Karl Beveridge Explained
Karl Beveridge |
Birth Date: | 11 July 1945 |
Birth Place: | Ottawa, Ontario |
Nationality: | Canadian |
Field: | PhotographER |
Karl Beveridge (born November 7, 1945) is a Canadian artist. His practice responds to critical contemporary cultural, social, and political issues through the use of collaboration and dialogue. Beveridge and long-time collaborator and partner Carole Condé challenge concepts of ideology, power, and control.[1] [2]
In their career, which spans over thirty years, Condé and Beveridge have had over fifty solo exhibitions at major museums and art spaces across four continents, including: the Institute of Contemporary Arts in London, UK; Museum Folkswang in Germany; the George Meany Centre in Washington; Dazibao Gallery in Montréal; Centro Cultural Recoleta in Buenos Aires; the Art Gallery of Edmonton; and the Australian Centre for Photography in Sydney.[3]
Background
In 1969, Condé and Beveridge, then working as independent conceptual artists, left Toronto for the burgeoning conceptual art world in New York City, where they found their overtly politicized voice.[4] In 1975, they picketed at the Museum of Modern Art, protesting its lack of inclusion of women artists. The couple returned to Toronto in 1977.
Artistic career
Condé and Beveridge have worked on social issues including the working conditions of migrant farm labourers, the histories of auto workers, women in the workplace, projects relating to labour education and labour arts, national and global "free trade" agreements, police brutality and systemic racism, environmental issues, nuclear power, the decline of the fishing industry, struggles against neoconservative government policies, healthcare issues, anti-globalization protests, and the transnational politics of water. The artists use dialogical aesthetics as a way of breaking down the conventional distinctions between artist, artwork, and audience.
Style
Condé and Beveridge utilize actors, staged tableaux, montage, thematic slogans, captions, and the construction of emblematic props and non-naturalistic sets to generate an atmosphere of serious visual expression grounded in theoretical and ethical contexts.[5] Their work expresses the fundamental principal that art is a social transaction that becomes a participatory, collaborative process, communicating and articulating commonalities and differences shared by all.
Artworks
- 1976 – It's Still a Privileged Art – This seminal artwork, their first key collaboration, initiated the development of the artists’ unique form of socially engaged art practice.
- 1982–1983 – Oshawa—A History of CAW Local 222 – A collaboration with members of the Canadian Auto Workers Local 222 (at the time still a part of the US-based United Auto Workers), which investigated the changing role of women in both the workplace and the union. The 56-part photo narrative, divided into 5 sections, utilized oral and photo history to express the 1937 founding of the union, World War II changes, post-war growth and stability, gender tensions which resulted from the introduction of women into non-traditional jobs during the 1970s, and the looming threats of technology felt in 1984.
- 2012 – Public Matters 2012 - A photographic series that explores the reality of women's work over the last hundred years.[6]
Exhibitions
- Carole Condé and Karl Beveridge: Working Culture – Art Gallery of Windsor, Windsor, ON, 2009.[7]
- Open Conversations: The Art Practice of Carole Condé and Karl Beveridge – Richmond Art Gallery, Richmond, BC, 2012.[8]
- Carole Condé and Karl Beveridge: Scene Otherwise – Khyber Centre for the Arts/Anna Leonowens Gallery, Halifax, NS, 2015.[9]
- I stood before the source – Blackwood Gallery, Mississauga, ON, 2016.[10]
- Winds of Change: Carole Condé and Karl Beveridge – Durham Art Gallery, Durham, ON, 2018.[11]
Publications
- Women and the Fight to Unionize (1986) – Focusing on working women and how women, more than men, have been forced to confront the interconnection of work and life after work. Although originally conceived as true documentary, the project used fictionalized accounts and actors after fears of employer reprisals arose.[12]
- Carole Condé & Karl Beveridge: Political Landscapes (1998) - Investigates the strategies employed in the artists’ tableau photographs, which centre around the collapse of the cod fishery, strikes by union workers and activism by students, teachers, etc.[13]
Film/video
- Portrait of Resistance: The Art and Activism of Carole Condé and Karl Beveridge (2011) - Intimately captures the artistic duo as they create their provocative and powerfully political staged photographs[14]
Awards
Collections
- Canadian Museum of Contemporary Photography, Ottawa, ON
- The National Gallery of Canada, Ottawa, ON
- The Art Gallery of Ontario, Toronto, ON
- Ontario Arts Council, Toronto, ON
- Public Archives of Canada (National Photography Collection), Ottawa, ON
- The Canada Council Art Bank, Ottawa, ON
- Toronto Photographers Workshop, Toronto, ON
- Morris and Helen Belkin Art Gallery/University of British Columbia, Vancouver, BC[18]
- Winnipeg Art Gallery, Winnipeg, MB
Archives
There is a Carole Condé and Karl Beveridge fonds at Library and Archives Canada. The archival reference number is R9079.[19] The fonds covers the date range 1980 to 1984. It consists of 40 audio cassettes, 71 photographs and 4.6 centimeters of textual records.
Further reading
- Condé and Beveridge: Class Works. Barber, Bruce, Agnes Etherington Art Centre. Halifax, N.S.: Press of the Nova Scotia College of Art and Design. 2008. .
External links
Notes and References
- Book: Open conversations : the art practice of Carole Condé & Karl Beveridge. Marsden. Scott. Condé. Carole. Beveridge. Karl. Richmond Art Gallery. 2012. 9781926594231. Richmond, B.C.. 971138313.
- Web site: Carole Condé + Karl Beveridge: Canada's Enfants Terribles of the Art World . povmagazine.com. 10 March 2019.
- Web site: Bio and CV Carole Conde and Karl Beveridge. 10 March 2019.
- Cohen. Nicole S.. de Peuter. Greig . May 8, 2015. The Art of Collective Bargaining: An Interview with Carole Condé and Karl Beveridge. Canadian Journal of Communication. 40. 2. 333–346 . 10.22230/cjc.2015v40n2a2994. 1499-6642. free.
- Rogers. Kevin. The Changing Picture. Fuse: Art, Culture, Politics. 33. Number 3. 28–33.
- Web site: A Conversation with Carol Condé and Karl Beveridge. Grodzinski. Natasha. April 27, 2018. Novella. 10 March 2019.
- Web site: Carole Condé and Karl Beveridge: Working Culture. Art Gallery of Windsor.
- Web site: Open Conversations: The Art Practice of Carole Condé & Karl Beveridge | Richmond Art Gallery | Richmond, BC, Canada. richmondartgallery.org. 10 March 2019.
- Web site: Exhibition: Carole Condé and Karl Beveridge: Scene Otherwise The Khyber Centre For The Arts. 10 March 2019.
- Web site: Blackwood Gallery I stood before the source. blackwoodgallery.ca. 10 March 2019.
- Web site: Carole Condé & Karl Beveridge, in Winds of Change. durhamart.on.ca. 10 March 2019.
- Book: Condé, Carole. First contract : women and the fight to unionize. 1986. Between the Lines. Beveridge, Karl.. 0919946704. Toronto. 16055588.
- Book: Carole Condé and Karl Beveridge : Political Landscapes. Robertson. Clive. Macleod. Catherine. 1998. Gallery TPW. Clive Robertson, Catherine Macleod. 9780969475545. Toronto, Ont.. en.
- Web site: Portrait of Resistance: The Art and Activism of Carole Condé & Karl Beveridge. cinema politica. 10 March 2019.
- Web site: OCAD to confer honorary doctorates on Carole Condé, Karl Beveridge, Anita Kunz and Buffy Sainte-Marie. December 20, 2013. OCAD University. 10 March 2019.
- Web site: NSCAD Announces Honorary Degree Recipients for Convocation Spring 2018, to Recognise them for their Support of the Arts. April 24, 2015. NSCAD. 10 March 2019.
- Web site: Carole Condé and Karl Beveridge. en.ggarts.ca . Governor General of Canada . 20 August 2022.
- Web site: Conde, Carole – Beveridge, Carole Bernice Condé Carole Conde. belkin.pastperfectonline.com. 10 March 2019.
- Web site: Carole Condé and Karl Beveridge fonds description at Library and Archives Canada. July 31, 2020.