| Johan Sebastiaan Ploem | |
| Birth Date: | 25 August 1927 |
| Birth Place: | Sumatra, Indonesia |
| Nationality: | Dutch |
| Field: | Advanced microscopy; molecular diagnostics; Digital painting |
| Work Institutions: | University of Miami |
| Thesis Title: | Enkele methoden voor toxiciteitsonderzoek met behulp van weefselkweekcellen |
| Thesis Url: | https://www.worldcat.org/title/898812117 |
| Thesis Year: | 1967 |
| Doctoral Advisor: | Jos van der Meer |
| Known For: | Inventor of reflection contrast microscopy, inventor of epi-illumination cube for fluorescence microscopy |
Johan Sebastiaan Ploem (born 25 August 1927) is a Dutch microscopist and digital artist. He made significant contribution to the field of fluorescence microscopy, and invented reflection interference contrast microscopy.[1] [2] [3]
Ploem was born on 25 August 1927 in Sawahlunto in West Sumatra,[4] then part of the Dutch East Indies. At 2 years old his family moved to the Netherlands, where he remained the rest of his youth.
Ploem received an MD at University of Utrecht in 1962. He also worked as an intern in the Broussais Hospital in Paris with Louis Pasteur Vallery-Radot. In 1963, Ploem was elected a Fulbright Fellow for study at the Harvard University School of Public Health, where he received a MPH Cum Laude in 1964. He obtained a Ph.D. degree in 1967 from the University of Amsterdam, titled Enkele methoden voor toxiciteitsonderzoek met behulp van weefselkweekcellen.[5]
Ploem has been employed by a number of academic institutions, including the University of Miami, Harvard University, the University of Amsterdam and the University of Leiden. At Leiden he served as a professor at the Faculty of Medicine in the Department of Cytochemistry and Cytometry from 1980 to 1992, after which he became a Professor Emeritus there. Ploem has also served as visiting lecturer or professor at various universities, including University of Dundee, University of Florida, Monash University, University of Beijing and Free University of Brussels.
Ploem is most well known for inventing the epi-illumination cube used in fluorescence microscopy.[6]
Around 1962 Ploem started work in collaboration with Schott on the development of dichroic beam splitters for reflection of blue and green light for fluorescence microscopy using epi illumination. At the time of his first publication[7] on fluorescence microscopy using epi illumination with narrow-band blue and green light, he was not aware of the development of a dichroic beam splitter for UV excitation with incident light by Brumberg and Krylova.
Ploem's prototype fluorescence epi-illuminators and microscopes form a part of the permanent exposition of the Dutch National Museum for the history of Science and Medicine.[8]
See main article: Interference reflection microscopy. In 1973, at the Second Conference on Mononuclear Phagocytes held in Leiden, Ploem introduced an improvement to Interference Reflection Microscopy (IRM), which he called Reflection Contrast Microscopy (RCM). He also wrote a book chapter in the associated conference proceeding edited by Ralph van Furth.[9] The improvement is the addition of crossed polarizers and a so-called "anti-flex objective", the combination of which further reduces stray light in an IRM microscope, allowing even better interference contrast.[10] RCM is more commonly known as Reflection Contrast Interference Microscopy (RICM) today.[11] [12]
Various awards and honors have been bestowed on Ploem:
Ploem started painting as a small boy and was educated in drawing and painting in Maastricht, the Netherlands. While still at secondary school he attended an evening course in drawing and painting at the Kunstnijverheidsschool Maastricht. Ploem's presence in Paris was important for his knowledge and interest in art since he could regularly visit his cousins in Paris, the painter Frits Klein and his son Yves Klein. He visited the Kleins when Yves was making his first monochromes.
In the last years of his activities at the faculty of medicine at Leiden University, he concentrated on research in image analysis. He was asked to participate in a European project with the aim of automating cancer cell recognition using computer analysis. It concerned a collaborative project with the German optical company Leitz/Leica Microsystems, and the Institute for Mathematical Morphology in Fontainebleau, France. Together with a team, Professor Jean Serra at this institute had developed an image analysis method, now internationally known as mathematical morphology. With his experience as an analogue painter, Ploem saw the possibility of also applying the methods of mathematical morphology to the creation of digital art.
At the International Symposium on Mathematical Morphology in Amsterdam (1998), Ploem presented a paper on the creation of computer graphics with Mathematical Morphology, using for the first time, the transforming algorithms from the Fontainebleau group for the creation of digital art. He wrote about it in the chapter of a book published on that occasion.[14]
His first digital graphics of nature scenes were shown in his exposition at a regional art centre in the Pyrenees (Ossega, June 1997).
He was invited for a symposium on Art et Science at the University of Caen, France (April 2001). At the art exposition connected with this symposium, he presented 6 digital graphics that were dominated by chaotic transformations of rock art themes. A similar invitation was made by the University of Basel in Switzerland (April 2002).