| Justin Moyer | |
| Origin: | Philadelphia, Pennsylvania, U.S. |
| Genre: | Post-punk, indie rock, funk rock, soul rock, post-hardcore |
| Occupation: | Musician, writer, attorney |
| Years Active: | 1996 - present |
| Instrument: | Vocals, bass, guitar, drums |
| Birth Date: | 1977 |
| Label: | Dischord, DeSoto, Mud Memory, Touch and Go, Resin, Lovitt Records, Sockets Records, Don Giovanni Records |
Justin Moyer (born 1977) is an American musician, journalist, and attorney.[1] He has been a member of many Washington, D.C.-based bands on Dischord Records, including El Guapo, Supersystem, Antelope, Edie Sedgwick, and Light Beams. He was part of a Pulitzer Prize-winning team at The Washington Post that covered the Capitol insurrection.[2]
See main article: Supersystem (band). Moyer formed El Guapo with Rafael Cohen, now a member of !!!,[3] at Wesleyan University in 1996, when Moyer and Cohen were juniors.[4] [5] [6] After recording for Resin, Mud Memory, Dischord, and Touch and Go Records, the band broke up in 2006.[7]
Moyer formed Antelope with Bee Elvy and Mike Andre in 2001.[8] After releasing an eponymous EP produced by Trans Am's Phil Manley as well as a single and full-length produced by Ian MacKaye, the band broke up in 2008.
In 2006, Moyer declared the defunct New Jersey group S-Process, also known as SPRCSS, his favorite band in a blog post[9] and called for the band to reform. Partially in response to this plea, SPRCSS, which had recorded for French Kiss Records,[10] reformed in 2007 with Moyer playing guitar. After founding drummer Daneil Mazone quit the band in 2011, the band, fronted by founding guitarist Bob Doto, played additional shows with TJ Lipple on drums, and a final show at Fort Reno Park with Moyer on drums.[11] Later that year, the band digitally self-released two EPs produced by Moyer and Ian MacKaye.[12]
Moyer formed Edie Sedgwick with Ryan Hicks (formerly of Bloomington, Ind.'s Panoply Academy Glee Club)[13] in 1999.[14] The duo, who wrote songs about celebrities, took its name from Andy Warhol superstar Edie Sedgwick. Moyer played bass; Hicks played drums. After releasing "First Reflections," an LP, on Moyer's Mud Memory Records[15] and recording another, the band went on hiatus in 2001 when Moyer was diagnosed with epilepsy.[16]
In 2004, Moyer relaunched Edie Sedgwick as a solo act, performing in drag accompanied only by an iPod. He released the LP "Her Love is Real But She Is Not," a well-reviewed[17] electroclash effort recorded primarily in his bedroom, on Desoto Records[18] in 2005. "I always found it strange that every musician I met would spend so much time engrossed by visual media and then write a song about class struggle or Rwandan genocide," Moyer said in 2008. "I'm more interested in making my art about Molly Ringwald or Martin Sheen than exploring these so-called weighty topics which, for better and worse, are alien to me."[19]
After releasing "Things Are Getting Sinister and Sinisterer," an LP, on Dischord in 2008,[20] Moyer again reformatted the band—he no longer performs in drag, and performs exclusively with women. Subsequent tours and videos[21] to support 2011's LP "Love Gets Lovelier Every Day" have showcased this version of the band, now called "E.D. Sedgwick" instead of "Edie Sedgwick."[22] "We Wear White," Sedgwick's most recent LP, was released in November 2012.[23]
Moyer plays guitar in Puff Pieces, a trio featuring Mike Andre of Antelope and Amanda Huron of Vertebrates. The band released a single on Lovitt Records in 2014, and a full-length in 2016.[24]
Light Beams, a trio featuring Moyer, bassist Arthur Noll and drummer Sam Lavine, released a cassette[25] and a split seven-inch with Ian Svenonius's solo project Escapism[26] in 2017. The trio's first full-length, "Self Help" (2020), won a Washington Area Music Association award in 2021.[27]
After adding percussionists Leah Gage and Erin McCarley, the quintet released another full-length, "Wild Life," in 2023.[28]
| Release date | Album name | Group name | Record label | |
|---|---|---|---|---|
| 1997 | Untitled 7" | El Guapo | Red Skies at Night Records | |
| 1998 | The Burden of History | El Guapo | Resin Records | |
| 1999 | The Phenomenon of Renewal | El Guapo | Resin Records | |
| 2000 | The Geography of Dissolution | El Guapo | Mud Memory Records | |
| 2001 | super/system | El Guapo | Dischord Records | |
| 2001 | First Reflections | Edie Sedgwick | Dischord Records/Mud Memory Records | |
| 2002 | Fake French | El Guapo | Dischord Records | |
| 2003 | Begin Live Transmission | El Guapo | Dischord Records | |
| 2003 | s/t | Antelope | Dischord Records/Bug Records | |
| 2004 | Crowns/The Flock | Antelope | Dischord Records | |
| 2005 | Always Never Again | Supersystem | Touch and Go Records | |
| 2005 | Her Love is Real But She is Not | Edie Sedgwick | Desoto Records | |
| 2005 | Born into the World/Defcon | Supersystem | Touch and Go Records | |
| 2005 | Miracle | Supersystem | Touch and Go Records | |
| 2006 | A Million Microphones | Supersystem | Touch and Go Records | |
| 2007 | Reflector | Antelope | Dischord Records | |
| 2008 | Things are Getting Sinister and Sinisterer | Edie Sedgwick | Dischord Records | |
| 2011 | Love Gets Lovelier Every Day | Edie Sedgwick | Dischord Records | |
| 2011 | Songs for Isadora | Edie Sedgwick and A.K. | Sockets Records | |
| 2012 | We Wear White | E.D. Sedgwick | Dischord Records | |
| 2012 | Heat Wave 12" | E.D. Sedgwick | Dischord Records/Mud Memory Records | |
| 2014 | s/t 7" | Puff Pieces | Lovitt Records | |
| 2016 | Bland in D.C. | Puff Pieces | Lovitt Records | |
| 2017 | Born 2 Die 7" | Puff Pieces | Lovitt Records | |
| 2017 | Light Beams Cassette | Light Beams | Don Giovanni Records | |
| 2017 | Escapism/Light Beams Split 7" | Light Beams | Lovitt Records | |
| 2020 | Self Help | Light Beams | Don Giovanni Records | |
| 2023 | Wild Life | Light Beams | Dischord Records/Mud Memory Records |
Moyer, a former private investigator,[29] is a long-time freelancer for The Washington City Paper, where he covered the 2008 election,[30] and blogs about books[31] and life as a touring musician.[32] Since 2008, he has written for The Washington Post, where he reviews books[33] and writes about poker[34] and city politics.[35]
In 2009, Moyer was criticized by conservative websites for a piece[36] on Jenna Bush.[37] His pieces about the Beatles,[38] the Google Doodle[39] and jazz[40] have also generated controversy.[41]