1976. About five years later, The Blasters invited Los Lobos to open for them and also helped get the young men from East L.A. their first record deal. Steve Berlin made a transition to Los Lobos, with The Blasters' blessing.[6]
The Blasters toured almost continuously for much of their heyday. The notes for The Blasters Collection observed that in one particular month, they toured with a wide range of acts: the all-girl band The Go-Go's, psychobilly pioneers the Cramps, with western swing revivalists Asleep at the Wheel and on a leg of Queen's west coast tour.
Like many other pairs of rock 'n' roll siblings, the Alvins got into fights with each other.[7] In 2015, Dave also recalled that the internal tension in the band extended beyond his tumultuous relationship with Phil.
This tension came to a head on October 23, 1985, during a gig in Montreal at the Spectrum. Gene Taylor quit that night and offered his services to the opening act, the Fabulous Thunderbirds. Dave Alvin also quit, joining X for a brief stint, though he returned briefly in early 1986 amid plans to record a new album with Nick Lowe as producer. That didn't work out, and Dave left The Blasters for good, save for occasional reunions and under other circumstances as well. Ultimately, he wanted to sing his own songs.[8] He proceeded to launch his critically acclaimed solo career.
Phil Alvin has led various incarnations of The Blasters intermittently since then (he devoted much of his attention to graduate studies in mathematics). Hollywood Fats (birth name: Michael L. Mann) came aboard in the spring of 1986, appearing with The Blasters at Farm Aid II. Fats died in December 1986, whereupon Dave Alvin served as an emergency fill-in. In an odd twist, Fats was initially replaced as full-time lead guitarist by Billy Zoom, who had previously left X.[9] Zoom's stay in The Blasters was very brief. Succeeding guitarists were Smokey Hormel (1988–93),[10] James Intveld (1993–95), and Keith Wyatt (1996-present). Dave Carroll succeeded Bill Bateman on drums in 1993 but was subsequently replaced by Jerry Angel in 1994.[11]
There have also been a few reunion tours and live albums of the original lineup – including Dave Alvin. Along with these, examples of Dave's return include the need that arose from the death of Hollywood Fats, as well as Phil's knee ailment in December 2011.[12]
In 2005, the band released its first studio CD in 20 years, 4-11-44.
On July 3, 2012, the Blasters put out their most recent studio album to date, Fun On Saturday Night. The album includes a duet with Exene Cervenka of X and the Knitters, track number 2, "Jackson" — a cover of the 1963 song made most famous by Johnny Cash and June Carter Cash.
In advance of the album's release, the band was touring Spain, and Phil Alvin had a near-death experience owing to an infection from an abscessed tooth. Though he had an emergency tracheotomy and flatlined twice, he recovered with his voice intact, and The Blasters have since continued to tour.
Personnel as of 2022: Phil Alvin, John Bazz, Keith Wyatt, and Bill Bateman. Bateman rejoined the band in 2008, replacing Jerry Angel.[13]
The Blasters have a devoted fan base and have received largely positive critical reviews, but have earned only limited mainstream success. Critic Mark Deming wrote of them, "the Blasters displayed a wide-ranging musical style [and] were a supremely tight and tactful band with enough fire, smarts, and passion for two or three groups."[14]
Trouser Press cited their strengths: "tight ensemble work, swingin' original tunes in the classic mold and Phil Alvin's ageless, confident vocals."[15] The Rough Guide to Rock noted the ever-increasing numbers of originals written by Dave Alvin—songs about cars, girls, the working man and road dreams—and how he matured into a great songwriter.[16]
In his memoir Get in the Van (1995), Henry Rollins (of Black Flag and Rollins Band) wrote of the Blasters, "In my mind, they were a great band that not enough people found out about. Bill Bateman is one of the best drummers there is, and then of course, there are the Alvin brothers. A lot of talent for one band."[17]
The Blasters gained exposure appearing as themselves in the Walter Hill film Streets of Fire (1984). They performed two songs, "One Bad Stud" and "Blue Shadows".
Their song "Dark Night" was featured in a 1985 episode of Miami Vice (Season 2 Episode 2, "Whatever Works "). Later, it was also used over the opening sequence of the Quentin Tarantino-Robert Rodriguez collaboration movie From Dusk till Dawn.
In 1980, singer Shakin' Stevens scored a minor UK hit with his version of The Blasters' song "Marie, Marie". The original was on American Music. Stevens's version appeared on his album This Ole House.
In 1985, for Stevens' album Lipstick Powder and Paint, he also covered "So Long Baby, Goodbye".
In 1987, Buckwheat Zydeco covered the Blasters' "Marie, Marie" on his album, On a Night Like This.
Operation Ivy recorded "Trouble Bound" in 1987. The cut was eventually released on the Seedy compilation in 1996.
Dwight Yoakam's version of "Long White Cadillac" led off his 1989 album Just Lookin' for a Hit.
In 2004, Lars Frederiksen and the Bastards covered The Blasters' "Marie, Marie" on their album, Viking.
Matchbox also recorded "Marie, Marie" for their 1980 album Midnite Dynamos.