Joseph Badger Explained

Joseph Badger (c. 1707–1765) was a portrait artist in Boston, Massachusetts, in the 18th century. He was born in Charlestown, Massachusetts, to tailor Stephen Badger and Mercy Kettell. He "began his career as a house-painter and glazier, and ... throughout his life continued this work, besides painting signs, hatchments and other heraldic devices, in order to eke out a livelihood when orders for portraits slackened."[1] In 1731 he married Katharine Felch; they moved to Boston around 1733. He was a member of the Brattle Street Church. He died in Boston on May 11, 1765, when "on Saturday last one Mr. Badger, of this Town, Painter, was taken with an Apoplectic Fit as he was walking in his Garden, and expired in a few Minutes after."[2] Works by Badger are in the collections of the Worcester Art Museum, the Museum of Fine Arts Boston, and Historic New England's Phillips House, Salem, Mass. While respected in his own time, subsequent scholars and connoisseurs largely overlooked Badger's significance until Lawrence Park wrote a book about him in 1918.[3]

Portrait subjects

Further reading

External links

Notes and References

  1. Lawrence Park. Joseph Badger (1708-1765): and a descriptive list of some of his works. 1918
  2. https://www.masshist.org/dorr/volume/1/sequence/87 Boston Evening Post, 05-13-1765; p.3.
  3. Book: Meschutt, David . Park, Lawrence (1873-1924), art historian . July 2004 . Oxford University Press . New York . en . 10.1093/anb/9780198606697.article.1401139. 978-0-19-860669-7 .
  4. http://www.yale.edu/opa/arc-ybc/v32.n5/story14.html Yale Bulletin
  5. http://collections.si.edu Smithsonian
  6. http://www.worcesterart.org/Collection/Early_American/ Worcester Art Museum
  7. Joseph Badger and His Work, Proceedings of the Massachusetts Historical Society, Volume 51, Massachusetts Historical Society, Published by the Society, Boston, Massachusetts, 1918
  8. In the portrait of Rebecca Orne as a child in the Worcester Art Museum, the sitter holds a squirrel. Badger incorporated an emblematic squirrel into some of his portraits; he "would seem to have the claim to primacy" of what later became a hot trend in colonial portraiture, common in the work of his contemporary John Singleton Copley. Cf. Roland E. Fleischer. Emblems and Colonial American Painting. American Art Journal, Vol. 20, No. 3 (1988); p.26
  9. Susan Rather. Carpenter, Tailor, Shoemaker, Artist: Copley and Portrait Painting around 1770. Art Bulletin, v.79, No. 2, June 1997; p.288
  10. Museum of Fine Arts, Boston
  11. Web site: Smith-Townsend Family Papers and Papers II . Massachusetts Historical Society .
  12. Portrait of Whitefield, ca. 1750, attributed to Joseph Badger. Harvard University Portrait Collection.