| Type: | Hindu |
| Jwala | |
| Alt: | stone carving of text on wall, with 5 lines of Sanskrit then 4 lines of Persian looking like Arabic script |
| Other Names: | Jawalaji, Jwaladevi, Jwalamukhi |
Jwala/Jwala Ji (Pahari: जवाला जी, Panjabi; Punjabi: ਜਵਾਲਾ ਜੀ, Hindi: ज्वाला जी) is a Hindu goddess. The physical manifestation of Jwala is always a set of eternal flames, and the term Jvala means flame in Sanskrit (cognates: proto-Indo-European guelh, English: glow, Lithuanian: zvilti) and ji is an honorific used in the Indian subcontinent.
Jwalaji/jawalaji (flame) or Jwala Mukhi (a person with a face glowing like fire) is probably the most ancient temple discussed here besides Vaishno Devi. It is mentioned in the Mahabharata and other scriptures. There is a natural cave where eternal flames continue to burn due to natural gas deposits found underground seeping out from the rocks and is ignited by an unknown source. Several schools of Buddhism also share the symbolism of a seven-forked sacred flame.
The legend is as follows:
In ancient times when demons lorded over the Himalaya mountains and harassed the gods, Lord Vishnu led the gods to destroy the demons. They focused their strengths and huge flames rose from the ground. From that fire, a young girl was born. She is regarded as Adishakti -- the first 'Shakti.'
Known as Sati, the girl grew up in Prajapati Daksha's house and later became Lord Shiva's consort. When her father insulted Lord Shiva, she could not accept this and killed herself. When Lord Shiva heard of his wife’s death his rage knew no bounds; and, holding Sati’s body, he began stalking the three worlds. The other gods trembled before his wrath and appealed to Lord Vishnu for help. Lord Vishnu released a sudarshan chakra that struck Sati’s body and broke it. At the places where the pieces fell, the fifty-one sacred 'shaktipeeths' came into being. "Sati’s tongue fell at Jawalaji (610 m) and the goddess is manifest as tiny flames that burn flawless blue through fissures in the age-old rock."[3]
Centuries ago a cowherd found that one of his cows was always without milk. He followed the cow to find out the cause. He saw a girl coming out of the forest who drank the cow’s milk, and then disappeared in a flash of light. The cowherd went to the king and told him the story. The king knew the legend recounting that Sati’s tongue had fallen in this area. The king tried, without success, to find that sacred spot. Some years later, the cowherd went again to the king to report that he had seen a flame burning in the mountains. The king found the spot and had a darshan (vision) of the holy flame. He had a temple built there by Raja Bhumi Chand [4] and arranged for priests to engage in regular worship. It is believed that the Pandavas came later and renovated the temple. The folk song titled "Panjan Panjan Pandavan Tera Bhawan Banaya" bears testimony to this belief.
Jawalamukhi has been a pilgrimage centre for many years. According to a legend, the Mughal Emperor Akbar came to the revered pilgrimage site and attempted to extinguish the eternal flames using an iron disk and diverting water. But the flames resisted all efforts. Akbar, initially skeptical of the deity's power, presented a golden parasol (chattar) at the shrine. It transformed into an unknown metal. This incident deepened his belief. The shrine continues to attract thousands of pilgrims seeking spiritual fulfillment throughout the year.[5]
See main article: Jwala Ji Temple. Jwalamukhi Temple is a Kashmiri Hindu mandir (temple) located in Khrew.[6] On 16 July, the Jwalamukhi Fair is hosted annually and is celebrated by both Hindus and Muslims (cf. Kashmiriyat).[7]
The best-known Jwala Ji shrine is located in the town of Jawalamukhi, in the lower Himalayan area of the Kangra district, in the state of Himachal Pradesh, India. The shrine is about 56km (35miles) from the larger town of Dharamshala.[8] The temple style is typical of Jwala Ji shrines: four-cornered, with a small dome on the top and a square central pit of hollowed stone inside where the main flame burns continuously. A fair is held in the environs of the temple annually in July or August, during Navratras.[9]
The temple had an associated library of ancient Hindu texts, many of which were translated from Sanskrit into Persian at the orders of Firuz Shah Tughlaq when the Delhi Sultanate overran the Kangra area.
According to legend, when Sati's body was divided into 51 parts, her tongue fell in the area of Jawalamukhi. It continues to be represented by the flames (or jyotis).[10] Along with her tongue, the flames of Sati's yogic power also fell to the place. Some legends state that Sati's clothes also fell here; when they fell they were on fire and the fire never went out. Near this area, eternal flames continue to burn in a natural cave. Some say there are seven or nine flames for the seven divine sisters or the nine Durgas.
Besides Vaishno Devi, Jwalaji (flame) or Jwala Mukhi (flame mouth) is probably the most ancient temple mentioned by the Mahabharata and other scriptures.
Maa JwalaMukhi is the family Goddess or Kuldevi of many Hindus.
Dhyanu Bhagat or Bhakti Mein Shakti (1978), an Indian drama film, portrays the local legend of saint Dhyanu and his conflict with a Mughal emperor who is said to have visited this temple.[11]
Jwala Devi Temple is located in Shaktinagar township of Sonbhadra district, Uttar Pradesh. It is an ancient Ashtagrih temple of Jwala Devi and one of the 51 Shaktipeethas of India. The temple, believed to be 1000 years old, was constructed by Raja Udit Narayan Singh of Gaharwal. A new temple later replaced the old one. Here the tongue of Parvati is worshipped. The idol of the main deity is located in the Sanctum Sanatorium (central place of the temple). The old black stone idol in the old temple has been installed with other deities surrounding the main idol.
This Jwala Devi Temple is believed to have been blessed with the presence of Shakti due to the falling of the front tongue from the corpse of Sati Devi as Lord Shiva carried her and wandered throughout Āryāvarta in sorrow. People are believed to offer gold/silver tongue as offerings here after their wishes are fulfilled.[12]
The "eternal flame" at the Jwala Ji shrine in the village of Muktinath is located at an altitude of 3,710 meters at the foot of the Thorong La mountain pass in the Mustang district of Nepal. A small amount of natural gas is present in the Himalayan spring that emerges near the shrine, which gives the appearance of fire burning on the water itself. This shrine is usually called the Jwala Mai (Jwala Mother) temple, and is sacred to both Hindus and Buddhists.
The Baku Atashgah is a fire temple in Surakhani, a suburb of Baku in Azerbaijan. Historically, some Hindu pilgrims have referred to it as the Baku Jwala Ji. Given that fire is considered highly sacred in both Hinduism and Zoroastrianism (as Agni and Atar respectively), and the two faiths share some elements (such as Yajna and Yasna) from a common proto-Indo-Iranian precursor religion, there has been debate on whether the Atashgah was originally a Hindu site or a Zoroastrian one.
Many scholars and officials have concluded that this is a Jwala temple for several reasons: the presence of several Hindu inscriptions in Sanskrit and Punjabi (as opposed to only one in Persian); encounters with dozens of Hindus at the shrine or en route in the regions between North India and Baku; and assessments of its Hindu-character by Parsi dasturs. In the early twentieth century, local claims were made to a visiting Parsi Dastur that the Russian czar Alexander III also witnessed Hindu fire prayer rituals at this location.