WP Theater (formerly known as Women's Project Theater) is a not-for-profit Off-Broadway theater based in New York City. It is the nation's oldest and largest theater company dedicated to developing, producing and promoting the work of Women+ theater artists of all kinds at every stage in their careers.[1] Currently, Lisa McNulty serves as the Producing Artistic Director and Michael Sag serves as the managing director.[2] [3]
WP Theater was founded in 1978 by Julia Miles to address the conspicuous underrepresentation of women artists working in the American theater. Miles was producing at The American Place Theatre, an Off-Broadway theater dedicated to producing new work by American writers. Miles began as Assistant Manager at The American Place Theatre in 1964 and advanced in the ranks to associate director.[4] During this time, she noted the lack of plays written by women being produced by The American Place Theatre in comparison to those written by men. Under a grant from the Ford Foundation, Miles created The Women's Project under the umbrella of The American Place Theatre to encourage the development of female playwrights and directors and to provide a forum for their work.[5] For its first nine years, WP Theater staged its productions in the basement of The American Place Theatre. In 1987, the project left The American Place Theatre and became an independent organization, known today as WP Theater. In 1998, the project bought a church at 424 West 55th Street, also the site of Theater Four,[6] which was named the Julia Miles Theater in 2004.[7]
WP Theater aims to empower artists who have historically been marginalized for their gender or gender expression to reach their full potential. The fundamental components of WP Theater are the Mainstage Season, the WP Lab and Pipeline Festival, and the annual Women of Achievement Awards gala.
WP Theater artist alumni include Billie Allen, Anne Bogart, Pearl Cleage, Eve Ensler, María Irene Fornés, Pam MacKinnon, Dominique Morisseau, Lynn Nottage, Joyce Carol Oates, Diane Paulus, Sarah Ruhl, Anna Deavere Smith, and Rebecca Taichman.[8]
Actors who have performed in WP Theater productions include Tony Award winners and nominees Michael Cerveris, Kathleen Chalfant, Colleen Dewhurst, Tammy Grimes, Cherry Jones, Tonya Pinkins, Daphne Rubin-Vega, Thomas Sadoski, and Frances Sternhagen, Academy Award winners and nominees Linda Hunt, Kim Hunter, and Mary McDonnell, and Emmy Award winners and nominees Ruby Dee, America Ferrera, Sarah Jessica Parker, Jimmy Smits, and John Spencer. Other actors who have performed in WP Theater productions include Adrienne C. Moore, Pedro Pascal, and Tracie Thoms.
Alumni of the WP Lab include JoAnne Akalaitis, Tea Alagić, Rachel Chavkin, Quíara Alegria Hudes, and Anne Kauffman. Many Lab alumni have served as artistic directors at other theater companies, including Akalaitis (New York Shakespeare Festival and the Public Theater), Emily Mann (McCarter Theatre), and Carey Perloff (A.C.T.).[9] [10] [11]
WP Theater founder Julia Miles died March 18, 2020.[12] [13]
Since 1978, WP Theater has produced more than 600 Off-Broadway plays and developmental projects and has partnered with a number of other New York theater companies for co-productions, including Playwrights Horizons and The New Group. Often, WP Theater produces plays that are New York premieres or world premieres. These include Bright Half Life written by Tanya Barfield and directed by Leigh Silverman, Stuffed by Lisa Lampanelli, Or, by Liz Duffy Adams, and Virginia Woolf's only play, Freshwater, directed by Anne Bogart.
WP Theater's first production was Choices, a one-woman show that was adapted from the works of Colette, Virginia Woolf, Dorothy Parker, Gertrude Stein, Sylvia Plath, Adrienne Rich, and Joan Didion, amongst others. It was conceived by writer Patricia Bosworth and adapted by Bosworth, director Caymichael Patten, and actress Lily Lodge. Choices ran from November 30 to December 17, 1978, in the American Place Theatre basement. Julia Miles said the production "explores the choices that women have. Hopefully, there are now more of those choices and women are more definite about what they are." After the production opened, Mel Gussow of The New York Times wrote, " Choices serves as a brief introduction to the artistic energy of literary women. Given the variety of versatile people who are engaged in the 'Women's Project', we look forward to the plays, playwrights, and directors that should emerge from the American Place."[14]
In 1981, WP Theater produced Still Life, a documentary-style play about the aftermath of the Vietnam War written and directed by Emily Mann. The production featured Mary McDonnell, Timothy Near, and John Spencer and earned four Obie Awards, including the award for Best Production.
One of WP Theater's most heralded productions is A...My Name is Alice, a revue of songs and sketches conceived and directed by Julianne Boyd and Joan Micklin Silver. The production earned the Outer Critics Circle Award for Best Revue in the 1983/84 season and featured songs and scenes penned by Cassandra Medley, Winnie Holzman, Marta Kauffman, Anne Meara, and others.
WP Theater has worked closely with Cuban-American playwright, María Irene Fornés, since its inception. Fornés, a Pulitzer Prize nominee and nine-time Obie Award winner, is known for her avant-garde and experimental plays. WP Theater has produced three Fornés plays, including Abingdon Square, which earned the 1988 Obie for Best New American Play.[15]
The Lab is a two-year residency for female-identified playwrights, directors, and producers. Members of the Lab are selected through a highly competitive application and interview process. The Lab provides its members with a vital professional network, entrepreneurial and leadership training, rehearsal space, and opportunities for the development and production of bold new work for the stage.
The Lab began as the Directors Forum, created in 1983. In 1992, WP added the Playwrights Lab. The Producers Lab was added in 2006 to enhance the collaborative nature of the residency.
The Lab has two main goals: to cultivate the work of the participating artists and to give them the tools they need to succeed in the industry. In addition to developing their own unique work, Lab artists collaboratively create a culminating residency production. Since 2016, Lab members' work has been showcased at the biennial Pipeline Festival. For the month-long Pipeline Festival, groups of three—one writer, one director, and one producer—come together to collaborate on a piece.[16]
Prior to 2016, Lab members would devise new work, showcased in a production at the end of the residency term. These productions include The Architecture of Becoming (2014), We Play for the Gods (2012), Global Cooling: The Women Chill (2009), Corporate Carnival (2008), and Girls Just Wanna Have Fund$ (2007).[17] [18] [19]
Prior to 2004, the Lab did not function on a two-year rotation.
Under the auspices of WP Theater, the 2008/2010 Lab Playwrights published Out of Time and Place, a two-volume anthology of plays, including contributions from 11 Lab playwrights and an introduction by Theresa Rebeck.[20]
Many Lab artists continue to work together long after their official residency ends, and WP Theater continues to advocate for its Lab alumnae by brokering agents, providing references, and submitting their work to theaters around the country. WP Theater also hires many Lab artists for main stage productions.
| Lab years | Playwrights | Directors | Producers |
|---|---|---|---|
| 2016–2018 | Donnetta Lavinia Grays | Melissa Crespo | Roxanna Barrios |
| MJ Kaufman | Morgan Gould | Sally Cade Holmes | |
| Sylvia Khoury | Ellie Heyman | Nidia Medina | |
| Zoe Sarnak | Tyne Rafaeli | Laura Ramadei | |
| Leah Nanako Winkler | Mo Zhou | Yuvika Tolani | |
| 2014–2016 | Sarah Burgess | Adrienne Campbell-Holt | Pearl Hodiwala |
| Monet Hurst-Mendoza | Sarah Krohn | Rachel Karpf Reidy | |
| Martyna Majok | Lee Sunday Evans | Kristen Luciani | |
| Riti Sachdeva | Danya Taymor | Liz Olson | |
| Susan Soon He Stanton | Tamilla Woodard | Rachel Sussman | |
| 2012–2014 | Kara Lee Corthron | Elena Araoz | Deadria Harrington |
| Sarah Gancher | Lydia Fort | Jane Jung | |
| Virginia Grise | Lauren Keating | Meropi Peponides | |
| Dipika Guha | Lila Neugebauer | Aktina Stathaki | |
| Lauren Yee | Lily Whitsitt | Lanie Zipoy | |
| 2010–2012 | Alexandra Collier | Tea Alagić | Liz English |
| Charity Henson-Ballard | Jessi Hill | Manda Martin | |
| Andrea Kuchlewska | Sarah Rasmussen | Roberta Pereira | |
| Dominique Morisseau | Mia Rovegno | Stephanie Ybarra | |
| Kristen Palmer | Nicole A. Watson | ||
| Melisa Tien | |||
| Stefanie Zadravec | |||
| 2008–2010 | Bekah Brunstetter | Gisela Cardenas | Diane Alianiello |
| Carla Ching | Heidi Carlsen | Amanda Berkowitz | |
| Alexis Clements | Rachel Chavkin | Heather Cohn | |
| Nadia Davids | Linsay Firman | Jennifer Conley Darling | |
| Laura Eason | Susanna Gellert | Aimee Davis | |
| Christine Evans | Dyana Kimball | Amanda Feldman | |
| Charity Henson-Ballard | Wendy McClellan | Marissa Rosenblum | |
| Kara Manning | Alice Reagan | Allegra Schorr | |
| Lynn Rosen | Gaye Taylor Upchurch | Catherine Taylor-Williams | |
| Crystal Skillman | Donya K. Washington | ||
| Andrea Thome | |||
| 2006–2008 | Andrea Ciannavei | May Adrales | Leigh Goldenberg |
| Christina Gorman | Lear DeBessonet | Maria Goyanes | |
| Katori Hall | Gia Forakis | Karen Grenke | |
| Andrea Lepcio | Jyana S. Gregory | Amy Kaissar | |
| Megan Mostyn-Brown | Meredith McDonough | Maggie Lauren | |
| Molly Rice | Lisa Rothe | Patricia McNamara | |
| Peggy Stafford | Daniella Topol | Victoria Murray Beatin | |
| Saviana Stănescu | Kara-Lynn Vaeni | Linda Powell | |
| Joy Tomasko | Meiyin Wang | Allison Prouty | |
| Kathryn Walat | Kim Weild | Bridgette Wimberly | |
| 2004–2006 | Zakiyyah Alexander | Susanne Agins | |
| Keli Garrett | Shelley Butler | ||
| Quíara Alegria Hudes | Meredith McDonough | ||
| Cheri Magid | Shannon Rose Marie O'Donnell | ||
| Megan Mostyn-Brown | Teresa K. Pond | ||
| Cybele Pascal | Lauren M. Rosen | ||
| Sonya Sobieski | Lisa Rothe | ||
| Saviana Stănescu | Linnet Taylor | ||
| Kathryn Walat | Daniella Topol |
Each year, WP Theater recognizes the extraordinary accomplishments of women from the worlds of entertainment, business, and philanthropy at the Women of Achievement Awards Gala. Since 1986, WP Theater has paid homage to dozens of women who have taken risks, pushed limits, and broken ground in a variety of fields. The event is typically emceed by a female celebrity, with a variety of performances and appearances by other artists. Past recipients of the Women of Achievement Award include Maya Angelou, Katie Couric, Whoopi Goldberg, Billie Jean King, Chita Rivera, and Gloria Steinem.[22]
| Year | Recipients | |
|---|---|---|
| 2023 | Lauren Reid, Ariana DeBose | |
| 2022 | Mara Isaacs, Schele Williams, Vanessa Williams | |
| 2020 | The women of the Entertainment Division of Loeb & Loeb LLP | |
| 2019 | Bonnie Comley, Amanda Seyfried, Emily Warren | |
| 2018 | Beth Hammack, Daryl Roth | |
| 2017 | Debra Messing, Ann M. Sarnoff | |
| 2016 | Martha Plimpton, Jenna Segal, Trudie Styler | |
| 2015 | Tyne Daly, Stephanie George, Carolyn Tastad | |
| 2014 | Sharon Bush, Arianna Huffington, Joan Vail Thorne | |
| 2013 | Joanna Coles, Helen Gurley Brown (posthumously), Donna Kalajian Lagani, Sheila Nevins, Charlotte St. Martin | |
| 2012 | Thia Breen, Liz Duffy Adams, Barbara Goldsmith, Cornelia Guest | |
| 2011 | Bonnie Pfeifer Evans, Mindy Grossman, Bebe Neuwirth | |
| 2010 | Laurie Anderson, Joan Osborne, Suzanne Vega | |
| 2009 | Lucia Hwong Gordon, Estelle Parsons, Susan K. Reed, Susan Sobbott | |
| 2008 | Iris Cantor, Laurie Tucker, Kerry Washington | |
| 2007 | Eve Ensler, Kathy Hilton, Vivienne Tam | |
| 2006 | Francine LeFrak, Susan Lucci, Muriel Siebert | |
| 2005 | Adrien Arpel, Mariska Hargitay, Caroline Hirsch, Emily Mann, Frances Sternhagen | |
| 2004 | Robin Burns, Donna Murphy, Gail Sheehy, Susan Wadsworth | |
| 2003 | Bobbi Brown, Tina Chen, Chita Rivera, Isabelle Stevenson | |
| 2002 | Julie Harris, Phylicia Rashad, Nina Zagat | |
| 2001 | Evelyn Cunningham, Audra McDonald, Laura Pels, Twyla Tharp, Irene Worth, Eugenia Zukerman | |
| 2000 | Lauren Bacall, Carole Black, Ruby Dee, Joan Didion | |
| 1999 | Dame Judi Dench, Patricia Fili-Krushel, Vanessa Redgrave, Susan L. Taylor | |
| 1998 | Dr. Maya Angelou, Sallie Bingham, Whoopi Goldberg, Julia Miles | |
| 1997 | Stockard Channing, Annette Green, Marilyn Horne, Rosie O'Donnell | |
| 1996 | Zoe Caldwell, Camille Cosby, Elinor Guggenheimer, Pat Schoenfeld | |
| 1995 | Blair Brown, Katie Couric, Donna Hanover, Yue-Sai Kan | |
| 1994 | Linda Fairstein, Sherry Lansing, Lily Tomlin, Evelyn Lauder | |
| 1993 | Tina Brown, Kitty Carlisle Hart, Cicely Tyson, Barbara Walters | |
| 1992 | Linda Ellerbee, Nora Ephron, Jessica Lange, Annie Leibovitz, Bette Bao Lord | |
| 1991 | Ellen Futter, Donna Karan, Anna Quindlen, Susan Sarandon, Faye Wattleton | |
| 1990 | Imogene Coca, Suzanne Farrell, Mother Clara Hale, Kathleen Turner | |
| 1989 | Geraldine Fitzgerald, Jewell Jackson McCabe, Gloria Steinem, Kaity Tong, Wendy Wasserstein | |
| 1988 | Betty Allen, Diane Coffey, Glenda Jackson, Dr. Mathilde Krim, Diane Sawyer | |
| 1987 | Betty Friedan, Judith Jamison, Toni Morrison, Beverly Sills, Jessica Tandy | |
| 1986 | Colleen Dewhurst, María Irene Fornés, Billie Jean King-Blackman, Lucille Lortel, Ruth Mayleas |
| Season | Title | Writer and director | Cast | Location | Notes | |
|---|---|---|---|---|---|---|
| 2022-2023 | Space Program:Moxie Arts NY Incubator Program '23 | by Alyssa Haddad-Chin, August Hakvaag, Skyler Volpe directed by Autumn Angelettie, Michelle Chan, Annabel Heacock | WP Theater | WP Space Program Residents: Moxie Arts NY | ||
| 2022-2023 | Regretfully, So the Birds Are | by Julia Izumi, directed by Jenny Koons | Sasha Diamond, Gibson Frazier, Antoinette Lavecchia, Kristine Nielsen, Sky Smith, Pearl Sun, Zo Tipp, Shannon Tyo | Playwrights Horizons | World Premiere, a co-production with Playwrights Horizons | |
| 2022-2023 | The 2022 Pipeline Festival | Writers: Gethsemane Herron-Coward • Jen Goma • Nambi E. Kelley • Haruna Lee • Zizi Majid • Daaimah MubashshirDirectors: • Carolyn Cantor • Chika Ike • Sophiyaa Nayar • Machel Ross • Katharine Wilkinson Producers: Iyvon E • B.J. Evans • Kristin Leahey • Ayana Parker Morrison • Cynthia J. Tong | WP Theater | New York Premiere | ||
| 2022-2023 | Sancocho | by Christin Eve Cato | Zuleyma Guevara, Shirley Rumierk | WP Theater | Off-Broadway Premiere | |
| 2022-2023 | Space Program: Lightning Rod Special's The Appointment | Lead Artist: Alice Yorke Lead Book Writers: Alice Yorke, Eva Steinmetz, Scott R. Sheppard, and Alex Bechtel Music, Lyrics and Arrangements: Alex Bechtel Director: Eva Steinmetz Composer: Alex Bechtel Choreographer: Melanie Cotton Co-Creators: Katie Gould, Jaime Maseda, Lee Minora, Brett Ashley Robinson and Brenson Thomas | Katie Gould, Jaime Maseda, Lee Minora, Brett Ashley Robinson, Scott R. Sheppard, Alice Yorke, Danny Wilfred | WP Theater | Off-Broadway PremiereWP Space Program Residents: Lightning Rod SpecialProducers: Renee Blinkwolt, Erica Rotstein, Rachel Sussman | |
| 2022-2023 | Weightless | an indie rock musical written by The Kilbanes, directed by Tamilla Woodard, choreography by nicHi Douglas | Lila Blue, Kofy Brown, Dan Harris, Kate Kilbane, Dan Moses, Joshua Pollock | WP Theater | Off-Broadway Premiere | |
| 2021-2022 | sandblasted | by Charly Evon Simpson, directed by Summer L. Williams | Marinda Anderson, Brittany Bellizeare, Andy Lucien, Rolonda Watts | Vineyard Theatre | World Premiere, a co-production with Vineyard Theatre | |
| 2021-2022 | Welcome Home,or Ten Tiny Snapshots of WP | conceived and created by Rebecca Martínez | contributing artists: Kate Benson, Donnetta Lavinia Grays, and Journey Brown-Saintel, Laylanie Farris, Kziana Flores, Michelan Le'Monier, Alexandria Russell from viBe Theater Experiencenarration: Soneela Nankanifeaturing archival audio from: Billie Allen, Kathleen Chalfant, María Irene Fornés, Emily Mann, Julia Miles, Wendy Wasserstein and a few surprises... | WP Theater | World Premiere | |
| 2021-2022 | Many Happy Returns | created by Monica Bill Barnes & Co. | Monica Bill Barnes, Robbie Saenz de Viteri, Flannery Gregg, Mykel Marai Nairne, Indah Walsh | WP THeater | World Premiere | |
| 2020-2021 | Weightless | a theatrical concert film by The Kilbanes, directed by Tamilla Woodard | Lila Blue, Kofy Brown, Dan Harris, Kate Kilbane, Dan Moses, Joshua Pollock | Streaming | with support from piece by piece productions | |
| 2020-2021 | Galatea | by MJ Kaufman, directed by Will Davis | Ty Defoe, Esco Jouléy, Jo Lampert, Pooya Mohseni, Aneesh Sheth, Futaba Shioda, TL Thompson | Streaming | presented in collaboration with Red Bull Theater | |
| 2020-2021 | Final Boarding Call | by Stefani Kuo, directed by Mei Ann Teo | Streaming | in partnership with Ma-Yi Theater Company | ||
| 2020-2021 | Keep Moving | created by Monica Bill Barnes & Co. | Manuela Agudelo, Monica Bill Barnes, Olivia Brown, Kai Chen, Anakeiry Cruz, Sarah Isoke Days, Katherine De La Cruz, Grace Deane, Nadjie Forte, Reagan Gordon, Kathryn McKenzie, Naja Newell, Esther Nozea, Amanda Konstantine Perlmutter, Julieta Rodriguez-Cruz, Robbie Saenz de Viteri, Lina Sierra, Jessica Son | Streaming | World Premiere | |
| 2020-2021 | The Nourish Project | conceived and directed by Rebecca Martínez | Natalie Benally, Latrelle Bright, Siobhan Juanita Brown, Camryn Bruno, Sage Chanell, Jono Eiland, Brittany Grier, Joaquin Lopez, Nikiko Masumoto, Megan J. Minturn, Movement of the People Dance Company, Joya Powell, Madeline Sayet, Dr. Michelle Tom, Meghan "Sigvanna" Topkok, Edna Vazquez | Streaming | World Premiere | |
| 2020-2021 | Lockdown | by Cori Thomas, directed by Kent Gash | Lillian Andrea De León, Reynaldo Piniella, Travis Raeburn, Heather Alicia Simms, Keith Randolph Smith | Streaming | in partnership with Rattlestick Playwrights Theater | |
| 2020-2021 | Ole White Sugah Daddy | by Obehi Janice, directed by Caitlin Sullivan | Alex Esola, Obehi Janice, Andy Lucien, Natalie Paul, Taji Senior, Greg Stuhr, Madeline Wise | Streaming | in partnership with AYE DEFY | |
| 2019-2020 | The 2020 Pipeline Festival #pipelineonline | Writers: Vanessa Garcia • Sukari Jones • C. Quintana • Charly Evon Simpson • Bryna TurnerDirectors: Victoria Collado • Sarah Hughes • Candis C. Jones • Rebecca Martínez • Arpita Mukherjee Producers: Ilana Becker • Marie Cisco • Lucy Jackson • Stephanie Rolland • Alyssa Simmons | WP Theater | New York Premiere | ||
| 2019-2020 | Where We Stand | by Donnetta Lavinia Grays, directed by Tamilla Woodard | Donnetta Lavinia Grays | WP Theater | World Premiere, Off-Broadway Premiere, a co-production with Baltimore Center Stage | |
| 2019-2020 | Our Dear Dead Drug Lord | by Alexis Scheer, directed by Whitney White | Carmen Berkeley, Daniel Duque-Estrada, Alyssa May Gold, Rebecca Jimenez, Michaela Perez, Matthew Saldivar, Malika Samuel | WP Theater | Off-Broadway Premiere, a co-production with Second Stage, by special arrangement with Benjamin Simpson and Joseph Longhorn | |
| 2018-2019 | Natural Shocks | by Lauren Gunderson, directed by May Adrales | Pascale Armand | WP Theater | World Premiere | |
| 2018-2019 | Hurricane Diane | by Madeleine George, directed by Leigh Silverman | Mia Barron, Michelle Beck, Becca Blackwell, Danielle Skraastad, Kate Wetherhead | New York Theatre Workshop | a co-production with New York Theatre Workshop | |
| 2018-2019 | Hatef**k | By Rehana Lew Mirza, directed by Adrienne Campbell Holt | Kavi Ladnier, Sendhil Ramamurthy | WP Theater | World Premiere, Off Broadway Premiere, a co-production with Colt Coeur | |
| 2017–2018 | The Pipeline Festival 2018 | Writers: Donnetta Lavinia Grays • MJ Kaufman • Sylvia Khoury • Zoe Sarnak • Leah Nanako WinklerDirectors: Melissa Crespo • Morgan Gould • Ellie Heyman • Tyne Rafaeli • Mo Zhou Producers: Roxanna Barrios • SallyCade Holmes • Nidia Medina • Laura Ramadei • Yuvika Tolani | Kara Arena, Jordon Bolden, Zeniba Britt, May Calamawy, AnnEliza Canning-Skinner, Chaelon Costello, Bjorn DuPaty, Hennessy, Katie Lee Hill, Tia James, Esco Jouléy, Chalia La Tour, January LaVoy, Eve Lindley, Keren Lugo, Nikki Massoud, Ben Mayne, Pooya Mohseni, Laith Nakli, Bailey Roper, Max Sheldon, Futaba Shioda, Sathya Sridhara, Morgan Sullivan, Babak Tafti, Angela Travino, Michelle Veintimilla, Jade Wu | WP Theater | New York premiere | |
| 2017–2018 | [PORTO] | By Kate Benson, directed by Lee Sunday Evans | Noel Joseph Allain, Kate Benson, Ugo Chukwu, Jorge Cordova, Leah Karpel, Julia Sirna-Frest | WP Theater | Off-Broadway premiere, a co-production with The Bushwick Starr, in association with New Georges | |
| 2017–2018 | What We're Up Against | By Theresa Rebeck, directed by Adrienne Campbell-Holt | Skylar Astin, Marg Helgenberger, Jim Parrack, Krysta Rodriguez, Damian Young | WP Theater | Off-Broadway premiere, by special arrangement with Segal NYC Productions | |
| 2017–2018 | One Night Only (Running As Long As We Can) | Created by Monica Bill Barnes, Anna Bass and Robert Saenz de Viteri | Monica Bill Barnes, Anna Bass, Robert Saenz de Viteri | WP Theater | World premiere, Monica Bill Barnes & Companyin association with New Neighborhood | |
| 2016–2017 | Sundown, Yellow Moon | By Rachel Bonds, music and lyrics by The Bengsons, directed by Anne Kauffman | Eboni Booth, Lilli Cooper, Peter Friedman, Greg Keller, Anne L. Nathan, Michael Pemberton, JD Taylor | WP Theater | World premiere, co-production with Ars Nova | |
| 2016–2017 | Stuffed | By Lisa Lampanelli, directed by Jackson Gay | Ann Harada, Zainab Jah, Lisa Lampanelli, Jessica Luck | WP Theater | World premiere | |
| 2015–2016 | The Pipeline Festival 2016 | Playwrights: Sarah Burgess, Monet Hurst-Mendoza, Martyna Majok, Riti Sachdeva, Susan Soon He StantonDirectors: Adrienne Campbell-Holt, Lee Sunday Evans, Sarah Krohn, Danya Taymor, Tamilla Woodard Producers: Pearl Hodiwala, Rachel Karpf Reidy, Kristen Luciani, Liz Olson, & Rachel Sussman | Sofiya Akilova, Dahlia Azama, Farah Bala, Purva Bedi, Quincy Tyler Bernstine, Soraya Broukhim, Tommy Crawford, Damon Daunno, Edward Hajj, Dariush Kashani, Teresa Avia Lim, Jessica Love, Paola Lázaro, Marjan Neshat, Larry Pine, Amanda Quaid, Ana Reeder, Kate Rigg, Charles Socarides, Andrea Syglowski, Matthew Van Oss, Rita Wolf | WP Theater | New York premiere | |
| 2015–2016 | Ironbound | By Martyna Majok, directed by Daniella Topol | Josiah Bania, Shiloh Fernandez, Marin Ireland, Morgan Spector | Rattlestick Playwrights Theater | New York premiere, Drama Desk Nomination for Outstanding Actress, co-production with Rattlestick Playwrights Theater | |
| 2015–2016 | Dear Elizabeth | By Sarah Ruhl, directed by Kate Whoriskey | Becky Ann Baker, David Aaron Baker, Kathleen Chalfant, Rinde Eckert, Cherry Jones, Mia Katigbak, Ellen McLaughlin, Polly Noonan, Peter Scolari, J. Smith-Cameron, John Douglas Thompson, Harris Yulin | WP Theater | New York premiere | |
| 2014–2015 | The Undeniable Sound of Right Now | By Laura Eason, directed by Kirsten Kelly | Daniel Abeles, Jeb Brown, Chris Kipiniak, Brian Miskell, Margo Seibert, Lusia Strus | Rattlestick Playwrights Theater | World premiere, co-production with Rattlestick Playwrights Theater | |
| 2014–2015 | Bright Half Life | By Tanya Barfield, directed by Leigh Silverman | Rebecca Henderson, Rachael Holmes | New York City Center Stage II | World premiere | |
| 2014–2015 | A Beautiful Day in November on the Banks of the Greatest of the Great Lakes | By Kate Benson, directed by Lee Sunday Evans | Jessica Almasy, Gerry Bamman, Christian Felix, Nina Hellman, Brooke Ishibashi, Mia Katigbak, Kristine Haruna Lee, Hubert Point-Du Jour, Heather Alicia Simms, Ben Williams | New York City Center Stage II | Obie Award Special Citation, New Georges in association with WP Theater | |
| 2014–2015 | When January Feels Like Summer | By Cori Thomas, directed by Daniella Topol | Dion Graham, Mahira Kakkar, Carter Redwood, Debargo Sanyal, & Maurice Williams | Ensemble Studio Theatre | Co-production with Ensemble Studio Theatre | |
| 2013–2014 | The Most Deserving | By Catherine Trieschmann, directed by Shelley Butler | Veanne Cox, Kristin Griffith, Adam LeFevre, Jennifer Lim, Daniel Pearce, Ray Anthony Thomas | New York City Center Stage II | New York premiere | |
| 2013–2014 | The Architecture of Becoming | Conceived & created by the 2012–2014 WP Lab: Elena Araoz, Kara Lee Corthron, Lydia Fort, Sarah Gancher, Virginia Grise, Dipika Guha, Deadria Harrington, Jane Jung, Lauren Keating, Meropi Peponides, Aktina Stathaki, Lauren Yee, Lanie Zipoy | Claudia Acosta, Vanessa Kai, Christopher Livingston, Jon Norman Schneider, Danielle Skraastad | New York City Center Stage II | World premiere | |
| 2013–2014 | Row After Row | By Jessica Dickey, directed by Daniella Topol | Rosie Benton, Erik Lochtefeld, PJ Sosko | New York City Center Stage II | World premiere | |
| 2012–2013 | Collapse | By Allison Moore, directed by Jackson Gay | Nadia Bowers, Hannah Cabell, Maurice McRae, Elliot Villar | New York City Center Stage II | New York premiere | |
| 2012–2013 | Jackie | By Elfriede Jelinek, directed by Tea Alagić, Translated by Gitta Honegger | Tina Benko | New York City Center Stage II | North American premiere | |
| 2012–2013 | Bethany | By Laura Marks, directed by Gaye Taylor Upchurch | Emily Ackerman, America Ferrera, Kristin Griffith, Ken Marks, Tobias Segal, Myra Lucretia Taylor | New York City Center Stage II | World premiere | |
| 2011–2012 | We Play for the Gods | Conceived & created by the 2010–2012 WP Lab: Charity Ballard, Alexandra Collier, Elizabeth R. English, Jessi D. Hill, Andrea Kuchlewska, Dominique Morisseau, Kristen Palmer, Sarah Rasmussen, Mia Rovegno, Melisa Tien, Nicole A. Watson, Stephanie Ybarra & Stefanie Zadravec | Annie Golden, Amber Gray, Alexandra Henrikson, Irene Sofia Lucio, Erika Rolfsrud | Cherry Lane Theater | World premiere | |
| 2011–2012 | How the World Began | By Catherine Trieschmann, directed by Daniella Topol | Justin Kruger, Adam LeFevre, Heidi Schreck | Peter Jay Sharp Theater | New York premiere, Produced in association with South Coast Repertory, Recipient of a 2011 Edgerton Foundation New American Play Award | |
| 2011–2012 | Milk Like Sugar | By Kirsten Greenidge, directed by Rebecca Taichman | Cherise Boothe, Angela Lewis, Nikiya Mathis, LeRoy McClain, J. Mallory McCree, Adrienne C. Moore, Tonya Pinkins | Peter Jay Sharp Theater | Co-Produced by Playwrights Horizons & La Jolla Playhouse, Obie Awards: Playwriting-Kristen Greenidge, Performance-Cherise Boothe | |
| 2010–2011 | Room | Based on the writings of Virginia Woolf, directed by Anne Bogart, Adapted by Jocelyn Clarke | Ellen Lauren | Julia Miles Theater | ||
| 2010–2011 | Apple Cove | By Lynn Rosen, directed by Giovanna Sardelli | Paul Carlin, Erin Gann, Allison Mack, Dion Mucciacito, Kathy Searle | Julia Miles Theater | New York premiere | |
| 2009–2010 | Lascivious Something | By Sheila Callaghan, directed by Daniella Topol | Rob Campbell, Dana Eskelson, Ronete Levenson, Elisabeth Waterston | Julia Miles Theater | World premiere | |
| 2009–2010 | Smudge | By Rachel Axler, directed by Pam MacKinnon | Cassie Beck, Greg Keller, Brian Sgambati | Julia Miles Theater | World premiere | |
| 2009–2010 | Or, | By Liz Duffy Adams, directed by Wendy McClellan | Kelly Hutchinson, Andy Paris, Maggie Siff | Julia Miles Theater | World premiere | |
| 2008–2009 | Global Cooling: The Women Chill | Conceived & created by the 2008–2010 WP Lab: Bekah Brunstetter, Alexis Clements, Charity Henson-Ballard, Kara Manning, Lynn Rosen, Crystal Skillman, Andrea Thome, Heidi Carlsen, Linsay Firman, Susanna Gellert, Wendy McClellan, Donya K. Washington Diane Alianiello, Heather Cohn, Jennifer Conley Darling, Aimee Davis, Amanda Feldman, Marissa Rosenblum & Allegra Schorr, musical direction by Matt Castle, choreography by Elizabeth Montgomery, visual art installation by Annie Boyden Varnot & Elizabeth Ferrer | B. Brian Argotsinger, Casey Boyle, Addie Brownlee, Jorge Cordova, Kibibi Dillon, Danielle Famble, Richard Gallagher, Laura Gilbert, Rebecca Henderson, Sarah Hillmon, Beth Kirkpatrick, Julie Kline, Toby Knops, Russell Stuart Lilie, Rebecca Lingafelter, Bryony Lucas, Dominique Morisseau, Ned Noyes, Lance Olds, Allie Pfeffer, Haas Regen, Angel R. Rodriguez, Phoebe Rose Sandford, Myxolydia | World Financial Center | World premiere co-presented by arts>World Financial Center | |
| 2008–2009 | Freshwater | By Virginia Woolf, directed by Anne Bogart | Akiko Aizawa, Gian-Murray Gianino, Ellen Lauren, Kelly Maurer, Tom Nelis, Barney O'Hanlon, Stephen Duff Webber | Julia Miles Theater | World premiere co-produced with SITI Company | |
| 2008–2009 | Aliens with Extraordinary Skills | By Saviana Stănescu, directed by Tea Alagić | Shirine Babb, Seth Fisher, Gian-Murray Gianino, Kevin Isola, Jessica Pimentel, Marnye Young | Julia Miles Theater | World premiere | |
| 2007–2008 | Corporate Carnival | Conceived & Created by Megan E. Carter, Julie Crosby, Jyana S. Gregory & the Performers, directed by Jyana S. Gregory, Text by Andy Paris | David Anzuelo, Karen Grenke, Andrew Grusetskie, Andy Paris, Richard Saudek, Meghan Williams, Lisa Rafaela Clair, Prudence Heyert, Megan Raye Manzi, Austin Sanders, Jeff Wills | World Financial Center | World premiere co-presented by arts>World Financial Center | |
| 2007–2008 | Crooked | By Catherine Trieschmann, directed by Liz Diamond | Betsy Aidem, Carmen M. Herlihy, Cristin Milioti | Julia Miles Theater | American premiere | |
| 2007–2008 | Sand | By Trista Baldwin, directed by Daniella Topol | Alec Beard, Angela Lewis, Pedro Pascal | Julia Miles Theater | World premiere | |
| 2006–2007 | Girls Just Wanna Have Fund$ | Conceived & created by the 2006–2008 WP Lab: May Adrales, Gia Forakis, Leigh Goldenberg, Christina Gorman, Maria Goyanes, Jyana Gregory, Karen Grenke, Katori Hall, Amy Kaissar Andrea Lepcio, Patricia McNamara, Linda Powell, Molly Rice, Saviana Stanescu, Joy Tomasko & Kim Weild | Chriselle Almeida, Addie Brownlee, Davina Cohen, Ginger Eckert, Edwina Findley, LeeAnne Hutchison, Khris Lewin, Anthony Manna, KK Moggie, Sara Moore, Dominique Morisseau, Sarah Murphy, Tamilla Woodard | World Financial Center | World premiere co-presented by arts>World Financial Center | |
| 2006–2007 | Transfigures | Conceived & Directed by Lear deBessonet, Text by Bathsheba Doran, Charles Mee, Erin Sax Seymour, Russell Shorto, Joan of Arc & Henrik Ibsen, Choreographed by Andrea Haenggi | David Adkins, Dylan Dawson, Juliana Francis, Nate Schenkkan, T. Ryder Smith, Marguerite Stimpson | Julia Miles Theater | ||
| 2006–2007 | Victoria Martin: Math Team Queen | By Kathryn Walat, directed by Loretta Greco | Jessi Campbell, Zachary Booth, Adam Farabee, Tobias Segal, Matthew Stadelmann | Julia Miles Theater | World premiere | |
| 2005–2006 | The Cataract | By Lisa D'Amour, directed by Katie Pearl | Vanessa Aspillaga, Barnaby Carpenter, Tug Coker, Kelly McAndrew | Julia Miles Theater | New York premiere | |
| 2005–2006 | Jump/Cut | By Neena Beber, directed by Leigh Silverman | Michi Barall, Luke Kirby, Thomas Sadoski | Julia Miles Theater | New York premiere | |
| 2004–2005 | Inky | By Rinne Groff, directed by Loretta Greco | Jessi Campbell, Marianne Hagan, Jason Pugatch, Elizabeth Schweitzer | Julia Miles Theater | World premiere | |
| 2004–2005 | Best of Both Worlds | Book & lyrics by Randy Weiner, music by Diedre Murray, co-written and directed by Diane Paulus | Jeannette Bayardelle, Ronnell Bey, William Scott Davison, Shaun Hoggs, Charles R. King Jr., Griffin Matthews, Kenita R. Miller, Richard E. Waits | Julia Miles Theater | World premiere | |
| 2004–2005 | Antigone Project | By Tanya Barfield, Karen Hartman, Chiori Miyagawa, Lynn Nottage & Caridad Svich, directed by Annie Dorsen, Dana I. Harrel, Anne Kauffman, Barbara Rubin & Liesl Tommy | Joey Collins, Angel Desai, Jeanine Serralles, Desean Terry, April Yvette Thompson, Tracie Thoms | Julia Miles Theater | World premiere | |
| 2003–2004 | William Wharton's Birdy | Adapted for the stage by Naomi Wallace, directed by Lisa Peterson | Richard Bekins, Teagle F. Bougere, Zachary Knighton, Adam Rothenberg, Ted Schneider, Peter Stadlen | Julia Miles Theater | ||
| 2003–2004 | Touch | By Toni Press-Coffman, directed by Loretta Greco | Michele Ammon, Matthew Del Negro, Tom Everett Scott, Yetta Gottesman | Julia Miles Theater | ||
| 2002–2003 | Cheat | By Julie Jensen, directed by Joan Vail Thorne | Lucy Deakins, Shayna Ferm, Kevin O'Rourke, Karen Young | Julia Miles Theater | ||
| 2002–2003 | The Women of Lockerbie | By Deborah Brevoort, directed by Scott Elliott | Kathleen Doyle, Judith Ivey, Angela Pietropinto, Larry Pine, Kristen Sieh, Jenny Sterlin, Adam Trese | The Theater at St. Clements | World premiere, co-production with The New Group | |
| 2001–2002 | Carson McCullers (Historically Inaccurate) | By Sarah Schulman, directed by Marion McClinton | Jenny Bacon, Michi Barall, Rosalyn Coleman, Barbara Eda-Young, Leland Gantt, Tim Hopper, Ben Shenkman, Rick Stear, Anne Torsiglieri | Julia Miles Theater | Co-produced with Playwrights Horizons | |
| 2000–2001 | O Pioneers! | Adaptation and lyrics by Darrah Cloud, from the novel by Willa Cather, music by Kim D. Sherman, directed by Richard Corley | Beth Bartley, Corey Behnke, Todd Cerveris, Elliot Dash, Joe Domencic, Michael Thomas Holmes, Matt Hoverman, Grace Hsu, Greg Jackson, Royden Mills, Evan Robertson, Erika Rolfsrud, Michele Tauber, Jonathan Uffelman | Julia Miles Theater | ||
| 2000–2001 | Saint Lucy's Eyes | By Bridgette A. Wimberly, directed by Billie Allen | Ruby Dee, Willis Burks II, Toks Olagundoye, Sally A. Stewart | Julia Miles Theater | ||
| 2000–2001 | Leaving Queens | Book and lyrics by Kate Moira Ryan, music by Kim D. Sherman, directed by Allison Narver | Alexander Bonnin, Sean Dooley, Jim Jacobson, Paul Niebanck, Cynthia Sophiea, Barbara Tirrell, Alice Vienneau | Julia Miles Theater | ||
| 2000–2001 | Hard Feelings | By Neena Beber, directed by Maria Mileaf | Guy Boyd, Mary Fogarty, Kate Jennings Grant, Pamela Gray, Seana Kofoed | Julia Miles Theater | ||
| 1999–2000 | Two-Headed | By Julie Jensen, directed by Joan Vail Thorne | Lizbeth Mackay, Deirdre O'Connell | Julia Miles Theater | ||
| 1999–2000 | Our Place in Time | By Clare Coss, directed by Bryna Wortman | Gina Bardwell, Elizabeth Hess, Jacqueline Knapp, Norman Maxwell | Julia Miles Theater | ||
| 1999–2000 | Gum | By Karen Hartman, directed by Loretta Greco | Firdous Bamji, Angel Desai, Lizan Mitchell, Juan Rivera-Lebrón, Daphne Rubin-Veg | Julia Miles Theater | ||
| 1998–1999 | The Exact Center of the Universe | By Joan Vail Thorne, directed by John Tillinger | Frances Sternhagen, Reed Birney, Bethel Leslie, Marge Redmond, Tracy Thorne | Julia Miles Theater | ||
| 1998–1999 | The Chemistry of Change | By Marlane Meyer, directed by Lisa Peterson | Carlin Glynn, Christopher Innvar, Hamish Linklater, Larry Pine, Barry Del Sherman, Jodi Thelen, Brenda Wehle | Julia Miles Theater | Co-produced with Playwrights Horizons | |
| 1998–1999 | The Knee Desires the Dirt | By Julie Hébert, directed by Susana Tubert | Reed Birney, Lynn Cohen, Al Espinosa, Barbara Gulan, Sarah Rose | Julia Miles Theater | ||
| 1997–1998 | The Summer in Gossensass | Written and directed by María Irene Fornés | Daniel Blinkoff, Joseph Goodrich, Molly Powell, Clea Rivera, Valda Setterfield | Judith Anderson Theater | World premiere | |
| 1997–1998 | Phaedra in Delirium | By Susan Yankowitz, directed by Alison Summers | Kathleen Chalfant, Peter Jay Fernandez, Sandra Shipley | 13th Street Theater | Co-produced with Classic Stage Company | |
| 1997–1998 | The Water Children | By Wendy MacLeod, directed by David Petrarca | Elizabeth Bunch, Kevin Isola, Deirdre Lovejoy, Wendy Makkena, Michael Mastro, Joyce Reehling, Robert Sella, Jonathan Walker | Playwrights Horizons Studio Theater | Co-produced with Playwrights Horizons | |
| 1996–1997 | Under a Western Sky | By Amparo Garcia, directed by Loretta Greco | Irma Bello, Gilbert Cruz, Sol Miranda, Felix Solis | INTAR Theatre | Co-produced with INTAR Theatre | |
| 1996–1997 | TerraIncognita | Written and directed by María Irene Fornés | Jennifer Alagna, Lawrence Craig, John Muriello, Matthew Perri, Candace Rogers-O'Connor | INTAR Theatre | World premiere, co-produced with INTAR Theatre | |
| 1996–1997 | Go Go Go | Written by Juliana Francis, directed by Anne Bogart | Juliana Francis | PS 122 | ||
| 1995–1996 | Crocodiles in the Potomac | By Wendy Belden, directed by Suzanne Bennett | Firdous Bamji, Brad Bellamy, Gretchen Egolf, Kristin Griffith, Tristine Skyler | Theatre Row | ||
| 1995–1996 | The Big Window | By Kate Browne, music by Linda Dowdell, directed by Joan Vail Thorne | Brian Anderson, Ron Bagden, Charles Fornara, Kay Gaynor, Karen Goldfeder, Kim Grogg, Adam Marshall, Kate Mayfield, Elinore O'Connell, Joyce Sozen | |||
| 1994–1995 | The Last Girl Singer | By Deborah Grace Winer, directed by Charles Maryan | Kelly Bishop, Charlotte Maier, Bill Tatum | Kampo Cultural Center | ||
| 1994–1995 | Why We Have a Body | By Claire Chafee, directed by Evan Yionoulis | Jayne Atkinson, Trish Hawkins, Deborah Hedwall, Nancy Hower | Judith Anderson Theater | ||
| 1993–1994 | The Autobiography of Aiken Fiction | By Kate Moira Ryan, directed by Adrienne Weiss | Drew Barr, Julie Dretzin, Jennifer Dundas, Sylvia Gassell, Cristine McMurdo-Wallis | Samuel Beckett Theater | ||
| 1993–1994 | Black | By Joyce Carol Oates, directed by Tom Palumbo | Kristin Griffith, Jonathan Earl Peck, John Wojda | INTAR Theatre | ||
| 1993–1994 | Eating Chicken Feet | By Kitty Chen, directed by Kati Kuroda | Christine Campbell, Wai Ching Ho, Mary Lee, Ben Lin, Liana Pai, Steve Park, Bobby Sacher | Playhouse 46 | ||
| 1993–1994 | A Melting Season | By Sharon Houck Ross, directed by Mary Beth Easley, music composed and performed by Mark Bruckner | Mark Bruckner, Divana Cook, Marceline Hugot, Kevin Jeffries, Dawn Litel, Colleen Quinn, E. Claude Richards, Marta Vidal | Clark Studio Theatre | ||
| 1992–1993 | The Brooklyn Trojan Women | By Carole Braverman, directed by Margot Breier | Adam Barnett, Ariane Brandt, Stephanie Clayman, Joanna Merlin, Lucille Rivin | 45th Street Theater | ||
| 1992–1993 | You Could Be Home Now | Written and Performed by Ann Magnuson, Composed by Tom Judson, directed by David Schweizer | Ann Magnuson | Joseph Papp Public Theatre/ Martinson Hall | ||
| 1992–1993 | Frida: The Story of Frida Kahlo | By Hilary Blecher, lyrics and monologues by Migdalia Cruz, music by Robert Rodriguez | Chris Fields, William Rhodes, Helen Schneider, Byron Utley, Andrew Vareia | Brooklyn Academy of Music | ||
| 1991–1992 | Dream of a Common Language | By Heather McDonald, directed by Liz Diamond | Caris Corfman, Mia Katigbak, Mary Mara, J.R. Nutt, Joseph Siravo, Rocco Sisto | Judith Anderson Theater | ||
| 1991–1992 | Chain/The Late Bus to Mecca | By Pearl Cleage, directed by Imani | Karen Malina White, Claire Dorsey, Kim Yancy | Judith Anderson Theater | ||
| 1991–1992 | Lardo Weeping | Written and Performed by Terry Galloway, directed by Donna Marie Nudd | Terry Galloway | PS 122 | ||
| 1991–1992 | Approximating Mother | By Kathleen Tolan, directed by Gloria Muzio | Mia Dillon, Shawana Kemp, Deirdre O'Connell, Tonya Pinkins, Richard Poe, Steven Ryan, Ali Thomas | Judith Anderson Theater | ||
| 1990–1991 | Night Sky | By Susan Yankowitz, directed by Joseph Chaikin | Edward Baran, Tom Cayler, Joan MacIntosh, Aleta Mitchell, Paul Zimet, Lizabeth Zindel | Judith Anderson Theater | ||
| 1990–1991 | Maggie and Misha | By Gail Sheehy, directed by Julianne Boyd | George Morfogen, Carol Shelly, Victor Steinbach, Ching Valdes-Aran | Vineyard Theatre | ||
| 1990–1991 | The Encanto File and Other Short Plays | Plays by Rosa Lowinger, Marlane Meyer, Sally Nemeth, Mary Sue Price, & Caridad Svich, directed by Melia Bensussen, Melanie Joseph, Susana Tubert | Dana Bate, Divina Cook, Dorrie Joiner, Thomas Kopache, Wendy Lawless, Patrick McNellis, Faye M. Price, Cliff Weissman | Judith Anderson Theater | ||
| 1990–1991 | Day Trips | By Jo Carson, directed by Billie Allen | Linda Atkinson, Beth Dixon, Helen Stenborg | Judith Anderson Theater | ||
| 1989–1990 | Tales of the Lost Formicans | By Constance Congdon, directed by Gordon Edelstein | Michael Countryman, Noel Derecki, Lizbeth Mackay, Deirdre O'Connell, Rosemary Prinz, Fred Sanders, Edward Seamon | Apple Corps Theater | ||
| 1989–1990 | Violent Peace | By Lavonne Mueller, directed by Bryna Wortman | Dennis Parlato, Jenny Robertson | Apple Corps Theater | ||
| 1989–1990 | Mill Fire | By Sally Nemeth, directed by David Petrarca | Kate Buddeke, Kelly Coffield Park, Timothy Grimm, B.J. Jones, James Krag, Martha Lavey, Paul Mabon, Mary Ann Thebus, Jacqueline Williams | Apple Corps Theater | ||
| 1988–1989 | Ladies | By Eve Ensler, music by Joshua Schneider, directed by Paul Walker | Margaret Barker, Denise Delapenha, Alexandra Gersten-Vassilaros, Allison Janney, Marcella Lowery, Isabella Monk, Novella Nelson, Ching Valdes-Aran, Beverly Wideman | The Theater at St. Clements | ||
| 1988–1989 | Niedecker | By Kristine Thatcher, directed by Julianne Boyd | Mary Diveny, Jane Fleiss, Frederick Neumann, Helen Stenborg | Apple Corps Theater | ||
| 1988–1989 | Ma Rose | By Cassandra Medley, directed by Irving Vincent | Rosanna Carter, Herb Lovelle, Lizan Mitchell, LaTanya Richardson Jackson, Pawnee Sills | Apple Corps Theater | ||
| 1987–1988 | Etta Jenks | By Marlane Meyer, directed by Robert Levitow | Sheila Dabney, Abdul Salaam El Razzac, Carmine Iannaccone, John Nesci, Deirdre O'Connell, John Pappas, Ebbe Roe Smith, Dendrie Taylor, Ching Valdes-Aran | Apple Corps Theater | ||
| 1987–1988 | Reverend Jenkins' Almost All Colored Orphanage Band | By Gail Kriegel, Original music and arrangements by Luther Henderson, directed by Vernel Bagneris | Terri Dobins, Renee Ezell, Miranda Jennings, Jeneen Jones, Pamela Johnson, Coby Johnson, Elliot Keener, Warren Kenner, Clyde Kerr Jr., Nicholas Payton, Skip McGee, Gregory Stafford, Patrick Sturgis, Carol Sutton, Harold Sylvester, Barbara Tasker | Le Petit Theatre du Vieux Carre | ||
| 1987–1988 | Abingdon Square | Written and directed by María Irene Fornés | Myra Carter, Michael Cerveris, John Cullum, Anna Levine, Madeleine Potter, John Seitz | The American Place Theatre | World premiere, Obie Award: Best New American Play | |
| 1987–1988 | The Snicker Factory: An Evening of Political Satire | Conceived and directed by Suzanne Bennett and Liz Diamond, music composed and directed by Adrienne Torf, written by Billy Aronson, William Boardman, Cynthia Cooper, Holly Hughes, Lavonne Mueller, Michael Quinn, Jack Shannon, Y. York | Edward Baran, Alma Cuervo, Nancy Giles, Anderson Matthews, Joseph C. Phillips | The American Place Theatre | ||
| 1986–1987 | Consequence | By Kat Smith, directed by Alma Becker | Didi Conn, Tino Juarez, Geraldine Librandi, Joan MacIntosh | The American Place Theatre | ||
| 1985–1986 | Breaking the Prairie Wolf Code | By Lavonne Mueller, directed by Liz Diamond | Judith Barcroft, Robert Black, James Lally, Novella Nelson, Keliher Walsh, Tenney Walsh | The American Place Theatre | ||
| 1985–1986 | Women Heroes: In Praise of Exceptional Women | Colette in Love by Lavonne Mueller, directed by Mirra Bank; Emma Goldman by Jessica Litwak, directed by Anne Bogart; How She Played the Game by Cynthia Cooper, directed by Bryna Wortman; Millie by Susan Kander, directed by Carol Tanzman; Parallax: In Praise of Daisy Bates Written and directed by Denise Hamilton; Personality by Gina Wendkos and Ellen Ratner, directed by Gina Wendkos and Richard Press | John Connolly, Shirley Knight, Jessica Litwak, Ellen Ratner, Michele Shay, Susan Stevens | Samuel Beckett Theatre | ||
| 1984–1985 | Paducah | By Sallie Bingham, directed by Joan Vail Thorne | William Cain, Tammy Grimes, Laura Hicks, Carrie Nye, Lou Myers | The American Place Theatre | ||
| 1984–1985 | Four Corners | Conceived, directed and designed by Gina Wendkos, co-written by Gina Wendkos and Donna Bond | Ryan Cutrona, Josh Hamilton, Margaret Harrington | The American Place Theatre | ||
| 1983–1984 | A...My Name is Alice | Conceived and directed by Joan Micklin Silver & Julianne Boyd; sketches and songs by Maggie Benson, Susan Birkenhead, David Crane, Carol Hall, Cheryl Hardwick, Georgia Holof, Winnie Holzman, Doug Katsaros, Marta Kauffman, Stephen Lawrence, Anne Meara, David Mettee, Mark Saltzman, Lucy Simon, Steve Tesich, Don Tucker, and David Zippel | Roo Brown, Randy Graff, Mary Gordon Murray, Alaina Reed, Charlaine Woodard | The American Place Theatre | World premiere, Outer Critics Circle Award for Best Revue | |
| 1983–1984 | To Heaven in a Swing and Festival of One Act Plays | To Heaven in a Swing by Katharine Houghton, directed by Joan Vail Thorne; Candy & Shelley Go to the Desert by Paula Cizmar, directed by Carey Perloff; Old Wives Tale by Julie Jensen, directed by Alma Becker; The Longest Walk by Janet Thomas, directed by Claudia Weill; The Only Woman General by Lavonne Mueller, directed by Bryna Wortman; Special Family Things by Ara Watson and Mary Gallagher, directed by Page Burkholder | Garrett M. Brown, Frances Chaney, Sharon Chatten, Donna Davis, Colleen Dewhurst, Sol Frieder, Lisa Goodman, Katharine Houghton, Kenna Hunt, Lois Smith, Helen Stenborg, Mary Catherine Wright | The American Place Theatre | ||
| 1982–1983 | Territorial Rites | By Carol K. Mack, directed by Josephine Abady | Michael Gross, Robin Groves, Kim Hunter, Penelope Milford | The American Place Theatre | ||
| 1982–1983 | Heart of a Dog | Written and Performed by Terry Galloway, directed by Suzanne Bennett | Terry Galloway | The American Place Theatre | ||
| 1982–1983 | Little Victories | By Lavonne Mueller, directed by Bryna Wortman | Caroline Kava, Linda Hunt, Terrance Markovich, Bill Cwikowski, Jimmy Smits, John Griesemer, Randy Spence | The American Place Theatre | ||
| 1981–1982 | The Brothers | By Kathleen Collins, directed by Billie Allen | Trazana Beverley, Leila Danette, Duane Jones, Janet League, Josephine Premice, Marie Thomas, Seret Scott | The American Place Theatre | ||
| 1981–1982 | The Death of a Miner | By Paula Cizmar, directed by Barbara Rosoff | Ritch Brinkley, Dave Florek, Douglas Gower, John Griesemer, Kristen Jolliff, Steven Loring, Margaret MacLeod, Mary McDonnell, Sarah Jessica Parker, Shaw Purnell, Cotter Smith | The American Place Theatre | ||
| 1980–1981 | Constance and the Musician | Book and lyrics by Caroline Kava, music by Mel Marvin, directed by Joan Micklin Silver | Jeff Brooks, Marilyn Caskey, Philip Casnoff, M'el Dowd, Caroline Kava, Mel Marvin, Stan Wilson | The American Place Theatre | ||
| 1980–1981 | Still Life | Written and directed by Emily Mann | Mary McDonnell, Timothy Near, John Spencer | The American Place Theatre | Obie Awards: Best Production, Performance – Mary McDonnell, Performance – Timothy Near, Performance – John Spencer | |
| 1980–1981 | After the Revolution | By Nadja Tesich, directed by Joyce Aaron | Lily Knight, Karen Ludwig, John Nesci, Will Patton, Joe Ponazecki, Ebbe Roe Smith, Lydia Stryk | The American Place Theatre | ||
| 1979–1980 | Personals | By Rose Leiman Goldemberg, directed by Julianne Boyd | Cynthia Bostick, Stephen Mellor, Molly Regan | The American Place Theatre | ||
| 1979–1980 | Milk of Paradise | By Sallie Bingham, directed by Joan Vail Thorne | David Bailey, Verona Barnes, Tom Brennan, Paul Carlin, Maia Danziger, Birdie M. Hale, Theresa Merritt, Annie Murray, Patricia Roe, Sylvia Short | The American Place Theatre | ||
| 1979–1980 | Holy Places | By Gail Kriegel Mallin, directed by Victoria Rue | Joyce Aaron, Clifford David, Tresa Hughes, Bill Randolph | The American Place Theatre | ||
| 1978–1979 | Letters Home | By Rose Leiman Goldemberg, directed by Dorothy Silver | Doris Belack, Mary McDonnell | The American Place Theatre | ||
| 1978–1979 | Warriors from a Long Childhood | By Lavonne Mueller, directed by Betsy Shevey | Peter Friedman, Michael Kaufman, Peter Phillips, Mark Soper | The American Place Theatre | ||
| 1978–1979 | Signs of Life | By Joan Schenkar, directed by Esther Herbst | Kathleen Chalfant, Ethan Kane Dufault, Gwyllum Evans, Kathleen Gittel, Barton Heyman, Barbara Le Brun, Nancy Mainguy, K. Lype O'Dell, Susan Stevens, Lisa Rifkin, Caroline Thomas | The American Place Theatre | ||
| 1978–1979 | Choices | Conceived by Patricia Bosworth, Adapted by Patricia Bosworth, Caymichael Patten & Lily Lodge, directed by Caymichael Patten | Lily Lodge | The American Place Theatre |