Kan Xuan Explained

Kan Xuan
Native Name:阚萱
Native Name Lang:zh-hans
Birth Place:Xuancheng, Anhui
Nationality:Chinese
Occupation:Contemporary Artist
Years Active:1990s-present
Known For:Video artworks

Kan Xuan (born in 1972 in Xuancheng, Anhui) is a Chinese contemporary visual artist, known for her experimental video artworks, though some of her work incorporates painting, photography, and performance art.[1] She is considered as one of the most important female video artists of China, and has been active since the late 1990s.[2] [3]

Early life

Kan was born in Xuancheng, Anhui Province.[1] She studied from 1993 to 1997 at the China Academy of Art, in Hangzhou,[4] where she was part of the evolution of video art from its inception in China. Two of her teachers were Geng Jianyi and Zhang Peili.[5] During this time she became friends with video artists already renowned at the time, such as Zhang Peili. She moved to Shanghai after graduating from the China Academy of Art and then moved to Beijing in 1998. To maintain a living, Kan Xuan also did many other jobs such as sculpture assistant, and also worked at a movie production company. It was there she learned how to use the computer, video making, and 3D editing.

Career

In 1998, she went to Beijing and worked for a sculpture factory and various film production companies.[6] She participated in her first major group exhibition by showing her still frame video work "Kan Xuan! - Eh!" at the "Art for Sale" exhibition in 1999, which was one of the most innovative experimental art exhibitions to take place in China at the time.[7]

Kan completed a residency at the Rijksakademie van Beeldende Kunsten in Amsterdam from 2002 to 2003. She received the Netherlands’ Prix de Rome in 2005. During her time in the Netherlands, she created works that focus on the concepts of liberation, globalization and its impact on economy. Much of her work examined the differences between China and the West, rich and poor, and effects of commercialization, which she explored in her 1999 work "Garbage" and 2006-2009 work "Island".

In 2009, she returned to Beijing, where she worked on large scale installations about Chinese history. She travelled extensively throughout China while making many short documentary films about important traditions that are often ignored in the present time.

A notable aspect of her work at exhibition "Yellow Signal: New Media in China" (2012) at The Vancouver International Centre for Contemporary Asian Art was an exploration of Zen spirituality.[8]

Artistic style

Kan Xuan is often directly associated with the cool end of China's new media and video art. Yet opportunities to see her work, especially in mainland China have been rare. Her first show in Beijing (2003), when her work Looking, Looking, Looking (2002) was included as a part of a touring exhibition named "Under Construction". In the next few years, some of her works were shown in and around 798.

Kan is often featured in her videos. She uses her personal experience as a way to convey the concepts of the works. Her early low-tech handheld camera-work brought an intimacy and beauty to seemingly trivial elements from everyday life. She quietly and humorously expresses immediate sensual experiences in unique visual angles, to an effect of sense altering and thought-provoking narratives.[9] The artist's modest character is reflected through her work as a subtle, succinct nature; becoming a combination of understated visual components and a consciously slight choice of motifs brought to exploring profound ideas.

Kan often plays with ambiguity and dissonance. Although her works are often short and simple, they allude to a deeper sense of spiritualism.[8]

In her own words, "it is about trying to become closer to and trying to follow, in every moment, my wish to exist in that distance between ‘thinking’ and ‘feeling’."[10]

Personal life

Currently, Kan divides her time between Beijing and Amsterdam.

Exhibitions

Solo exhibitions
Selected group exhibitions
Private collections

Honors

Selected works and publications

External links

Notes and References

  1. Web site: zh:KAN XUAN 阚萱 - Introduction . live . https://web.archive.org/web/20180613234202/https://www.shanghartgallery.com/galleryarchive/artist.htm?artistId=52&section=intro . 13 June 2018 . 8 September 2023 . Shanghai Art Gallery.
  2. News: 8 June 2007 . Four Chinese female artists of the 52nd Venice Biennale . . live . 8 September 2023 . https://web.archive.org/web/20200114083106/http://www.chinadaily.com.cn/ezine/2007-06/08/content_890082_4.htm . 14 January 2020.
  3. Low . Joni . May 2012 . Kan Xuan: Performing the Imagination . live . Yishu: Journal of Contemporary Chinese Art . 11 . 3 . 42–47 . https://web.archive.org/web/20230909010549/http://yishu-online.com/wp-content/uploads/mm-products/uploads/2012_v11_03_low_j_p042.pdf . 9 September 2023 . 8 September 2023.
  4. Book: Great Women Artists . 2019 . Phaidon Press . 978-0714878775 . 209.
  5. Web site: 2016 . Kan Xuan: 6 July – 11 September 2016 . dead . https://web.archive.org/web/20180613234204/https://ikon-gallery.org/wp-content/uploads/2016/05/Kan-Xuan-Ikon-Birmingham-6-July-11-September-2016.pdf . 13 June 2018 . Ikon Gallery.
  6. Web site: 23 November 2012 . zh:阚萱："猪圈"里的王朝遗梦 - 五七报告 - 博客大巴 . Kan Xuan: The dream of the dynasty in the 'pig pen' . dead . https://web.archive.org/web/20170218143044/http://5775.blogbus.com/logs/225046733.html . 18 February 2017 . 五七报告 . zh.
  7. Web site: Art for Sale. https://web.archive.org/web/20160105084732/http://www.aaa.org.hk/Collection/Details/1727. dead. 2016-01-05. Asia Art Archive.
  8. Web site: Ozerkevich . Rachel . May 2012 . Finding Life & Humor in the World Around Us: Kan Xuan in Yellow Signal . live . https://web.archive.org/web/20230327014200/https://centrea.org/2012/05/finding-life-humor-in-the-world-around-us-kan-xuan-in-yellow-signal/ . 27 March 2023 . 8 September 2023 . Centre A.
  9. News: Hill . Katie . 3 August 2016 . Kan Xuan – Between Thinking and Feeling . CoBo Social . dead . https://web.archive.org/web/20180613234329/https://www.cobosocial.com/dossiers/kan-xuan-between-thinking-and-feeling/ . 13 June 2018.
  10. Book: Lu. Leiping. Watkins. Jonathan. Kan Xuan. 2016. Ikon Gallery Ltd. Birmingham. 978-1-911-15502-7. 18. Exhibition catalog. 953598879.
  11. Book: Smith. Karen. As Seen. 3, Notable artworks by Chinese artists . zh:发光体. 3 号, 亲历中国当代艺术现场. 2015. Beijing World Publishing Corporation. Beijing. 978-7-510-09686-0. English, Chinese. 957964059.
  12. Book: Kan. Xuan. zh:阚萱 : 大谷子堆 . Kan Xuan : Millet mounds . 2013. 世界图书出版公司北京公司. Beijing. 9787510056208. 1.
  13. Web site: A History of Exhibitions: Shanghai 1979–2006: Kan Xuan! − Eh! (Still Frame). Asia Art Archive. 1999.
  14. Book: Serpentine Gallery. Battersea Power Station. Astrup Fearnley museet for moderne kunst. China Power Station. Part I. 2006. Fused Magazine. Birmingham. 711754683.
  15. Book: Kvaran. Gunnar B.. Obrist. Hans-Ulrich. Peyton-Jones. Julia. Serpentine Gallery. Astrup Fearnley Museet for Moderne Kunst. China Power Station. Part II. 2007. Astrup Fearnley Museum of Modern Art. Oslo. 978-8-291-43052-2. English, Norwegian. 228508946.
  16. Hanru. Hou. Everyday Miracles: Four Women Artists. The Chinese Pavilion at the 52nd Venice Biennale. Yishu: Journal of Contemporary Chinese Art. June 2007. 6. 2. 8–13.
  17. Book: Fang. Hu. Fan. Di’an. The State of Things: Contemporary Art on China and Belgium. 2010. National Art Museum of China. Beijing. 106–09. Chinese. "Kan Xuan: Qingxie de Jiashi” (Kan Xuan: Oblique Housework).
  18. Web site: 2015 . Kan Xuan . dead . https://web.archive.org/web/20210415172440/https://www.westkowloon.hk/en/movingimages/Kan-Xuan . 15 April 2021 . M+, West Kowloon Cultural District.
  19. Book: Weng. Xiaoyu. Hanru. Hou. Tales of Our Time. 2016. Solomon R. Guggenheim Museum. 978-0892075294. Chinese, English.

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