Joe Cardarelli Explained

Joe Cardarelli (1944–1994) was a poet, painter, graduate of the Johns Hopkins Writing Seminars, and teacher of writing at the Maryland Institute College of Art for 27 years. Cardarelli pushed generations of MICA artists to incorporate writing into their creative repertoire, and regularly collaborated with his faculty colleagues on projects and performances. He is noted for establishing poetry series such as the Black Mountain poets, St. Valentine’s Day Poetry Marathon, and the Spectrum of Poetic Fire at MICA. In its 25th year, the Spectrum of Poetic Fire reading series still brings quality poets to MICA’s campus for readings during the academic year.

In his “Black Mountain Poets” series in 1983/84 he gathered material for a documentary video, Black Mountain Revisited — a historically invaluable collage of interviews and readings given by Robert Duncan, Robert Creeley, Edward Dorn, Joel Oppenheimer, and Jonathan Williams — in the case of Duncan and Oppenheimer, some of their last readings on record. Over the years, Allen Ginsberg, Amiri Baraka, Ted Berrigan, Alice Notley, Anne Waldman, Maureen Owen, Ed Sanders, and many other representative writers of The New American Poetry were frequent visitors to the Institute — thanks to Joe Cardarelli.

Known as the “Godfather of Baltimore Poetry,” he died at the age of 50 in 1994.

A poem that Joe contributed to Andrei Codrescu’s and Laura Rosenthal’s anthology American Poets Say Goodbye to the Twentieth Century (New York, 4 Walls 8 Windows, 1996) ends with the following lines:

It’s too bad sometimes I thinktoo bad we can’t see the airtoo bad the air’s invisibletoo bad the air’s not clearly theresay as it is with just a little smokewe’d find ourselves new eyestaken up by the shapes of air tidesthe multi-layered, striated, tunneledtwisted rolling wave shapedmoving patterns the air makesno more or less substantialthan one hundred or thousand years.

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