Simon Mayr Explained

Johann Simon Mayr
Birth Name:Johann(es) Simon Mayr
Birth Date:June 14, 1763
Birth Place:Mendorf, Bavaria, Germany
Death Place:Bergamo, Italy
Nationality:German
Occupation:Composer

Johann(es) Simon Mayr (also spelled Majer, Mayer, Maier), also known in Italian as Giovanni Simone Mayr or Simone Mayr (14 June 1763  - 2 December 1845), was a German composer. His music reflects the transition from the Classical to the Romantic musical era. In 1805 he founded the Bergamo Conservatory. He was an early inspiration to Rossini and taught and advocated for Donizetti.

Life

He was born in Mendorf near Altmannstein, Landkreis Eichstätt, Bavaria, and studied theology at the University of Ingolstadt, continuing his studies in Italy from 1787. He was closely associated with the Illuminati of Adam Weishaupt while a student in Ingolstadt, and the ideals of the French Enlightenment were a strong influence on his philosophy as a musician as corroborated by his famed Zibaldone or "Notebooks" compiled toward the end of his career.

Shortly thereafter, he took music lessons with Carlo Lenzi, and later with Ferdinando Bertoni. He moved to Bergamo in 1802 and was appointed maestro di cappella at the Cathedral of Bergamo, succeeding his old teacher Lenzi. He held the post until his death, and became a central figure in the city's musical life, organizing concerts and introducing Ludwig van Beethoven's music there. In 1805 he founded the Bergamo Conservatory; then known as the Lezioni Caritatevoli di Musica.[1] One of his pupils at the conservatory was Gaetano Donizetti. By the end of his life, he was blind. He died in Bergamo and is buried in the Basilica di Santa Maria Maggiore there, just in front of the tomb of his famous pupil.

Mayr's works, among which there are almost seventy operas, are rarely performed today.

Works

See List of compositions by Simon Mayr and List of operas by Simon Mayr

Recordings

References

Sources

Film

External links

Notes and References

  1. Encyclopedia: Jerome Roche, revised by Rodobaldo Tibaldi. 2002 . Bergamo . Grove Music Online. Oxford University Press . 10.1093/gmo/9781561592630.article.02774.