Jump the Gun (film) explained

Jump the Gun
Director:Les Blair
Producer:Indra de Lanerolle
Starring:Baby Cele
Lionel Newton
Michele Burgers
Thulani Nyembe
Rapulana Seiphemo
Danny Keogh
Music:Joe Nina
Cinematography:Seamus McGarvey
Editing:Oral Norrie Ottey
Studio:Channel Four Films
Runtime:124
Country:South Africa
United Kingdom
Language:English

Jump the Gun is a 1996 South African film directed by Les Blair for Channel Four Films.[1] [2] The film follows six diverse, working class individuals as they try and establish themselves in the newly democratic South Africa. Les Blair's quintessentially British Kitchen sink realism is applied to a South African context. The film stars Baby Cele, Lionel Newton, and Michele Burgers amongst others. Characters were built from the ground up with South African actors by using improvisation.

The film won the Chicago International Film Festival award in 1997 for best film.

Plot Summary

Set in Johannesburg, the film follows the tangled lives of six very different working-class characters, formerly kept apart by apartheid and now all striving to succeed in the new "rainbow nation". United by their common insecurities, both physical and financial, the film follows their struggle to discover their niche in this brave new world where opportunity beckons, but violence is always lurking.

Cast

External links

Notes and References

  1. Variety Review: ‘Jump The Gun’ Derek Elley MARCH 1, 1997 "Jump the Gun" is an ironic look at contempo South African society, seen through the eyes of a group hanging out in Johannesburg's underbelly.
  2. Blandine Stefanson, Sheila Petty Directory of World Cinema Africa 2015 1783203919 "... cinematographer: Seamus McGarvey Production designer: David Barkham music: Joe Nina editor: Oral Norrie Ottey ... Critique :Jump the Gun is often overlooked in surveys of post-apartheid film, but in its easy-going way it is a significant film in the cultural landscape of South Africa's fledgling democracy. It might lack the gloss and high-profile cast of Darrell Roodt's Cry, the Beloved Country (1995), but it is a far more authentic representation of South African identities in transition.."