| Juke Joint Jezebel | |
| Cover: | Jukejointjezebel.jpg |
| Type: | single |
| Artist: | KMFDM |
| Album: | Nihil |
| B-Side: | Kraut |
| Released: | 28 February 1995 |
| Genre: | Industrial rock |
| Length: | 5:40 |
| Label: | Wax Trax!/TVT |
| Producer: | Sascha Konietzko |
| Prev Title: | Glory |
| Prev Year: | 1994 |
| Next Title: | Brute |
| Next Year: | 1995 |
"Juke Joint Jezebel" is a song by industrial rock group KMFDM from their 1995 album Nihil. It is KMFDM's most widely known song to date, with around three million copies of the song sold across various releases.[1] [2]
The music for the song was written primarily by KMFDM frontman Sascha Konietzko, who asked returning band member Raymond Watts to write the lyrics for "Juke Joint Jezebel" as well as a few other tracks from Nihil.[3] Also credited as authors are En Esch and Günter Schulz.[4] When mixing the song, Konietzko thought it sounded too "awful" to be included on Nihil, but TVT Records, to whom KMFDM were signed at the time, wanted to put it on the album, certain it would become a hit.[5]
In KMFDM's profile for Trouser Press, Neil Strauss highlights Watts' lyrics and looped guitar riffs and electro-funk beats as the song's main features.[6] In a 2013 book , musician and scholar S. Alexander Reed called the song "iconic", citing it as an example of industrial music's "use of gestures from traditional African-derived musics...", and notes "a massive gospel choir" of backup singers in the chorus. In addition to this, the "sleazy and exuberant" chorus features a harmonic use of the Mixolydian mode, which seems to "set the song apart from industrial conventions," with lyrics describing pleasure from self-destruction, "tapping into shallow perceptions of religious fervor and lasciviousness."
"Juke Joint Jezebel" single was initially released on 28 February 1995. After the release of Nihil, a second version of the single was released with additional remixes by Italian record producer Giorgio Moroder. The Canadian release of Juke Joint Jezebel: The Giorgio Moroder Mixes includes a bonus CD titled The Year of the Pig Collection, which features one track each from KMFDM's previous six studio albums, as well "Fuck Me" from Sin Sex & Salvation. "Juke Joint Jezebel" was also released on a 12" entitled Year of the Pig. The single did not enter the Billboard Modern Rock Tracks chart, but peaked at number 27 on the Hot Dance Music/Club Play chart.[7] [1]
The song was accompanied by two music videos, both directed by Eric Zimmerman.[8] The first, set to the single edit of album version and featured later on Beat by Beat by Beat compilation, combines the live footage with the animations from the Patlabor 1 anime.[9] The other video, set to Moroder's "Metropolis" remix, was released to promote the 1995 Mortal Kombat film and uses footage from the film. MTV was reluctant to air the video, objecting to the footage featuring violence.[10]
The original version of the song is used in the 1995 film Bad Boys,[11] while the "Metropolis" remix mentioned above appears on the 1995 Mortal Kombat soundtrack.[5] Both soundtracks eventually went platinum.[12] [13] The album version of the song can also be heard in the "Home Is Where the Tart Is" episode of Beverly Hills, 90210.[14] [5]
The original single version was re-released as a 7" in 2009.[15] On 25 October 2010 "Juke Joint Jezebel" was made available as a downloadable song for the Rock Band Network.[16]
"Juke Joint Jezebel" has received significant critical acclaim. Heidi MacDonald of CMJ New Music Monthly called the song "nearly flawless".[17] Andy Hinds of AllMusic, mentioning the song in the main album's review, called it "an enduring and indispensable dancefloor favorite at goth/industrial clubs around the world."[18] Greg Kot of the Chicago Tribune said it "swaggers like a Bourbon Street hooker, with crunching guitars and a swooping, gospelish chorus".[19] "Juke Joint Jezebel" was listed at No. 23 on COMA Music Magazines "101 Greatest Industrial Songs of All Time" feature in 2012.[20] The track was also featured on Alternative Press list of "10 Industrial-Rock Classics That Completely Defined the ’90s."[21]
Holding a negative opinion of the song since mixing it, Konietzko admitted in 2016 he still did not like the song, which was retired from the band's concert setlist in 2003. It was pointedly left off the band's greatest hits album Rocks — Milestones Reloaded, along with other songs such as "Vogue" because the group felt such songs were not part of their ideal setlist. Even so, he was pleased that the song had become successful enough that it continued to sell: "It pays the rent, to this day."[5]