| Josef Venantius von Wöss | |
| Image Upright: | 0.9 |
| Birth Date: | 13 June 1863 |
| Birth Place: | Cattaro, Kingdom of Dalmatia |
| Death Place: | Vienna |
| Other Names: | Josef Venantius von Wöß |
Josef Venantius von Wöss (13 June 1863 – 22 October 1943) was a Viennese church musician, composer, teacher of harmony and music publishing lector. He is known for piano transcriptions of large-scale works by Gustav Mahler for Universal Edition.
Wöss was born in Cattaro, Kingdom of Dalmatia (now Montenegro), the son of an Austrian army captain (Hauptmann). The family moved to Vienna in 1866, where he received his first piano instruction from his mother and his uncle, Richard Löffler. He studied music from 1880 at the Konservatorium der Gesellschaft der Musikfreunde with Franz Krenn. From 1882, he worked as choral conductor of several men's choruses. He was a music teacher at the Militär-Oberrealschule in Mährisch Weißkirchen from 1886 to 1889. He then worked in Vienna as Korrektor for the Notenstecherei Waldheim-Eberle, a music publisher, until 1907. He also taught harmony at the Kirchenmusik-Vereinsschule of the Votivkirche in 1892 and 1893.
Wöss worked for Universal Edition in Vienna from 1908 to 1931, where he focused on piano reductions and arrangements. These included Mahler's symphonies with vocal parts (3, 4 and 8), Das klagende Lied and Das Lied von der Erde. For the latter, he also wrote a thematic analysis, including complete referencing of the texts. He also worked on publications of works by Anton Bruckner and Richard Wagner. He was church musician at the and the in Hernals, and as music teacher. In the 1899/1900 season, he conducted a concert of the Wiener Singakademie. He was also reporter for the trade journal Musica divina, and a member of the society Denkmäler der Tonkunst in Österreich. He was awarded the title professor in 1926.
Wöss died in Vienna at age 80, and was buried in the Hernalser Friedhof where he was granted a grave of honour.
Wöss composed mainly sacred music and chamber music. His sacred music followed the ideas of the Cecilian Movement.
Choral sacred compositions by Wöss include:
Two of his hymn melodies, both to texts by Guido Maria Dreves, are contained in the German Catholic hymnal Gotteslob: "Gelobt seist du, Herr Jesu Christ" (GL 375) and "Ein Danklied sei dem Herrn" (GL 382).
Wöss published many piano arrangements for Universal Editions, including: