| Joshua Kosman | |
| Birth Date: | 27 October 1959 |
| Birth Place: | Boston, Massachusetts |
| Alma Mater: | |
| Credits: | |
Joshua Kosman (born October 27, 1959) is an American music critic who specializes in classical music. Kosman was the chief classical music critic of the San Francisco Chronicle from 1988 to 2024, with a particular interest in contemporary classical music, championing composers such as John Adams and Aaron Jay Kernis. Described by the music critic Jayson Greene as having a "congenial, probing tone that blends a reporter’s instincts with a critic’s acumen," he has written for a variety of other publications.[1]
Joshua Kosman was born in Boston, Massachusetts on October 27, 1959. He attended Yale College, receiving a Bachelor of Arts, and the University of California, Berkeley for a Master of Arts.[1]
Since 1988, Kosman has been a music critic of the San Francisco Chronicle.[1] He was hand-picked in 1993 by the music critic Robert Commanday to succeed him as chief classical music critic for the Chronicle.[2] He frequently writes on contemporary classical music, promoting composers such as John Adams, Aaron Jay Kernis, Michael Gordon, Chen Yi, and Lisa Bielawa. Other topics Kosman engages with include "orchestral management" and the pianist David Helfgott, who came into the spotlight after the movie 1996 Shine.[1] The music critic Jayson Greene described Kosman as having a "congenial, probing tone that blends a reporter’s instincts with a critic’s acumen."[1] Kosman retired from the Chronicle in late April 2024; writer Andrew Gilbert described him as "an essential component of the Bay Area’s arts ecosystem, providing pithy and cogent criticism and a form of institutional memory that can’t be replaced."[3] According to Kosman, “It’s been made pretty clear that there won’t be somebody hired who will [replace me as the new] classical music critic."[3]
His writing credits span numerous other publications, including Bookforum, Gramophone, The Journal of Musicology, Opernwelt, Piano & Keyboard, Symphony, as well as The New Grove Dictionary of Music and Musicians and New Grove Dictionary of Opera.[1] Kosman won awards from the Society of Professional Journalists, the San Francisco Peninsula Press Club,[4] and ASCAP, who gave him the 2006 Deems Taylor Award for music criticism.[1] He is a former vice president of the Music Critics Association of North America.[4] He maintains a classical music blog, On a Pacific Aisle.[1]
Outside of music, Kosman makes weekly cryptic crosswords for The Nation.[4]