| Kōji Wakamatsu | |
| Birth Name: | Takashi Ito |
| Birth Date: | 1 April 1936 |
| Birth Place: | Wakuya, Miyagi, Empire of Japan |
| Death Place: | Shinjuku, Tokyo, Japan |
| Occupation: | Film director, producer and screenwriter |
| Yearsactive: | 1963–2012 |
| Movement: | Pinku eiga |
was a Japanese film director who directed such pinku eiga films as and . He also produced Nagisa Ōshima's controversial film In the Realm of the Senses (1976). He has been called "the most important director to emerge in the pink film genre,"[1] and one of "Japan's leading directors of the 1960s."[2]
His 2010 film, Caterpillar, was nominated for the Golden Bear at the 60th Berlin International Film Festival.
Kōji Wakamatsu was born in Wakuya, Miyagi, Japan on 1 April 1936, from a poor family of rice farmers.[3] Wakamatsu worked in several menial jobs, namely as a construction worker, before becoming a yakuza, as "a member of the Yasuma-gumi clan in the Shinjuku ward of Tokyo". After his criminal experience, he unsuccessfully enrolled in television before beginning his film career with Nikkatsu in 1963.[4]
Between 1963 and 1965, he directed 20 exploitation films for the studio, based on sensational topics of the day. He became interested in the Pink Film genre after the success of Tetsuji Takechi's 1964 Daydream. Nikkatsu submitted his (also known as Secrets Behind the Wall) (1965) to the 15th Berlin International Film Festival[5] while the film was still under review by Eirin, the Japanese film-rating board. This submission before passing Eirin's review was doubly embarrassing for the government since pink films, though already emerging as the dominant domestic cinematic genre, were not regarded as worthy of critical attention or international export.[6] The film received an enthusiastic reception at the festival, but Nikkatsu, fearful of governmental retaliatory action, gave it a low-profile domestic release. Disappointed, Wakamatsu quit the studio to form his own company.
Wakamatsu's independent films of the late 1960s were very low-budget, but often artistically done works, usually concerned with sex and extreme violence mixed with political messages. Some critics have suggested that these films were an intentional provocation to the government, in order to generate free publicity resulting from censorship controversies.[7] His films were usually produced for less than 1,000,000 yen (about $5,000), necessitating extreme cost-cutting measures including location shooting, single-takes, and natural lighting. His early films were usually in black and white with occasional bursts of color for theatrical effect.[8]
His first self-produced film was, a story of a man who kidnaps, tortures and sexually abuses a woman until she finally escapes and stabs him to death. Freeze-frames, flash-backs, hand-held camera and locations limited to two rooms and a hallway add to the film's disturbing, claustrophobic atmosphere.[9] was a parody of Imamura's A Man Vanishes (1967). In Wakamatsu's film, a man leaves his family in Tokyo to travel and engage in various sexual escapades. When he returns home he finds out that his wife is starring in Imamura's documentary about her search for her missing husband.[10]
was based on the murder of eight nursing students in the U.S. by Richard Speck. was based on a serial rapist case in Japan after World War II. is loosely based on the Tate-LaBianca murders by the Manson Family in the same year. With, he tried "to show how the revolutionary movements are always infiltrated by the moles working for the government".[11] One of his most critically esteemed films is, which has been called a "'text book example' for the use of metaphor and symbolism in contemporary cinema."[12]
was based on the "Asama-Sansō incident". Long and harsh, this movie includes a long documentary part about the political background that led to this tragedy and the self-destruction of the Japanese radical left.
While directing many successful and critically praised Pink Films, Wakamatsu also became known for giving young filmmakers their first experience in working in the industry. Among those whose early careers were helped by Wakamatsu are Banmei Takahashi, Genji Nakamura and Kan Mukai.[13]
His 2010 film, Caterpillar, competed for the Golden Bear at the 60th Berlin International Film Festival.[14]
In 2011, a new film on the last days of acclaimed novelist and political activist Yukio Mishima, focusing on the stream of events leading to the so-called Ichigaya incident of November 25, 1970, was announced as being on its stage of full completion. The film entitled 11.25 Jiketsu No Hi, Mishima Yukio To Wakamonotachi [11.25自決の日、三島由紀夫と若者たち] features Japanese actor Arata as Mishima.[15] The film competed in the Un Certain Regard section at the 2012 Cannes Film Festival.[16] [17]
Wakamatsu died on 17 October 2012 after being hit by a taxi cab in Tokyo on 12 October on his way home after a budget meeting to discuss his next project, a movie about the Japanese nuclear lobby and Tepco.[18] [19] [20]
| English title | Japanese | Year | |
|---|---|---|---|
| Sweet Trap | Japanese: label=none|甘い罠 | 1963 | |
| Naked Shadow | Japanese: label=none|恐るべき遺産 裸の影 | 1964 | |
| Lead Tombstone | Japanese: label=none|鉛の墓標 | 1964 | |
| Frenzy | Japanese: label=none|逆情 | 1964 | |
| Secrets Behind the Wall | Japanese: label=none|壁の中の秘事 | 1965 | |
| The Embryo Hunts in Secret | Japanese: label=none|胎児が密猟する時 | 1966 | |
| Vagabond of Sex | Japanese: label=none|性の放浪 | 1967 | |
| Violated Angels | Japanese: label=none|犯された白衣 | 1967 | |
| New Underground History of Japanese Violence: Vengeance Demon | Japanese: label=none|復讐鬼 | 1968 | |
| Go, Go, Second Time Virgin | Japanese: label=none|ゆけゆけ二度目の処女 | 1969 | |
| Dark Story of a Japanese Rapist | Japanese: label=none|日本暴行暗黒史 | 1969 | |
| Running In Madness, Dying In Love | Japanese: label=none|狂走情死考 | 1969 | |
| Naked Bullet | Japanese: label=none|やわ肌無宿 男殺し女殺し or Japanese: label=none|裸の銃弾 | 1969 | |
| Violence Without A Cause | Japanese: label=none|現代性犯罪絶叫篇 理由なき暴行 | 1969 | |
| Violent Virgin | Japanese: label=none|処女ゲバゲバ | 1969 | |
| Season of Terror | Japanese: label=none|現代好色伝 テロルの季節 | 1969 | |
| Shinjuku Mad | Japanese: label=none|新宿フーテン娘 乱行パーティー | 1970 | |
| Sex Jack | Japanese: label=none|性賊 | 1970 | |
| Sekigun PFLP: Declaration of World War | Japanese: label=none|赤軍-PLFP 世界戦争宣言 | 1971 | |
| Secret Flower | Japanese: label=none|秘花 | 1971 | |
| Ecstasy of the Angels | Japanese: label=none|天使の恍惚 | 1972 | |
| 100 Years of Torture: The History | Japanese: label=none|拷問百年史 | 1975 | |
| Torture Chronicles Continue: 100 Years | Japanese: label=none|女刑御禁制百年 | 1977 | |
| Sacred Mother Kannon | Japanese: label=none|聖母観音大菩薩 | 1977 | |
| Serial Rapist | Japanese: label=none|十三人連続暴行魔 | 1978 | |
| A Pool Without Water | Japanese: label=none|水のないプール | 1982 | |
| Ready to Shoot | Japanese: label=none|われに撃つ用意あり | 1990 | |
| Erotic Liaisons | Japanese: label=none|エロチックな関係 | 1992 | |
| Singapore Sling | Japanese: label=none|シンガポール・スリング | 1993 | |
| Endless Waltz | Japanese: label=none|エンドレス・ワルツ | 1995 | |
| Perfect Education 6 | Japanese: label=none|完全なる飼育 赤い殺意 | 2004 | |
| United Red Army | Japanese: label=none|連合赤軍 | 2008 | |
| Caterpillar | Japanese: label=none|キャタピラー | 2010 | |
| 11.25 The Day He Chose His Own Fate | Japanese: label=none|11・25自決の日 三島由紀夫と若者たち | 2012 | |
| Petrel Hotel Blue | Japanese: label=none|海燕ホテル・ブルー | 2012 | |
| The Millennial Rapture | Japanese: label=none|千年の愉楽 | 2012 |