| Grant Williams | |||||||||||
| Birth Name: | John Joseph Williams | ||||||||||
| Birth Date: | August 18, 1931 | ||||||||||
| Birth Place: | New York City, U.S. | ||||||||||
| Death Place: | Los Angeles, California, U.S. | ||||||||||
| Resting Place: | Los Angeles National Cemetery | ||||||||||
| Occupation: | Actor | ||||||||||
| Years Active: | 1953 - 1976 | ||||||||||
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Grant Williams (born John Joseph Williams;[1] August 18, 1931 - July 28, 1985) was an American film, theater, and television actor. He is best remembered for his portrayal of Scott Carey in the science fiction film The Incredible Shrinking Man (1957), and for his starring role as Greg MacKenzie on Hawaiian Eye from 1960 through 1963.
Williams told United Press correspondent Ron Burton: "I've actually been a professional actor since the age of 12".[2]
After graduating from high school, he enlisted in the United States Air Force, serving from September 1948 to September 1952, before and during the Korean War.[3] He was discharged as an Air Force staff sergeant He went on to obtain a degree in journalism, from New York University according to a Dallas Morning News profile in March 1957.[4] He earned the degree from a correspondence school according to a 1959 article.[5]
After his Air Force service, he studied under Lee Strasberg.
During auditions held at the Town Hall Club in New York City in May 1953, Williams was selected for a summer scholarship at the Barter Theatre by Rosalind Russell.[6] The "Barter Colony" at Abingdon, Virginia, is a unique training ground for actors, providing instruction in all forms of stagecraft. It was a popular choice for many recently discharged veterans, such as John Vivyan and Ernest Borgnine, who found the communal lifestyle a comfortable buffer before rejoining the civilian world. Williams spent the entire summer of 1953 there, performing in plays (see Stage performances) that on occasion starred an established professional. According to contemporaneous Barter publicity, he had at least five previous stage credits in Golden Boy, Angel Street, The Heiress, All My Sons, and The Glass Menagerie, but for which the roles and venues are not known.[7]
Following his summer at Barter, Williams next performed in the Off-Broadway[8] Blackfriars Guild Theatre. Late Arrival was staged in October 1953, wherein Williams played a suitor to the young female lead. Though he had used "Grant Williams" all throughout his Barter tenure, he was now billed as "John J. Williams".[9] He returned to using "Grant Williams" as the lead for a summer stock production of Rope during July 1954.[10]
Following small roles on television, Williams was spotted by a talent scout on Kraft Television Theater in 1954. He signed with Universal Pictures (U-I) in March 1955.[11] They assigned him to Away All Boats during May 1955.[12] Pleased with his work on that picture, U-I gave him a role as a "heavy" in Decision at Durango, later renamed Red Sundown, during July 1955.[13] U-I then gave Williams a new contract in August,[14] and by September 1955 he was working on Gun Shy, later released as Showdown at Abilene.[15] His next film was the noir thriller Outside the Law (1956), followed by some small uncredited roles, and by the CinemaScope romantic comedy Four Girls in Town (1957).[16]
Williams starred as Scott Carey in his seventh film, the Hugo Award-winning science fiction film The Incredible Shrinking Man (1957), with Randy Stuart playing his wife, Louise. Despite good reviews and the success of the film, his career continued with only lackluster roles. Universal Pictures dropped his contract in 1959,[17] and he signed in 1960 with Warner Brothers, where he had a continuing role as the private detective Greg McKenzie on Hawaiian Eye, co-starring Robert Conrad, Anthony Eisley, and Connie Stevens.
Several film and television roles followed. In 1959 Williams played Col. Geo. Custer on the show Yancy Derringer, later that year he played a killer cowboy named "Joe Plummer" on the TV Western Gunsmoke, and the role of the psychopathic killer in Robert Bloch's The Couch (1962), but fame still eluded him. He made two guest appearances on Perry Mason, in 1964 as columnist and murderer Quincy Davis in "The Case of the Ruinous Road,"[18] and as defendant Dr. Todd Meade in the 1965 episode "The Case of the Baffling Bug."[19]
He starred as troubled military psychologist Major Douglas McKinnon in The Outer Limits episode "The Brain of Colonel Barham" along with former Hawaiian Eye co-star Anthony Eisley. Also in 1965, Williams played the title character (Albert "Patch" Saunders) in the Bonanza episode "Patchwork Man," as well as the 1960 episode "Escape to Ponderosa."
Williams attempted a comedic role on the radio airwaves in the anthology program Family Theater (September 11, 1957, the show's last episode), and there was some light-heartedness to his delightful role as Mike Carter in the half-hour episode "Millionaire Gilbert Burton" (April 29, 1959) of the series The Millionaire. As his acting career declined, he opened a drama school in West Hollywood.[20] Williams continued to act occasionally in both movies and television, but without much conviction and in inferior products. His last released film appearance was in Doomsday Machine (1972); however, as it was actually shot in 1967, Brain of Blood (1972) was his last acting work for the screen. His last TV appearance was in 1983 on the game show Family Feud along with other former cast members from Hawaiian Eye, who played against, and lost to the former cast members from the television series Lost In Space.[21]
Filmmaker Jack Arnold, who directed Willams in three pictures, remarked on the trajectory of the actor's career:
At the time of his death in 1985 he was operating an acting school in Los Angeles.
Williams died on July 28, 1985, aged 53, at the Los Angeles Veterans Administration Hospital, where he had been receiving treatment for blood poisoning.[22] He was interred in Los Angeles National Cemetery. He was survived by his brother, Robert.[23]
Listed by year of first performance
| Year | Play | Role | Venue | Notes |
|---|---|---|---|---|
| 1953 | A Streetcar Named Desire | A Young Collector | Barter Theatre | Williams' debut at the Barter, in a minor role that emphasised his youthful appearance, didn't even draw a mention from the reviewer[24] |
| Ten Little Indians | Anthony Marston | Barter Theatre | The reviewer noticed Williams this time, wishing he hadn't to disappear so quickly.[25] | |
| Street Scene | Daniel Buchanen | Barter Theatre | Williams shared a group "very honorable mention" [26] | |
| Born Yesterday | Paul Verrall | Barter Theatre | A critic said Williams' first leading role at Barter was "effective" but lacked "vocal warmth" for romance.[27] | |
| Family Portrait | Joseph | Barter Theatre | Judith Anderson reprised her Broadway role as Mary[28] | |
| The 13 Clocks | Tosspot | Barter Theatre | Eric Blore as the Tale-Teller was the big draw; the first Williams' interpretation of an inebriate.[29] | |
| The Two Gentlemen of Verona | Proteus | Barter Theatre | Williams' final Barter appearance was the first US production of this play since 1899.[30] | |
| Late Arrival | Jimmy | Blackfriars Theatre | Williams was credited as one of the "more effective" performers[31] | |
| 1954 | Rope | Wyndham Brandon | Hampton Theatre[32] | Williams starred in this thriller |