| Joachim of Fiore | |
| Birth Date: | 1135 |
| Birth Place: | Celico, Calabria, Kingdom of Sicily |
| Death Date: | 1202 |
| Era: | Medieval philosophy |
| Notable Ideas: | Premillennialism Three Eras |
| School Tradition: | Joachimitism Historicism |
| Region: | Western philosophy |
Joachim of Fiore, also known as Joachim of Flora (Italian: Gioacchino da Fiore; Latin: Ioachim Florensis; 1135 – 30 March 1202), was an Italian Christian theologian, Catholic abbot, and the founder of the monastic order of San Giovanni in Fiore.[1] According to theologian Bernard McGinn, "Joachim of Fiore is the most important apocalyptic thinker of the whole medieval period."[2] The Divine Comedy of Dante Alighieri is one of the most famous works possibly inspired by his ideas.Later followers, inspired by his works in Christian eschatology and historicist theories, are called Joachimites.On June 27, 2024[3], Pope Francis, in his message for the World Day of Creation, quoted Joachim of Fiore as saying that he "Joachim was able to propose the ideal of a new spirit" [4] and thus marks a turning point in history, as this had never happened before in more than eight centuries since the death of the Florensis monk.
Born in the small village of Celico near Cosenza, in Calabria[1] (at the time part of the Kingdom of Sicily), Joachim was the son of Mauro de Celico, a well-placed notary, and Gemma, his wife. He was educated at Cosenza, where he became first a clerk in the courts, and then a notary himself. In 1166–1167 he worked for Stephen du Perche, archbishop of Palermo (c. 1167–1168) and counsellor of Margaret of Navarre, regent for the young William II of Sicily.
About 1159 he went on pilgrimage to the Holy Land, where he experienced a spiritual crisis and conversion in Jerusalem that turned him away from worldly life. When he returned, he lived as a hermit for several years, wandering and preaching before joining the Cistercian abbey of Sambucina near Luzzi in Calabria, as a lay brother without taking the religious habit. There he devoted his time to lay preaching. With the ecclesiastical authorities raising objections to his mode of life, Joachim joined the monks of the Abbey of Corazzo, and was ordained a priest, apparently in 1168. He applied himself entirely to Biblical study, with a special view to uncovering the arcane meanings he thought were concealed in the Scriptures, especially in the apostle John's Revelation. To his dismay, the monks of Corazzo proclaimed him their abbot (c. 1177). He then attempted to join the monastery to the Cistercian Order, but was refused because of the community's poverty. In the winter of 1178, he appealed in person to William II, who granted the monks some lands.
In 1182 Joachim appealed to Pope Lucius III, who relieved him of the temporal care of his abbey, and warmly approved of his work, bidding him to continue it in whatever monastery he thought best. Joachim spent the following year and a half at the Cistercian Abbey of Casamari,[1] where he engaged in writing his three great books. There the young monk, Lucas (afterwards Archbishop of Cosenza), who acted as his secretary, was amazed to see so famous and eloquent a man wearing such rags, and the wonderful devotion with which he preached and said Mass.
In 1184 he was in Rome, interpreting an obscure prophecy found among the papers of Cardinal Matthew of Angers, and was encouraged by Pope Lucius III. Succeeding popes confirmed the papal approbation, though his manuscripts had not begun to circulate. Joachim retired first to the hermitage of Pietralata, writing all the while, and then founded the Abbey of Fiore (Flora) in the mountains of Calabria. He refused the request of King Tancred of Sicily (r. 1189–1194) to move his new religious foundation to the existing Cistercian monastery of Santa Maria della Matina.
On Good Friday in 1196, Empress Constance, also Queen of Sicily, summoned Joachim of Fiore to Palermo to hear her confession in the Palatine Chapel. Initially, the empress sat on a raised chair, but when Joachim told her that as they were at the places of Christ and Mary Magdalene, she needed to lower herself, she sat on the ground.[5]
Fiore became the centre of a new and stricter branch of the Cistercian order, approved by Celestine III in 1198.
In 1200 Joachim publicly submitted all his writings to the examination of Innocent III,[1] but died in 1202 before any judgment was passed. The holiness of his life was widely known: Dante affirmed that miracles were said to have been wrought at his tomb,[6] and, though never officially beatified, he is still venerated as a beatus on May 29.
He theorized the dawn of a new age, based on his interpretation of verses in the Book of Revelation, in which the Church would be unnecessary and in which infidels would unite with Christians. Members of the spiritual wing of the Franciscan order acclaimed him as a prophet, however, Joachim denied being a prophet himself.[7] His popularity was enormous in the period. Richard the Lionheart met with him in Messina before leaving for the Third Crusade of 1189–1192 to ask for his prophetic advice.[2] His famous Trinitarian "IEUE" interlaced-circles diagram was influenced by the different 3-circles Tetragrammaton-Trinity diagram of Petrus Alphonsi, and in turn led to the use of the Borromean rings as a symbol of the Christian Trinity (and possibly also influenced the development of the Shield of the Trinity diagram).[8]
See main article: Three Eras. The mystical basis of his teaching is his doctrine of the "eternal gospel", founded on an interpretation of Revelation 14:6 (Rev 14:6, "Then I saw another angel flying in midheaven, with an eternal gospel to proclaim to those who live on the earth—to every nation and tribe and language and people." NRSV translation.).
His theories can be considered millenarian; he believed that history, by analogy with the Trinity, was divided into three fundamental epochs:
Joachim's idea of the Age of the Holy Spirit would also later greatly influence the Cult of the Holy Spirit which would in later centuries have a considerable impact in Portugal and its colonies, and would suffer severe persecution by the Portuguese Inquisition.
According to Joachim, only in this third age will it be possible to truly understand the words of God in their deepest meanings, and not merely literally. In this period, instead of the parousia (second Advent of Christ), a new epoch of peace and concord would begin; also, a new religious "order" of spiritual men would arise, thus making the present hierarchy of the Church almost unnecessary.
Joachim distinguished between the "reign of justice" or "of law" in an imperfect society, and the "reign of freedom" in a perfect society.[11]
Joachim saw that a pope will be the Antichrist and that Rome represents Babylon.[12]
See main article: Joachimites. Joachim's theories were disputed by Thomas Aquinas in his Summa Theologica (written 1265–1274). In contrast, Dante Alighieri situated Joachim in the Paradiso of his Divine Comedy (composed c. 1320). Among the Spirituals, the stricter branch of the Franciscans, a Joachite group arose, many of whom saw Antichrist already in the world in the person of Frederick II, Holy Roman Emperor (who died in 1250).
As the appointed year approached, spurious works began to circulate under Joachim's name: De Oneribus Prophetarum, an Expositio Sybillae et Merlini ("Exposition of the Sibyl and Merlin") and commentaries on the prophecies of Jeremiah and Isaiah. The Fourth Council of the Lateran, in 1215, condemned some of his ideas about the nature of the Trinity. In 1263, the archbishop Fiorenzo enhanced the condemnation of his writings and those of his follower Gerardo of Borgo San Donnino, joining a commission in the Synod of Arles, in which Joachim's theories were declared heretical. The accusation was of having an unorthodox view of the Holy Trinity.
His views also inspired several subsequent movements: the Amalricians, the Dulcinians and the Brethren of the Free Spirit. All of these were eventually declared heretical by the Catholic Church. Joachimite interpretations became popular in the Protestant reformation,[13] and even influenced some Protestant interpretations.[14] Joachim also possibly influenced Dante.[15]
Of importance is the fact that Joachim himself was never condemned as a heretic by the Church; rather, the ideas and movement surrounding him were condemned. Joachim the man was held in high regard during his lifetime.
It has been argued that the Divine Comedy of Dante Alighieri is largely inspired by the ideas of the Abbot using the interpretation given by his follower Pietro di Giovanni Olivi, active in Florence at the end of the XIII century.[16]
Joachim may be referred to by the 16th century English cartographer and court magician John Dee, who refers in his influential 1570 work Preface to Euclid to "Ioachim the Prophesier" who "by Numbers Formall, Naturall, and Rationall, forseyng, concludyng, and forshewyng great particular euents, long before their comming."[17] (Rendered in contemporary English: "Joachim the Prophet, who by numbers formal, natural, and rational, foreseeing, concluding, and foretelling, great particular events, long before their coming.")
Joris-Karls Huysmans' novella Là-bas makes reference to Joachim de Fiore's millenarian eschatology in its concluding scenes, with several characters espousing similar views; presaging the protagonist's conversion to Catholicism.
W. B. Yeats's short story "The Tables of the Law" tells about a single surviving copy of a certain book by Joachim of Flora and its powerful effects on its owner.[18] [19]
Joachim, referred to as Joachim Abbas, is referenced in James Joyce's Ulysses and Giacomo Joyce and Stephen Hero.
Joachim is mentioned in Umberto Eco's medieval mystery The Name of the Rose. His influence on the Franciscan Spirituals and the rediscovery of his books foreseeing the advent of a new age are part of the book's background story in which an inquisitorial debate is held in a remote monastery where a number of murders take place.
The sprawling conspiracy satire entitled the Illuminatus! trilogy of novels by Robert Anton Wilson and Robert Shea also reference Joachim of Fiore repeatedly. His writings fit well with the eschatological tone of the story. The authors attempt to confuse matters and give an air of authenticity to the madness of the various plotlines by including references to real people and events.
In 2023, a film inspired by the life of Joachim "Joachim and the Apocalypse" was produced.[20]
Lesser works include: