| John Joubert | |
| Birth Date: | 20 March 1927 |
| Birth Place: | Cape Town, Cape Province, Union of South Africa |
| Nationality: | British |
John Pierre Herman Joubert (;[1] [2] 20 March 1927 – 7 January 2019) was a British composer of South African birth, particularly of choral works. He lived in Moseley, a suburb of Birmingham, England, for over 50 years.[3] [4] A music academic in the universities of Hull and Birmingham for 36 years, Joubert took early retirement in 1986 to concentrate on composing and remained active into his eighties. Though perhaps best known for his choral music, particularly the carols Torches and There is No Rose of Such Virtue and the anthem O Lorde, the Maker of Al Thing, Joubert composed over 160 works including three symphonies, four concertos and seven operas.
Joubert was born on 20 March 1927 in Cape Town, South Africa.[5] His ancestors on his father's side were Huguenots, French Protestants from Provence who settled at the Cape in 1688. His mother's ancestry was Dutch.[6] Joubert was educated at Diocesan College in Rondebosch, South Africa, which was founded by the Anglican Church and maintained a high standard of music-making. He originally hoped to become a painter, and did a fair amount of art at school. However, at about the age of 15 years, he gradually became interested in music, though as a composer rather than a performer. "It was always going to be something creative. Oddly enough, the visual arts haven't been as great a stimulus as literature. I was also interested in writing. In fact, I was bored by everything at school except writing, art and music!"[3] In school, he came under the guidance of the musical director Claude Brown, whose teaching he regarded as "an indispensable foundation to my subsequent musical career". According to Joubert, "[t]hrough Brown, I learned all the Elgar choral works even before I heard them properly in full orchestral performance. Not only that idiom, but the idiom of Anglican church music generally. Parry and Stanford, and all the usual blokes."[3] Through his teacher's encouragement, Joubert was able to participate in choral performances with the Cape Town Municipal Orchestra under William J. Pickerill, and subsequently to hear his works featured in performance.
After graduating from the South African College of Music in 1944 he began studying musical composition privately with William Henry Bell, an Englishman well known locally as a composer of distinction. Bell exerted the greatest influence on his composition. In 1946 he was awarded a Performing Right Society Scholarship in composition at the Royal Academy of Music in London. Here, his principal teachers were Theodore Holland, Howard Ferguson and Alan Bush. During his four years at the Academy he won a number of prizes for composition, notably the Frederick Corder prize and the 1949 Royal Philharmonic Society prize.[7] [8]
In 1950 Joubert was appointed to a lectureship in music at the University of Hull,[9] having graduated in the same year with a Bachelor of Music (B.Mus.) degree from the University of Durham. His works soon began to be performed and to attract favourable attention. His carol Torches (Op. 7a, 1951) (written for his wife Mary's pupils and based on a Galician (Eastern Europe) carol, it was published in 1961 in the first volume of Carols for Choirs) and the anthem O Lorde, the Maker of Al Thing (Op. 7b, 1952) (which won the 1952 Novello Anthem Competition), achieved almost instant popularity. Concerning Torches, Joubert recalled, "I've even had carol-singers come to the door and singing it, without knowing the composer lives inside."[3] Together with the carol There is No Rose of Such Virtue (Op. 14, 1954), the three choral works have become classics of the Anglican repertoire. Works in other genres followed, mostly as the result of commissions from institutions such as the City of Birmingham Symphony Orchestra, the Birmingham Festival Choral Society (named for the Birmingham Triennial Festival,[10] the Royal Philharmonic Society and the BBC, and from musical festivals such as the Three Choirs Festival. By the end of his 12 years at Hull Joubert had composed, in addition to choral music, his Violin concerto (Op. 13, 1954), Symphony No. 1 (Op. 20, 1955), piano concerto (Op. 25, 1958), the full-length opera Silas Marner (Op. 31, 1961) (after the novel by George Eliot), and a body of chamber music including String quartet No. 1 in A-Flat (Op. 1, 1950), a string trio (Op. 30, 1958) and an Octet (Op. 33, 1961).
Joubert moved to Moseley, Birmingham, in 1962 to take up a Senior Lectureship at the University of Birmingham; he was later made Reader in Music. In 1979 he was a visiting professor at the University of Otago in New Zealand.[11] The number and scope of his works increased, and among those composed during the following decades were two further full-length operas, Under Western Eyes (Op. 51, 1968) and Jane Eyre (Op. 134) (based on the novels by Joseph Conrad and Charlotte Brontë respectively), Symphony No. 2 (Op. 68, 1970), various large-scale choral works with orchestras including the oratorio The Raising of Lazarus (Op. 67, 1970) and Herefordshire Canticles (Op. 93, 1979), a second and third piano sonata (Op. 71, 1972; Op. 157), a second and third string quartet (Op. 91, 1977; Op. 112, 1986), song cycles with piano and/or instrumental ensembles, and accompanied and unaccompanied smaller-scale choral music. On the wide scope of his work, Joubert has commented: "I've never really wanted to be pigeonholed as a composer. I've always wanted to write anything that I was either asked to, or wanted to write. I've never wanted to specialise, although I have to a certain extent been pigeonholed already. I'd rather not be looked upon as sort of limited in that way."[3]
In 1986 Joubert took early retirement from the University to concentrate on composition, although he maintained his ties by becoming an Honorary Senior Research Fellow there in 1997. He was conferred an Honorary Doctorate of Music (D.Mus.) by the University of Durham in 1991,[6] [8] and received another from the University of Birmingham on 18 July 2007.[12] He was Composer in Residence at the Peterborough Cathedral Festival in 1990 (which also commissioned his Six Short Preludes on English Hymn Tunes, for chamber organ (Op. 125, 1990), and at the Presteigne Festival in 1997,[11] and served as the chairman of the Birmingham Chamber Music Society for 25 years.[3]
Joubert remained active as a composer. 2007 was the year of his 80th birthday, and was celebrated with a series of concerts, the "Joubertiade 2007",[13] throughout the United Kingdom. These included world premières of the complete version of the oratorio Wings of Faith (Op. 143, 2000, 2003) which was performed by the Ex Cathedra choir, soloists and Academy of Vocal Music, and the City of Birmingham Symphony Orchestra, under the baton of Jeffrey Skidmore on 22 March 2007 at The Oratory, Birmingham; and a new Oboe Concerto performed by oboist Adrian Wilson and the Orchestra of the Swan conducted by David Curtis on 12 July 2007 at Lichfield Cathedral. The celebrations culminated in the world première of Five Songs of Incarnation (Op. 163, 2007) for tenor and choir which was commissioned through Joubertiade 2007 and performed on 24 November 2007 at St. Philip's Cathedral, Birmingham.[14] In the same year, Lyrita released a celebratory CD of a recording (originally taped in 1994) of Joubert's Symphony No. 1 played by the London Philharmonic Orchestra under Vernon Handley.[15]
Joubert and his wife Mary, a pianist,[16] had a daughter Anna, who is a cellist,[3] and a son Pierre, a violinist.[16] He had four grandchildren: Matthew, John, Naomi and Alexander.[17] He died on 7 January 2019, aged 91.[18] Both Birmingham Bach Choir and Ex Cathedra sang at his funeral.[19]
Joubert composed over 180 works including three symphonies; violin, piano, cello, oboe and bassoon concertos; and seven operas. He had a major choral output including Christmas carols. Some of his major works are listed below; a fuller list may be viewed on his website.