Die Schuldigkeit des ersten Gebots explained

Die Schuldigkeit des ersten Gebots
Type:Sacred Singspiel
Composer:W. A. Mozart
Language:German
Premiere Location:Knights' Hall, Salzburg Residenz

(complete title in historical spelling: ; The Obligation of the First and Foremost Commandment), K. 35, is a sacred musical play (geistliches Singspiel) composed by Wolfgang Amadeus Mozart in 1767 when he was 11 years old. It is Mozart's first opera or, more specifically, sacred drama, as is suggested by the name. The libretto is now attributed to, although Johann Adam Wieland or Jakob Anton Marianus Wimmer had been suggested earlier. (The title page of the libretto ascribes it only to "J.A.W.".)[1] Only the first part of the opera was composed by Mozart; the second and third parts were contributed by Michael Haydn and Anton Cajetan Adlgasser respectively. However, these other two parts have not survived.[2] Part 1 of the opera was first performed on March 12, 1767, in the Knight's Hall of the Palace of the Archbishop, the Salzburg Residenz. Part 2 was performed on March 19, and part 3 on March 26.

Background and performance history

Mozart composed the work at age 11 with the help of his two teachers, Michael Haydn and Anton Cajetan Adlgasser. In Salzburg, dividing up a sacred singspiel between other composers was common. The libretto was written by Ignatz Anton von Weiser even though it was said that Johann Adam Wieland suggested the idea first and his name is written on the libretto. Mozart composed only the first part of the opera, and the others composed "part two" and "part three." However, these other two parts have not survived.[3] The performances were predominantly in Salzburg in St. Peter's, in Cathedrals, on the Nonnberg, and in Residenz. The opera includes many recitatives for all of the characters, and each character sings one to three arias. The characters of the opera are two tenors: Christgeist and Christ (a Christian), and three sopranos: Barmherzigkeit, Gerechtigkeit, and Weltgeist. The opera does not have a chorus.

Part I of the opera was first performed on 12 March 1767 in the Knight's Hall of the Palace of the Archbishop, Salzburg. Part II was performed on 19 March, and Part III on 26 March.[4]

Roles

RoleVoice typePremiere cast, 12 March 1767
Gerechtigkeit, divine justicesopranoMaria Anna Braunhofer
Christgeist, spirit of ChristianitytenorFranz Anton Spitzeder
Barmherzigkeit, divine mercysopranoMaria Magdalena Lipp
Ein lauer und hinnach eifriger Christ,
a half-hearted but later zealous Christian
tenorJoseph Meissner
Weltgeist, worldlinesssopranoMaria Anna Fesemayer

Musical numbers

Recordings

!Year!Barmherzigkeit
Gerechtigkeit
Weltgeist
Christgeist
Christ!Conductor
Orchestra!Label
1978 Edith Mathis
Margaret Price
Lilian Sukis
Norbert Orth
Claes H. Ahnsjö
Wolfgang Sawallisch
Mozarteum-Orchester Salzburg
Voce Records
1980 Sylvia Geszty
Krisztina Laki
Arleen Auger
Werner Hollweg
Claes H. Ahnsjö
Roland Bader
Berliner Domkapelle
Schwann Musica Sacra
1989 Margaret Marshall
Ann Murray
Inga Nielsen
Hans Peter Blochwitz
Aldo Baldin
Sir Neville Marriner
Radio-Sinfonieorchester Stuttgart
Philips Classics

See also

External links

Notes and References

  1. http://opera.stanford.edu/Mozart/Schuldigkeit/main.html OperaGlass summary at stanford.edu
  2. http://www.wienmozart2006.at/jart/projects/mozart2006-web-v1/main.jart?rel=en&reserve-mode=&content-id=1134902024850&ds=gen_konz&prjid=1130933616086 WienMozart2006 page on Die Schuldigkeit des ersten Gebots
  3. http://www.wienmozart2006.at/jart/projects/mozart2006-web-v1/main.jart?rel=en&reserve-mode=&content-id=1134902024850&ds=gen_konz&prjid=1130933616086 WienMozart2006 page on Die Schuldigkeit des ersten Gebots
  4. http://opera.stanford.edu/Mozart/Schuldigkeit/main.html OperaGlass summary at stanford.edu