| Kee Thuan Chye | |||||||||||||
| Birth Date: | 1954 5, df=yes | ||||||||||||
| Birth Place: | Penang, Federation of Malaya | ||||||||||||
| Occupation: | Journalist, editor, author, playwright, actor, and civil liberty advocate | ||||||||||||
| Spouse: | Lim Choy Wan | ||||||||||||
| Children: | Soraya Sunitra Kee Xiang Yin (daughter), and Jebat Arjuna Kee Jia Liang (son) | ||||||||||||
| Awards: |
| ||||||||||||
| Module: |
| ||||||||||||
Kee Thuan Chye (born 25 May 1954) is a Malaysian actor, dramatist, poet and journalist. Acting in theatre, films, and on television for more than 40 years, he continues to do so. In 1981, Kee co-founded the theatre group, KAMI, in Kuala Lumpur. A noted civil rights activist, he would express in his plays whatever he could not express through the newspapers under Malaysia's repressive Printing Presses and Publications Act (PPPA). For speaking out without fear or favour, Kee was among the first recipients of The Annexe Heroes Freedom of Expression Awards when it was launched in 2008.[1]
Although social reengineering under the New Economic Policy had already begun after the 13 May Incident of 1969, it became more pronounced after Mahathir Mohamad became Prime Minister in 1981. At the New Straits Times, Kee Thuan Chye received numerous memos from his editor-in-chief for trying to push the parameters and opening up public discourse on what was deemed 'sensitive' issues. Firmly believing that the responsibility of a journalist to the public is to inform them of the truth, he had to battle with his superiors and as a consequence, he was often punished, marginalised, and shut out. In 1988, Kee received his master's degree in drama from the University of Essex, after being awarded a British Council Fellowship for postgraduate studies in England.
In 2001, Kee Thuan Chye became an Associate Editor of The Star in Kuala Lumpur, creating and editing the English column, Mind Our English, until retirement in May 2009.[2] His Sunday Star column, Playing The Fool, which he began in April 2007, ran for only two instalments before it was cancelled. In his inaugural article, Kee had written that he would be speaking out frankly on social and political issues, without fear or favour. His second article, hitting out at racial discrimination in Malaysia, was published but when it came to his third article, the editors got jittery and suppressed it. The Star finally decided to terminate the column after Kee submitted his fourth article.
Kee Thuan Chye's political awakening began when he could not afford to pursue his master's degree unless he had a tutor's position. He applied for the post at Universiti Sains Malaysia, his alma mater, and although he was the top student in his class, the job was given to someone else.[3] Kee then joined the now-defunct National Echo as literary editor where he created the page Culture Scene and wrote editorials on political and other issues. Moving from Penang to Kuala Lumpur to join the New Straits Times in the late 1970s, he saw more clearly how race had been politicised to divide the people.
What Kee Thuan Chye could not express through the newspaper, he eventually expressed in his plays. 1984 Here and Now which spoke out frankly against Big Brother and institutionalised racial discrimination, played to full houses in 1985,.
In the aftermath of the 2008 general elections, Kee Thuan Chye rushed out his book March 8: The Day Malaysia Woke Up in a record three months, due to the topicality of the subject matter. This was followed by March 8: Time for Real Change in 2010.
Between 2008 and 2018, Kee wrote a total of 10 books about the Malaysian political scene, as part of his attempts to create awareness among Malaysians of the need for political change and a better Malaysia.
He finally realised the fruits of his struggle at Malaysia’s 14th general election on May 9, 2018, when the seemingly invincible incumbent coalition, Barisan Nasional, was voted out after having held power for 61 years. It was a historic phenomenon that few people expected. But it happened largely because of the efforts put in by Malaysians who wanted change and worked hard to make it come about.
To commemorate this historic event and also pay tribute to the efforts of everyday Malaysians who had endured the oppressive rule of Barisan Nasional for many years and struggled to kick it out, Kee threw himself into writing a thoroughly researched book that captures the drama of their struggle starting from the time of the 13th general election and building up to the climax of the 14th general election. From despair to hope to euphoria.
He also wrote a narrative entitled The People’s Victory.
| Year | Title | Role | Remarks |
|---|---|---|---|
| 2015 | Foundation | Father | Short film made for Cine 65 Singapore competition |
| 2008 | Sell Out! | CEO 1 | Directed by Yeo Joon Han (Amok Films) |
| 2007 | 1957 Hati Malaya | Tan Cheng Lock | Directed by Shuhaimi Baba (Pesona Pictures) |
| 2004 | Char Koay Teow | Directed by Anwardi Jamil | |
| 2001 | Snipers | Mr. Tan | Written and directed by James Lee |
| 2000 | Lips to Lips | Scrabble Man | Written and directed by Amir Muhammad |
| 1999 | Anna and the King | Second Judge | Directed by Andy Tennant, starring Jodie Foster (Twentieth Century Fox) |
| Entrapment | Trader #1 | Directed by Jon Amiel, starring Sean Connery (Twentieth Century Fox) |
Kee Thuan Chye has appeared in many television dramas, including:
| Year | Title | Role | Remarks | |
|---|---|---|---|---|
| 2018 | The Fifth Floor | Wong Meng Teck | Singapore TV series | |
| 2017 | B R A | Senior Doctor | Singapore TV series | |
| My Mother's Story | Father-in-law | Singapore TV miniseries | ||
| 2016 | Fine Tune | Roger Wong | Singapore TV series | |
| 2015 | Code of Law (Season 3) | Justice Peter Loh | Singapore TV series | |
| The Circle House | Tan Hock Chuan[4] | Singapore TV-movie | ||
| 2014 | Mata Mata (Season 2) | Tan Eng Chye | Singapore TV series | |
| 2013 | Code of Law (Season 2) | Justice Peter Loh | Singapore TV series | |
| 2012 | Code of Law (Season 1) | Justice Peter Loh | Singapore TV series | |
| 2011 | The Pupil (Season 2) | Justice Peter Loh | Singapore TV series | |
| 2009 | 10 (Sepuluh) | Liew | 8-episode TV drama series | |
| Mr Siao's Mandarin Class | Robert Toh | TV sitcom | ||
| 2008 | Marcus Owyang | Lead role in Singapore TV-movie, shot in Siem Reap, Cambodia | ||
| Secrets of the Forbidden City | Xia Yuanji | Role of Minister of Revenue to Emperor Yongle, in the dramatised documentary for the BBC and the History Channel | ||
| Bilik No. 13 | Ah Keong | Lead role in one episode of Malay miniseries | ||
| 2007 | Marco Polo: Discovery of the World | Hallmark TV-movie | ||
| Sadiq and Co | Judge | Guest role in Malay TV series | ||
| Gol & Gincu (Season 2) | Mr Wee | Guest role in TV series | ||
| 2006 | Realiti | David Yeoh | TV series | |
| Impian Ilyana | Ilyana's boss | Guest role in Malay TV series | ||
| 2004 | Singapore Shakes | David Setoh | 'Seventh Month' episode of the Singapore series | |
| Perceptions | Victor Wong | Main-cast member in the 13-episode Singapore series | ||
| 2003 | Each Other | Ronnie Ng | Semi-regular role in the 13-episode drama series | |
| 2002 | Kopitiam | Kok Hui | Guest role in one episode of the 3rd season | |
| Love Matters: The Marriage Factor | Daddy | Singapore telemovie | ||
| 2001 | Phua Chu Kang Pte Ltd | Lim Pek Kong | Guest role in one episode of the Singapore sitcom | |
| 2000 | Teh Tarik Dot Com | Vince | Main cast member of the 13-episode sitcom | |
| 1999 | Kopitiam | Major Lim | Guest role in one episode of sitcom (2nd season) | |
| City of the Rich | Han Lee | Main cast member in the 200-episode series | ||
| 1984 | Maria | Peter | Malay TV-movie | |
| 1977 | Bailey's Bird | Ming Ho | Guest role in German-Australian TV series |
| Year | Title | Role | Remarks | ||
|---|---|---|---|---|---|
| 2017 | Swordfish + Concubine | align=center style="padding:3px 12px;" | Producer, writer-cum-director | Kuala Lumpur Performing Arts Centre (KLPac) | |
| 2016 | The Swordfish, Then the Concubine | align=center style="padding:3px 12px;" | Writer | Translated into Mandarin, directed by Loh Kok Man | |
| 1984 Here and Now | align=center style="padding:3px 12px;" | Writer | Translated into Mandarin, directed by Loh Kok Man | ||
| 2011 | The Fall of Singapura | align=center style="padding:3px 12px;" | Writer | Directed by Jonathan Lim, Young 'n' Wild, Singapore | |
| 2008 | The Swordfish, Then the Concubine | align=center style="padding:3px 12px;" | Writer | Directed by Ivan Heng, premiered as the opening play of the Singapore Theatre Festival 2008, organised by Wild Rice Productions. | |
| 2006 | The Swordfish, Then the Concubine | align=center style="padding:3px 12px;" | Writer | The play made it to the Top 5 out of over 600 entries to the International Playwriting Festival, organised by the Warehouse Theatre in Croydon, United Kingdom, with excerpts presented at the festival in November 2006 | |
| 2005 | The Big Purge | align=center style="padding:3px 12px;" | Writer | Selected for Typhoon 4, a playreading festival organised by the Yellow Earth Theatre and presented in Soho Theatre, London | |
| 1995 | We Could **** You Mr. Birch | align=center style="padding:3px 12px;" | Writer-cum-director | The play was invited to the Festival of Asian Performing Arts in Singapore (performances on 5 and 6 June at the World Trade Centre Auditorium). | |
| 1994 | We Could **** You Mr. Birch | Writer-cum-director | Performed for two seasons in June and December. | ||
| 1993 | The Birch and the Rod | align=center style="padding:3px 12px;" | Director | A play written by K.S. Maniam, which premiered at the Australasian Drama Studies Association Conference in Perth, Western Australia | |
| 1992 | Macbeth | align=center style="padding:3px 12px;" | Director | A Shakespearean play | |
| 1990 | Madame Mao's Memories | align=center style="padding:3px 12px;" | Director | A play written by Henry Ong | |
| 1988 | The Big Purge | align=center style="padding:3px 12px;" | Writer-cum-director | Staged at Essex University Theatre, UK | |
| 1984 | 1984 Here and Now | align=center style="padding:3px 12px;" | Writer | Staged in 1985 by Five Arts Centre, directed by Krishen Jit | |
| 1981 | Narukami | align=center style="padding:3px 12px;" | Director | Adapted from the Kabuki theatre | |
| 1977 | Eyeballs, Leper, and a Very Dead Spider | align=center style="padding:3px 12px;" | Writer-cum-director | - | |
| The Battles of Coxinga | align=center style="padding:3px 12px;" | Director | A play adapted from the Bunraku theatre | ||
| 1976 | Narukami | align=center style="padding:3px 12px;" | Director | Adapted from the Kabuki theatre | |
| 1975 | Rhinoceros | align=center style="padding:3px 12px;" | Director | A play written by Eugene Ionesco | |
| 1974 | The Situation of the Man who Stabbed a Dummy or a Woman and was Disarmed by the Members of the Club for a Reason Yet Obscure, If There Was One | align=center style="padding:3px 12px;" | Writer-cum-director | - | |
| 1973 | An Old Man Died Today | align=center style="padding:3px 12px;" | Writer-cum-director | - |
| Year | Title | Role | Remarks | |
|---|---|---|---|---|
| 2015 | Public Enemy | align=center style="padding:3px 12px;" | Actor (as Martin Kwek) | Play written by Henrik Ibsen, directed by Glen Goei, and staged at W!ld Rice Productions at Victoria Theatre, Singapore |
| 2014 | 2 Houses | align=center style="padding:3px 12px;" | Actor (as Heah) | Directed by Lim Yubeng, premiered/commissioned at George Town Festival |
| 2012 | The Flight of the Jade Bird | align=center style="padding:3px 12px;" | Actor (as The Narrator) | Directed by Mark Chan, premiered and opening show for the Singapore Arts Festival 2012, staged at Esplanade Concert Hall |
| 2011 | The Baling Talks | align=center style="padding:3px 12px;" | Actor (as Chin Peng) | Played at the Singapore Arts Festival 2011 for Five Arts Centre |
| 2008 | The Baling Talks | align=center style="padding:3px 12px;" | Actor (as Tunku Abdul Rahman) | Played for Five Arts Centre at the Annexe Gallery, Kuala Lumpur |
| 2002 | Beautifully Read | align=center style="padding:3px 12px;" | Actor (as one of the readers) | A performance sponsored by the US Embassy, directed by Karin delaPena, Artistic Director of Speaking of Stories, based in Santa Barbara, California |
| 1999 | Expat Comes to Town | Actor (as multiple roles) | A cross-cultural comedy, performed in Kuala Lumpur, Ipoh, and Penang | |
| 1998 | A dinner-theatre murder mystery | Actor (as Datuk) | Played at the KL Ritz-Carlton Hotel | |
| 1997 | Honour | Actor (as Gus) | Play written by Joanna Murray-Smith | |
| 1991 | A Man for All Seasons | align=center style="padding:3px 12px;" | Actor (as Cromwell) | Play written by Robert Bolt |
| 1990 | Gulls | align=center style="padding:3px 12px;" | Lead actor (as Bill) | Written and directed by Robert Hewett |
| The Proposal | align=center style="padding:3px 12px;" | Actor (as Chubukhov) | Play written by Anton Chekhov | |
| 1989 | Death of a Salesman | align=center style="padding:3px 12px;" | Actor (as Willy Loman) | Play written by American playwright Arthur Miller |
| 1988 | The Big Purge | align=center style="padding:3px 12px;" | Actor (as Father) | Also wrote and directed |
| 1987 | Anak Tanjung | align=center style="padding:3px 12px;" | Actor (as Ah Heng) | A Malay play written by Noordin Hassan |
| 1986 | The Cord | align=center style="padding:3px 12px;" | Actor (as Muthiah) | Played at The Drama Festival, Singapore |
| The Coffin Is Too Big for the Hole | align=center style="padding:3px 12px;" | Actor (one-man performance) | Play written by Kuo Pao Kun | |
| 1985 | 1984 Here and Now | align=center style="padding:3px 12px;" | Actor (as various roles) | Also wrote. Staged in 1985 by Five Arts Centre, directed by Krishen Jit |
| Yap Ah Loy - The Play | align=center style="padding:3px 12px;" | Actor (various roles) | Play written by Chin San Sooi | |
| 1984 | Long Day's Journey Into Night | align=center style="padding:3px 12px;" | Actor (as Jamie Tyrone) | Play written by Eugene O'Neill |
| The Cord | align=center style="padding:3px 12px;" | Actor (as Muthiah) | Play written by K.S. Maniam | |
| 1981 | Rosencrantz and Guildenstern Are Dead | align=center style="padding:3px 12px;" | Actor (as Claudius) | Play written by Tom Stoppard |
| Narukami | align=center style="padding:3px 12px;" | Actor (as Danjo) | Also directed the play | |
| 1977 | Antigone | align=center style="padding:3px 12px;" | Actor (as Creon) | Play written by Jean Anouilh |