Casimir Oberfeld Explained

Kazimierz Oberfeld
Birth Date:	16 November 1903
Birth Place:	Lowicz, Vistula Land, Russian Empire
Death Date:	January 1945 (aged 41)
Death Place:	Auschwitz Concentration Camp, Polish Germany
Othername:	Kazimierz Oberfeld
Occupation:	Composer
Yearsactive:	1930–1940 (film)

Casimir Oberfeld (16 November 1903 – January 1945), also spelled Kazimierz Oberfeld, was a Polish-born French composer. He worked on many film scores and also wrote popular songs of the 1920s and 1930s. Following France's invasion by Germany in 1940 during the Second World War, as a Jew Oberfeld faced increasing persecution. Having taken shelter in Italian-occupied Nice he was arrested when the area was taken over by the Germans. He was sent to Auschwitz where he was murdered in January 1945.

Career

The music of the patriotic song of Nazi-collaborationist Vichy France "Maréchal, nous voilà !", while credited to André Montagnard and Charles Courtioux, was in fact plagiarised from a work by Oberfeld^[1] called "."^[2]

Selected filmography

• The Sweetness of Loving (1930)
• The Man in Evening Clothes (1931)
• The Triangle of Fire (1932)
• Antoinette (1932)
• The Regiment's Champion (1932)
• The Blaireau Case (1932)
• The Porter from Maxim's (1933)
• The Uncle from Peking (1934)
• The Fakir of the Grand Hotel (1934)
• Honeymoon (1935)
• Ferdinand the Roisterer (1935)
• The Squadron's Baby (1935)
• The Pont-Biquet Family (1935)
• Rigolboche (1936)
• A Legionnaire (1936)
• You Can't Fool Antoinette (1936)
• Excursion Train (1936)
• Street of Shadows (1937)
• The Beauty of Montparnasse (1937)
• Heartbeat (1938)
• Barnabé (1938)
• Paid Holidays (1938)
• The Two Schemers (1938)
• The Tamer (1938)
• Tricoche and Cacolet (1938)
• The Porter from Maxim's (1939)
• The Five Cents of Lavarede (1939)
• Monsieur Hector (1940)

Bibliography

• Mould, Michael. The Routledge Dictionary of Cultural References in Modern French. Taylor & Francis, 2011.

External links

• • Scores by Casimir Oberfeld in digital library Polona

Notes and References

1. Mould p.59
2. Nathalie Dompnier, « Entre La Marseillaise et Maréchal, nous voilà ! quel hymne pour le régime de Vichy ? », dans Myriam Chimènes (dir.), La vie musicale sous Vichy, Éditions Complexe – IRPMF-CNRS, coll. « Histoire du temps présent », 2001, p. 71