| John Carey | |
| Birth Date: | 1934 4, df=yes |
| Birth Place: | Barnes, London |
| Occupation: | Literary critic |
| Language: | English |
| Nationality: | British |
| Alma Mater: | St John's College, Oxford |
| Notableworks: | What Good are the Arts? |
| Spouse: | Gill (1960–present) |
| Children: | Leo & Thomas |
John Carey, (born 5 April 1934) is a British literary critic, and post-retirement (2002) emeritus Merton Professor of English Literature at the University of Oxford. He is known for his anti-elitist views on high culture, as expounded in several books. He has twice chaired the Booker Prize committee, in 1982 and 2003, and chaired the judging panel for the first Man Booker International Prize in 2005.
He was born in Barnes, London, and educated at Richmond and East Sheen Boys' Grammar School, winning an Open Scholarship to St John's College, Oxford. He has held posts in a number of Oxford colleges, and is an emeritus fellow of Merton, where he became a professor in 1975, retiring in 2002.[1]
Carey's scholarly work is generally agreed to be of the highest order and greatly influential. Among these productions is his co-edition, with Alastair Fowler, of the Poems of John Milton (Longman, 1968; revised 1980; 2nd ed. 2006); John Donne: Life, Mind, and Art (Faber and Faber, 1981; revised 1990), a revolutionary study of Donne's work in the light of his life and family history; and The Violent Effigy: A Study of Dickens's Imagination (1973; 2nd ed. 1991).
He has twice chaired the Booker Prize committee, in 1982 and 2004, and chaired the judging panel for the first Man Booker International Prize in 2005. Since 1977, he has been the chief book reviewer for the London Sunday Times and appears in radio and TV programmes including Saturday Review and Newsnight Review.
He is known for his anti-elitist views on high culture, as expressed for example in his book What Good Are the Arts? (2005). Carey's 1992 book The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia, 1880–1939 was a critique of Modernist writers (particularly T. S. Eliot, Virginia Woolf, W. B. Yeats, D. H. Lawrence and H. G. Wells) for what Carey argues were their elitist and misanthropic views of mass society; in their place he called for a reappraisal of Arnold Bennett, 'the hero of this book', whose 'writings represent a systematic dismemberment of the intellectuals' case against the masses'.[2] In his review of the book Geoff Dyer wrote that Carey picked out negative quotations from his subjects, while Stefan Collini responded that disdain for mass culture among some Modernist writers was already well-known among literary historians.[3]
In 2014, he published a memoir The Unexpected Professor. It comprised distinct parts; childhood in wartime and the era of rationing, schooling, national service in the army; the academic career and scholarly study; his later period of book reviewing and literary journalism.
The early career described his first encounters with poetry, among them Milton, Jonson, Donne, Browning. The book contained crisp critical summaries of prose writers, among them Thackeray, Lawrence and Orwell. [4]
Carey was born in April 1934 in Barnes, then on the Surrey/London border, the youngest of their four recorded children, to Charles W. Carey and Winifred E. Carey, née Cook.[5] He was for decades a beekeeper.
A Critical Anthology (1969) editor
Prodigal Genius (1977) republished in Faber Finds (2008)
Life, Mind and Art (1981) new revised edition (1990) republished in Faber Finds (2008)
. English Pasts: Essays in History and Culture . Oxford University Press . 1999 . 0-19-158890-3 . Oxford . 298–303 . With Friends Like These: John Carey and Noel Annan . registration . Stefan Collini.