Juan Radrigán Explained

Juan Rojas Radrigán (January 23, 1937 – October 16, 2016) was a Chilean playwright, novelist and poet. He was awarded Chile's National Prize for Performing and Audiovisual Arts in 2011.[1]

Biography

Radrigán was born in 1937 in Antofagasta, one of three brothers born to working-class parents. As a child, Radrigán worked to support the family's scant income, never receiving a formal education. Entirely self-taught, he became an avid reader and began writing poetry and stories from the age of twelve.

Radrigán was appointed editor of Unpublished Notebooks, an official publication of the Unpublished Writers Center, from November 1961 to July 1962. At the age of 25 he published his first volume of short stories Los Vencidos no Creen en Dios, followed six years later by his second novel El Vino de la Cobardía. He died on October 16, 2016, at the age of 79.[2]

Themes and style

Radrigán's plays vary little in subject matter or dramatic technique. His characters are those living on the margins, outcast from society; substance addicts, prostitutes, the unemployed. (until his first play was performed in 1980, Radrigan himself had been an unemployed textile worker since 1973). The majority of these individuals occupy grey and depressed urban worlds, e.g. a crumbling block of flats in La Felicidad de los Garcia (1983) and a filthy, dilapidated brothel in El Toro por las Astas (1982). Others exist in further marginalised spheres, deserted dumps on the outskirts of Santiago (Hechos Consumados, 1981), and withering farmlands far from civilisation (Las Brutas, 1980). In each instance, Radrigán illustrates the crippling effects of poverty and isolation and the destructive implications for individual wellbeing and the family unit.

Radrigán began publishing work amid the Pinochet dictatorship, although his narratives reflect a lived experience of a country long-accustomed to poverty. Although not explicitly political, it is difficult not to observe the autobiographically infused nature of Radrigan's plays, particularly given his poverty-stricken upbringing, “without mentioning it by name, effectively indicts the Pinochet regime for its complicity in the brutalization of the poor”.[3]

Worldwide acclaim

Internationally esteemed, Radrigán's work has toured worldwide and two of his works have been performed in the UK to date. Sue Dunderdale's production of Las Brutas (Beasts) premiered at Theatre 503 in September 2011, and in October–November 2013, coinciding with the 40th anniversary of the 1973 Chilean coup, Robert Shaw's new translation of Hechos Consumados (Children of Fate) starring Sian Reese-Williams, premiered at The Bussey Building in Peckham.

In 2011 he received Chile's National Prize for Performing and Audiovisual Arts.[1]

Theatre

Books

Notes and References

  1. News: Juan Radrigán obtiene el Premio Nacional de las Artes de la Representación . Juan Radrigán Gets the National Prize for Performing Arts . . Spanish . 5 September 2011 . 11 December 2017.
  2. http://www.cooperativa.cl/noticias/cultura/teatro/icono-del-teatro-nacional-juan-radrigan-fallecio-este-domingo/2016-10-16/145024.html Icono del teatro nacional Juan Radrigán falleció este domingo
  3. 'Teatro de juan Radrigán by Juan Radrigán', Review by: Kirsten F. Nigro, Hispania, Vol. 67, No. 4 (Dec., 1984), pp. 679-680

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